Past Residents
Past Resident2017: Alberta Foundation for the Arts
Yvonne Mullock
Yvonne Mullock has a multi-disciplinary studio practice with a particular focus on nature and crafts. She incorporates collage, sculpture, ceramics, video and textiles in her work, and explores ideas of authorship, craft and labor, for both gallery settings and site-specific installations. Mullock often works with individuals and groups of people to develop pieces that are collaborative, socially engaged and performative.
Yvonne Mullock is a graduate of the Glasgow School of Art who is currently based in Calgary, Canada. Over the past fifteen years, she has participated in artist residency programs in Scotland, England, Canada, and the United States. Recent exhibitions include: Dark Horse, Stride Gallery, Calgary; Charrette Roulette: FABRIC, Art Gallery of Alberta, Edmonton; HIT & MISS, Esker Foundation|Contemporary Art Gallery, Calgary; Home Economics, Textile Museum of Canada, Toronto; Future Station: 2015 Alberta Biennial of Contemporary Art, Art Gallery of Alberta, Edmonton; Atlas Sighed: 2104 Calgary Biennial; and Beaver Fever, Project Room, Glasgow.
Yvonne Mullock, Dark Horse, 2016, HDV 1080i film, 16:28 min
Yvonne Mullock, Desktop, 2016, H.264 film, 4:31 min
Yvonne Mullock, HIT & MISS, 2014, Mixed fibers and performance, 120 × 30 in. (304.8 × 76.2 cm)
Yvonne Mullock, Quilts of Canada, 2013, Archival self-adhesive inkjet print, 53 × 80 in. (134.62 × 203.2 cm)
Yvonne Mullock, Beaver Made Ready Mades, 2013, Bronze, Dimensions variable
Residents from Canada
Past Resident2017: The New York Community Trust’s Edward and Sally Van Lier Fund
Ayesha Kamal Khan
Ayesha Kamal Khan’s work hovers in the anxiety of displacement. She addresses the tensions of polarity using impressions of provisional nomadic structures. She uses a variety of mediums including sculpture, video, drawing. Her more recent work is primarily installation based and is subject to change according to the site in question. Khan uses the language of provisional nomadic structures that assert their unreliability in their means of construction. She exaggerates these temporary solutions to claim land. The work looks for a balance, admitting in itself the lack thereof.
Ayesha Kamal Khan graduated from the National College of Arts, Lahore, Pakistan in 2011, and earned an MFA from Pratt Institute, New York in 2015. She lives and works between Brooklyn and Lahore. Khan has been exhibited at art institutions internationally, including the Queens Museum, and participated in the Skowhegan School of Painting and Sculpture in 2015.
Ayesha Kamal Khan, Sharing Ground, 2015, 58 second stop-motion animation, looped, Dimensions variable
Ayesha Kamal Khan, Following, 2015, Used orange cooler, philips tube light, small blue cooler, transparent straw, and stuffed black plastic bag, Dimensions variable
Ayesha Kamal Khan, This May Fall (Huffing and Puffing), 2014, Red bricks, white enamel, clothes line, hooks, nails, green bending wire, black metal pedestal fan, extension cord, and electricity, Dimensions variable
Ayesha Kamal Khan, Only a Fall Can Save, 2014, Marker on paper, 28 × 24 in. (71.12 × 60.96 cm)
Ayesha Kamal Khan, This May Fall (Chairlift), 2015, Monarch rocking chair, mangos, clothes line, yellow marigolds in red and white flower pots painted (big and small), graphite on paper, white cushions, used green soap bar, green bending wire, nails, and hooks, Dimensions variable
Past Resident2017: Brisbane City Council, Arts Queensland
Tess Maunder
Tess Maunder’s practice revolves around the notion of the curatorial. This includes forms of curatorial mediation beyond the scope of traditional models of exhibitions, and formats such as public programs, research methodologies, editorial work, publications and other discursive platforms.
Tess Maunder is an Australian-born international curator, writer and researcher. She obtained her degree from the Queensland University of Technology, Brisbane. Her projects to date largely focus on the politics of the Global South, engaging mostly with the Asia-Pacific region. She was awarded the MPavilion|Art Monthly Writing Award and the Brisbane City Council Lord Mayor’s Young and Emerging Artists Fellowship for curatorial research. Exhibitions include Folds of Belonging, Brisbane, 2017 and the 11th Shanghai Biennale, Why Not Ask Again, 2016–2017. Maunder regularly contributes to international publications, academic journals and catalogues.
Events & Exhibitions
Spring Open Studios 2017
April 21–April 22, 2017
Tess Maunder, participant in Independent Curators International Intensive: 'What Does it Mean to be International?' Tokyo, 2013
Documentation of the 11th Shanghai Biennale, 2017
Documentation of the 11th Shanghai Biennale, 2017
Documentation of the 11th Shanghai Biennale, 2017
