Past Residents
Past Resident2024: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Ulrike Königshofer
Ulrike Königshofer is a visual artist based in Vienna whose work explores the visibility of the world around us. Through technical arrangements, she finds new ways to capture the most ephemeral qualities, like the ripples on a lake. Her pieces draw our attention to aspects of reality that often go unnoticed, exploring the boundaries of what can be depicted and reflecting on the nature of images themselves.
Ulrike Königshofer has exhibited work at Camera Austria, Austria; Austrian Cultural Forum, New York; and Halle für Kunst, Austria, among others.
Ulrike Königshofer, Sunlight Traces, 2014, burn traces on paper, 19 × 4 in. (48.26 × 10.16 cm)
Ulrike Königshofer, Graphs, 2022-2023, silver gelatin prints, 15 × 19 in. (38.1 × 48.26 cm)
Ulrike Königshofer, Cast of Water, 2021, installation, 39 × 47 × 39 in. (99.06 × 119.38 × 99.06 cm)
Ulrike Königshofer, Shades of Glass, 2020, framed Photogram, 19 × 9 in. (48.26 × 22.86 cm)
Ulrike Königshofer, Empty Walls, 2023, pencil on paper, 55 × 39 in. (139.7 × 99.06 cm)
Residents from Austria
Past Resident2024: Danish Arts Foundation2021: Danish Arts Foundation
Lotte Nielsen
Lotte Nielsen is a Danish visual artist who primarily works with film, using an experimental and poetic visual language to delve into themes of identity, self-image, and the experiences of minorities.
Lotte Nielsen has exhibited at Gropius Bau, Berlin; KW, Berlin; and Nikolaj Kunsthal, Copenhagen, among others.
Events & Exhibitions
2021 Fall Open Studios
November 13, 2021
Lotte Nielsen, Letters from St. Petersburg, 2021, film still
Lotte Nielsen, Letters from St. Petersburg, 2021, film still
Lotte Nielsen, Letters from St. Petersburg, 2021, film still
Lotte Nielsen, Haus of Dragons, 2019, film still
Lotte Nielsen, Haus of Dragons, 2019, film still
Residents from Denmark
Past Resident2024: Conseil des arts et des lettres du Québec
Antonietta Grassi
Antonietta Grassi’s paintings recontextualize the history of abstract art, emphasizing the vital role of female labor in technological advancements. By referencing textiles, technology, and women’s contributions to early computer systems, her work draws a parallel between the loom and the origins of computer programming. Though rooted in modernist painting traditions, Grassi’s art reflects the contemporary condition of living in an overly digitized, dematerialized world, while seeking to reconnect with a more embodied and spiritual experience.
Antonietta Grassi has exhibited work at Canadian Pavilion, Expo Dubai, United Arab Emirates; Musée national des beaux-arts du Québec, Canada; and Katonah Museum, New York, among others.
Antonietta Grassi, Compiler 3.0, 2022, oil and ink on linen, 60 × 61 in. (152.4 × 154.94 cm)
Antonietta Grassi, Pink Power Push, 2023, oil and ink on linen, 55 × 55 in. (139.7 × 139.7 cm)
Antonietta Grassi, Zip no.2, 2022, acrylic oil and ink on linen, 55
Antonietta Grassi, Chromatopia, 2023, oil and ink on linen, 84 × 82 in. (213.36 × 208.28 cm)
Antonietta Grassi, Zip Stack Flow, exhibition view , 2022, mixed media
