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Stanley Wany
Stanley Wany

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Past Residents
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Antonietta Grassi
Antonietta Grassi
Canada

Past Resident
2024: Conseil des arts et des lettres du Québec

Artist

Stanley Wany

Stanley Wany’s practice spans large-format works on paper, illustration, and installations, focusing on his multi-ethnic identity and the reappropriation of Black representation in the West. His work engages with the concept of “creolization,” a term popularized by Martinican author Édouard Glissant, through its materiality and form. Central to Wany’s practice is extensive research, encompassing African-Canadian, African-American, and Caribbean history and culture, as well as African myths and traditions.

Stanley Wany has exhibited work at Galerie de l’UQAM; Plug In Contemporary Art Institute; and Ottawa Art Gallery, all in Canada, among others.

Stanley Wany, Ase, 2021, charcoal on paper, 84 × 60 in. (213.36 × 152.4 cm).
Stanley Wany, Rhizome, 2024, ink, polymer medium and acrylic on wood panel, 60 × 60 in. (152.4 × 152.4 cm).
Stanley Wany, Voyage à Fonds-des-Nègres, 2023, coffee and polymer medium; Wenge, 120 × 100 in. (304.8 × 254 cm).
Stanley Wany, Chaosmos, 2023, acrylic paint and found objects on gourds, 100 × 15 in. (254 × 38.1 cm).
Stanley Wany, L’Odysseyium and Transmissionology, 2023, graphite on rice paper, jute, canvas, rope, thread, lambi conch shell and hair of Afrodescendants, Eurodescendants and Creoles / Sugar cane paper, coffee, indigo, molasses transfer on rice paper and ink on wood panels.

Residents from Canada

Asal Andarzipour

Canada, Iran
Alberta Foundation for the Arts, Behdad Esfahbod
Studio #213

Braxton Garneau

Canada
Elizabeth Greenshields Foundation, Edmonton Arts Council, Canada Council for the Arts
Studio #202

Jude Griebel

Canada, United States
Canada Council for the Arts
2016
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International Studio & Curatorial Program

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Stanley Wany
Stanley Wany
Bob Kil
Bob Kil
Canada

Past Resident
2024: Conseil des arts et des lettres du Québec

Artist

Antonietta Grassi

Antonietta Grassi’s paintings recontextualize the history of abstract art, emphasizing the vital role of female labor in technological advancements. By referencing textiles, technology, and women’s contributions to early computer systems, her work draws a parallel between the loom and the origins of computer programming. Though rooted in modernist painting traditions, Grassi’s art reflects the contemporary condition of living in an overly digitized, dematerialized world, while seeking to reconnect with a more embodied and spiritual experience.

Antonietta Grassi has exhibited work at Canadian Pavilion, Expo Dubai, United Arab Emirates; Musée national des beaux-arts du Québec, Canada; and Katonah Museum, New York, among others.

Antonietta Grassi, Compiler 3.0, 2022, oil and ink on linen, 61 × 60 in. (154.94 × 152.4 cm).
Antonietta Grassi, Pink Power Push, 2023, oil and ink on linen, 55 × 55 in. (139.7 × 139.7 cm).
Antonietta Grassi, Zip no.2, 2022, acrylic oil and ink on linen, 55.
Antonietta Grassi, Chromatopia, 2023, oil and ink on linen, 82 × 84 in. (208.28 × 213.36 cm).
Antonietta Grassi, Zip Stack Flow, exhibition view , 2022, mixed media.

Residents from Canada

Asal Andarzipour

Canada, Iran
Alberta Foundation for the Arts, Behdad Esfahbod
Studio #213

Braxton Garneau

Canada
Elizabeth Greenshields Foundation, Edmonton Arts Council, Canada Council for the Arts
Studio #202

Jude Griebel

Canada, United States
Canada Council for the Arts
2016
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International Studio & Curatorial Program

1040 Metropolitan Avenue
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Antonietta Grassi
Antonietta Grassi
United Kingdom, Germany

Past Resident
2024: Senate Department for Culture and Europe, Berlin

Artist

Bob Kil

Bob Kil’s work reflects contemporary reality, serving as a mirror that blends the present with a detailed and often critical exploration of societal norms and the deeply rooted aspects of human experience and identity. Through repetition and meticulous notation, Kil contrasts subtlety with conventional notions of mastery, challenging the belief that complexity equates to skill. Instead, his work emphasizes the power and impact of refined, minimalistic imagery.

Bob Kil has exhibited work at Mudam Museum of Modern Art, Luxembourg; Museo Tamayo Arte Contemporáneo, Mexico City; and Hammer Museum, Los Angeles, among others.

Bob Kil, Traveller, 2024, collage, 115/8 × 83/16 in. (29.46 × 20.83 cm).
Bob Kil, Is, Bob, 2024, collage, 115/8 × 83/16 in. (29.46 × 20.83 cm).
Bob Kil, Aries III, 2024, collage, 115/8 × 83/16 in. (29.46 × 20.83 cm).
Bob Kil, Trip, 2024, performance.
Bob Kil, Boyfriend, 2024, performance.

Residents from Germany

Lukas Marxt

Germany, Portugal
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218

Szu-Ying Hsu (Ida)

Taiwan, Germany
Ministry of Culture, Taiwan
Studio #302

Matthias Garff

Germany
KdFS Kulturstiftung des Freistaates Sachsen
Studio #214
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International Studio & Curatorial Program

1040 Metropolitan Avenue
Brooklyn, New York, 11211