Past Residents
Past Resident2019: KdFS Kulturstiftung des Freistaates Sachsen
Jana Schulz
In her multimedia works, Jana Schulz deals with the different kinds of interpersonal communication. She is focused on observing structures and dynamics within different social groups. She extends her documentary approach by re-staging scenes or giving specific instructions for her works.
Jana Schulz has exhibited work at Kunsthalle Wien, Vienna; Museum der bildenden Künste Leipzig; and Kunstquartier Bethanien Berlin, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Jana Schulz, Golden Boys (Iğdır, Maravilla, Monterey Park), 2018, installation at Museum der bildenden Künste Leipzig. Copyright: Marion Ermer Stiftung. Photo by Stefan Hoyer/PUNCTUM.
Jana Schulz, Golden Boys (Iğdır, Maravilla, Monterey Park), 2018, 1-channel projection, HD video, color, and sound, 17:33.
Jana Schulz, Golden Boys, Monterey Park, 2018, video still.
Jana Schulz, Andy Alanis, 2015, composition on tape in cooperation with Stefan Schöneich, 16:39 min.
Jana Schulz, Blaue Perle, 2013–14, video still of a 1-channel projection, HD video, color, and sound, 11:28 min.
Past Resident2019: Fire Station - Qatar Museums
Fatima Mohammed
Fatima Mohammed works in mixed media, installation art and printmaking, creating her own homemade inks from medicines meant to cure her back complaint. Her work focuses on the changing social anatomy of the Arabian Gulf, portrayed through the perspective of her fictional character, 3naj (Anaj).
Fatima Mohammed (born 1993, Qatar) graduated from Virginia Commonwealth University Qatar (VCUQ) in 2016, with a major in Painting and Printmaking and a minor in Art History. She has exhibited work at al markhiya gallery, Fire Station, and Msheireb Museums, all Doha, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Fatima Mohammed, The Golden Cage, 2018, mixed media.
Fatima Mohammed, 3naj Searching for the Supersonic, 2018, mixed media.
Fatima Mohammed, Unscrewed, 2018, mixed media.
Fatima Mohammed, Oil & Gold, 2018, mixed media.
Fatima Mohammed, The Start, 2015, mixed media.
Residents from Qatar
Fritjof Mangerich
Fritjof Mangerich is concerned with the relationship of the public realm of urban space, its sonic dimensions and the human body and its metabolisms. In his site responsive situations, he uses sound as a sculptural matter to fathom both the psychology of architecture and the physicality of perception.
Fritjof Mangerich has exhibited at Kunstmuseum Wolfsburg, Germany; Salian Art Space, Lembang, Jawa Barat, Indonesia; and Kuenstlerforum Bonn, Germany, among others.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.