Past Residents
Past Resident2013: Al-Riwaq Art Space
Jaffar Al Oraibi
Jaffar Al Oraibi began drawing and painting early in life, first drawing portraits of friends and family members and then landscapes in Bahrain. His work has evolved toward the evolution of knowing the world of art and artists, through direct visits inside and outside Bahrain.
Jaffar Al Oraibi (born 1976) is one of Bahrain’s foremost emerging contemporary artists, with a Bachelor of Education from the University of Bahrain. His work has been exhibited widely, including solo exhibitions at Cuadro Fine Art Gallery, Dubai, and Al Riwaq Art Space, Bahrain. Group exhibitions include Morocco’s Asilah Festival, the China Art Olympiad Biennale, the 5th International Print Triennial in Egypt, and the Cité International des Arts in France. He has won numerous awards for his work, such as first prize at the Qatari Diar Art Symposium, special recognition at the 32nd Annual Plastic Arts exhibit at Bahrain’s National Museum, and the Silver Palm from the seven GCC art exhibitions, Kuwait. Al Oraibi was an artist-in-residence at Cité International des Arts and the Delfina Foundation in London.
Events & Exhibitions
Salon: Jaffar Al Oraibi, Waheeda Malullah and Mohamed Sharkawy
August 27, 2013
Jaffar Al Oraibi, Untitled, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 0, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 22, 2010, Oil, charcoal and spray paint on canvas, 353/8 × 275/8 in. (89.92 × 70.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled, 2010, Oil, charcoal and oil bar on canvas, 5811/16 × 753/16 in. (149.1 × 191.01 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 3, 2010, Oil, charcoal, oil bar and spray paint on canvas, 5611/16 × 753/16 in. (144.02 × 191.01 cm). Courtesy of the artist.
Residents from Bahrain
Past Resident2013: Arts Council of Ireland, Culture Ireland
Brian Duggan
Brian Duggan’s work engages people in questioning the myriad decisions of the everyday, he twists experience and materials to question the actuality of lived experience. Problems, crisis and mistakes, the inherent risks of choosing an activity or choosing inactivity, are an ongoing focus for his projects. When things go wrong during specific events, peaceful moments of pre or post-disaster are a fertile ground for his practice. Unpacking both grand events and small everyday speed bumps, his work engages with sculpture, print, publishing, digital film, sound and installation.
Brian Duggan’s (born 1971) work is included in the permanent collections of the Hugh Lane Gallery and the Irish Museum of Modern Art. He has undertaken residencies in IMMA, CCI Paris, Project 304 Bangkok and ChangMai Thailand. His recent solo exhibitions include They Have Tried Everything to Keep Us From Riding…but in the end we always win, Limerick City Gallery, 2012; Everything Can Be Done, In Principle, Visual, Carlow, 2012; Three Lives, RUARED, Dublin, 2012, and It’s Too Late Now, The Process Room, Irish Museum of Modern Art, 2011. His selected group exhibitions include A Terrible Beauty, Art Crisis, Change, Dublin Contemporary, 2011; Supernomal, Braziers UK, 2011; SUB:URBAN, Rotterdam, 2009 and I’m Always Touched By Your Presence, Dear., Irish Museum of Modern Art, 2007-2008. Duggan lives and works in Dublin.
Brian Duggan, This Short-term Evactuation, Pripyat, Chernobyl, 30km zone, 2011. Courtesy of the artist.
Brian Duggan, I Leave to the Various Future (not to all) my Garden of Forking Paths, 2012, Wood maze. Courtesy of the artist.
Brian Duggan, Untitled (Bangkok general, Mr. Finbarr, March 2006), 2012, X-ray light box. Courtesy of the artist.
Brian Duggan, Changing the Meaning of the Ordinary (Fukushima Power Plant prior to March 11, 2011), 2011, Travertine marble, four different types of porcelain, Kilkenny limestone, steel and spectrum glass. Courtesy of the artist.
Past Resident2013: Canada Council for the Arts
Paul Dignan
The starting point for Paul Dignan’s recent paintings are squares aligned in an even grid. Within these squares there are individual compositions based on one original source drawing. These paintings challenge the viewers’ perception in that the apparent uniformity of the schemata gradually begins to dissolve over time allowing slight shifts to occur. The feeling of order is further disrupted by the placement of flat areas next to airbrushed areas that feign an illusion of depth. Within a limited and regular format the paintings offer endless shifting variations that initially engage the viewers eye before ultimately revealing a certain resistance to it.
Paul Dignan (born Dundee, Scotland) is based in Ontario, Canada. He has lived and worked there since leaving Scotland in 2003. He is a graduate of the Slade School of Fine Art, London and is a past recipient of The Rome Scholarship in Painting at The British School at Rome. He has received numerous awards from the Scottish Arts Council, The Ontario Arts Council and The Canada Council for the Arts. His work has been included in shows at the Centre for Contemporary Art, Glasgow; The Museum of Contemporary Art, Skopje; FYR Macedonia and The Art Gallery of Ontario, Toronto. His work can be found in numerous collections, including The Art Gallery of Nova Scotia, The Unilever Collection, London and The Canada Council for the Arts.
Paul Dignan, Cota 1, 2011, Acrylic on canvas, 48 × 48 in. (121.92 × 121.92 cm). Courtesy of the artist and The Canada Council for the Arts.
Paul Dignan, Beamish 2, 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Beamish 2 (detail), 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Corridor 2, 2013, Acrylic on canvas, 60 × 60 in. (152.4 × 152.4 cm). Courtesy of the artist.
Paul Dignan, Corridor 3, 2013, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
