Past Residents
Past Resident2023: Fire Station - Qatar Museums
Almaha Ashkanani
Almaha Nasser is a multimedia artist working with printmaking, mixed media, and photography. She develops her visual narrative through different media and focuses on symbolizing trees and time to revisit memories.
Almaha Nasser has exhibited work at Virginia Commonwealth University School of the Arts in Qatar; and al markhiya gallery; all in Qatar, among others.
Almaha Ashkanani, witness, 2021, mixed media, dimensions variable.
Almaha Ashkanani, nakheel, 2021, ink and screen printing on paper, 11 × 8 in. (27.94 × 20.32 cm).
Almaha Ashkanani, shai aldhaha, 2019, mixed media, dimensions variable.
Almaha Ashkanani, tree of time, 2022, acrylic on canvas, dimensions variable.
Almaha Ashkanani, Witness 2, 2022, oil painting on canvas, 50 × 50 in. (127 × 127 cm).
Residents from Qatar
Past Resident2023: Danish Arts Foundation
Carl Mannov
Carl Mannov uses painting and other mediums to explore the role that fiction plays in the formation of identity, drawing on his own experience and theatrical upbringing as a source of maxims.
Carl Mannov has exhibited work at Salzburger Kunstverein, Austria; Overgaden Contemporary Art Institute, Denmark; and La Casa Encendida, Spain, among others.
Carl Mannov, Forestilling (Apparition/Play), 2023, gesso, acrylic, linen and resin on cotton canvas mounted on wood and aluminum, 435/16 × 591/8 × 13/16 in. (109.98 × 150.11 × 3.05 cm).
Installation view of 'The fiction reader' and 'Veil' from Den Frie by Carl Mannov, Centre of Contemporary Art, 2023.
Carl Mannov, Chamber Play (Roots), 2021, pencil, watercolor and guache on papers and artist-made passepartout, 317/8 × 161/2 × 11/16 in. (81.03 × 41.91 × 1.78 cm).
Installation view of 'Chamber Play' by Carl Mannov at Overgaden Contemporary Art Institute, 2021.
Installation view of 'Kammerspil (Chamber Play)' by Carl Mannov at Overgaden Contemporary Art Institute, 2021.
Residents from Denmark
Past Resident2023: Danish Arts Foundation
Hannibal Andersen
Hannibal Andersen creates images, objects, interventions and performances that address the role of the economy in society. He gives intangible economic conditions physical form, revealing their relationship to art and existence. His works pose amusing and embarrassing issues about capital’s authority, limitlessness, and invisible power.
Hannibal Andersen has exhibited work at Kunsthal Charlottenborg, Copenhagen; P.E.T Projects, Athens; and The National Museum of 21st Century Arts, Rome, among others.
Hannibal Andersen, $!?, 2022, trademarked paint, 394 × 748 in. (1000.76 × 1899.92 cm).
Hannibal Andersen, The Abstract Expression of Privatization, 2022, readymade jpegs printed on artpaper, clip-frames and neutral grey backdrop, 70 × 83 in. (177.8 × 210.82 cm).
Hannibal Andersen, Everything Under the Sun, 2023, mixed media, dimensions variable.
Hannibal Andersen, Everything Must Go!, 2022, video/animation and LED ad-screen, 15 sec.
Hannibal Andersen, Møntfod (Coin Foot), 2021, CNC-cut styropor, polyurea coating and paint, 47 × 79 × 32 in. (119.38 × 200.66 × 81.28 cm).