Past Residents
Past Resident2018: Nissan Art Award – Arts Initiative Tokyo
Hikaru Fujii
Hikaru Fujii creates video installations that respond to contemporary social problems. He makes use of extensive research and fieldwork investigating existing systems and structures, based on the idea that art is produced out of the intimate relationship between society and history. Rather than presenting his research into past events just as it is, he has continued to use his work to attempt reinterpretations of the issues from contemporary perspectives.
Hikaru Fujii has exhibited work at National Museum of Modern Art, Tokyo; National Museum of Modern and Contemporary Art, Seoul; and Onassis Cultural Centre, Athens, among others.
Hikaru Fujii, The Primary Fact, 2018, installation.
Hikaru Fujii, The Primary Fact, 2018, installation.
Hikaru Fujii, The Educational System of an Empire, 2016, installation.
Hikaru Fujii, Record of the Bombing, 2016, installation.
Hikaru Fujii, Playing Japanese, 2017, installation.
Past Resident2018: The Rupert Bunny Foundation Visual Arts Fellowship (RBFVAF)
Belle Bassin
Belle Bassin is an experimental visual artist. In her practice, she pursues new formats and modes of presentation where she exhibits within urban and biological spaces, as well as within galleries and museums. Situated at the intersection of sculpture and performance, her work often fixates upon the sentient dimension of color and form. Her work is currently concerned with early female Abstraction, the psychic space of visions, and the occupation of bodies and space by invisible forces.
Belle Bassin has exhibited work at Heide Museum of Modern Art, Melbourne; TarraWarra Museum of Art, Melbourne; and University of Queensland Art Museum, Brisbane, among others.
Belle Bassin, Glass, 2017, stills of live performance.
Belle Bassin, Confetti, 2017, video still, 8:23 min.
Belle Bassin, The platform became a blackhole (Athens), 2018, video still, 3:33 min.
Belle Bassin, The platform became a blackhole (Kythira), 2018, video still, 3:30 min.
Belle Bassin, Interloch, 2018, drawing, 4 × 8 in. (10.16 × 20.32 cm).
Past Resident2018: Danish Arts Foundation
Julie Møller Horne
Julie Møller Horne’s curatorial focus is on performance art. She is interested in the place of performance art in art museums as institutions, particularly the documentation and exhibition of performance art.
Julie Møller Horne is a curator at the experimental contemporary art museum, Horsens Art Museum, Horsens, Denmark. Horne also contributes as a commentator in news and radio shows in Denmark.
Events & Exhibitions
2018 Summer Open House
July 31, 2018, 6–9pm
Lilibeth Cuenca Rasmussen, Inbetweeness, 2014, performance installation.
Lilibeth Cuenca Rasmussen, Inbetweeness, 2014, performance installation.
Sophie Dupont, Heavy Light, 2016, performance.
Sophie Dupont, Gravity, 2016, performance.
Martin Erik Andersen, René Schmidt and Vinyl Terror & Horror, Anger, 2017, installation.
