Past Residents
Past Resident2023: Danish Arts Foundation
Julian Juhlin
Julian Juhlin creates theatrical visual art using staging techniques he learned while working as a stage designer, establishing a distinct iconography in the artist’s practice. In his works, Juhlin stages figures and objects derived from his own experience, placing them in visual scenes frozen in time in an attempt to maintain and preserve specific stages of life.
Julian Juhlin has exhibited work at Copenhagen Contemporary, Denmark; Prague Quadrennial, Czech Republic; and Royal Danish Theatre, Denmark, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Julian Juhlin, The Boy Who Will Never Leave Home, 2012-ongoing, installation, performance and video
Julian Juhlin, Halfdans Hokus Pokus, 2019, set design, 315 × 748 × 236 in. (800.1 × 1899.92 × 599.44 cm)
Julian Juhlin, Virgin Tour - Czech Republic, 2019, performance and installation, 196 × 196 × 149 in. (497.84 × 497.84 × 378.46 cm)
Julian Juhlin, Virgin Tour - Tokyo, 2022, performance and installation, 78 × 149 × 66 in. (198.12 × 378.46 × 167.64 cm)
Julian Juhlin, Virgin Tour - New York, 2022, film, 8 min.
Residents from Denmark
Past Resident2022: Artis
Meghana Karnik
Meghana Karnik is a curator, arts worker and writer. In her practice, Karnik explores paradoxes between art and social change, spirituality and technology, and lived experience and institutional process. Her current research focuses on artists and cultural workers who practice disinformation, cultural dislocation, and/or mysticism.
Meghana Karnik has curated exhibitions at Richard and Dolly Maass Gallery, New York; Reinberger Gallery, Cleveland Institute of Art, Cleveland; and Foundation and Center for Contemporary Art, Prague, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Installation view of group exhibition featuring work by Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa and Emily Mae Smith, TITLE TBD, 2020, at The Cleveland Institute of Art's Reinberger Gallery, Cleveland, curated by Meghana Karnik. Photo by Yann Chashanovski
Installation view of group exhibition featuring work by Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa and Emily Mae Smith, TITLE TBD, 2020, at Reinberger Gallery, The Cleveland Institute of Art, Cleveland, curated by Meghana Karnik. Photo by Yann Chashanovski
Installation view of Tamar Ettun's work, Demon Traps, in the exhibition 'How To Trap A Demon', 2022, at Richard and Dolly Maass Gallery, New York, curated by Meghana Karnik. Photo by Yann Chashanovski
Installation view of Tamar Ettun's work 'Demon traps' in exhibition, Demon Traps, in the exhibition 'How To Trap A Demon', 2022, at Richard and Dolly Maass Gallery, New York, curated by Meghana Karnik. Photo by Yann Chashanovski
Documentation of artist book project and curator's editorial project, Texts From Lilit: 31 Cards to Connect You to Your Demon, 2022, in conjunction with 'How To Trap A Demon' at Richard and Dolly Maass Gallery, New York
Residents from United States
Anaïs Horn
Anaïs Horn’s work intertwines literature, text, photography, video, drawing and painting to explore intimate moments. With a focus on liminality and coming-of-age, Horn observes people and their spaces. In her artistic process, she investigates time, memories, the body and its traces, the cautious intrusion of privacy, the aesthetics of reality, and fugacity. Her images take shape by exploring surfaces and objects, and they frequently unfold into spatial installations.
Anaïs Horn has exhibited work at Camera Austria, Graz; Paris Photo, Curiosa Section, Paris; and MAK-Museum of Applied Arts, Vienna, among others.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable
Anaïs Horn, Les Fenêtres, 2022, photography and painting, dimensions variable
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable
Anaïs Horn, You would wear it as pajamas and even to go out with it before breakfast, 2021, yukata object and several photo prints on crêpe de Chine, dimensions variable
Anaïs Horn, How do you feel about "Lou"?, 2020, photography and installation
