Akansha Rastogi develops and mediates relationships between the exhibit, curator, artist and the exhibition space. She engages with the exhibition as a medium and as a form through her curatorial and research projects. Her interest is in different kinds of knowledge production within exhibition spaces and a study of vocabularies formulated during the process of exhibition-making. In her curatorial practice, Rastogi manufactures methods and cycles of reiteration and retrieval, mnemonic conditions, access and mesh-making, in relation to the performativity of exhibitions and exhibition spaces. Her ongoing project Grazing sidelines the narrative and produces a post-embedding, self-alluding structural field that further addresses this interiority and performative duration.

Akansha Rastogi (born 1985) is Curator, Programming and Exhibitions, at the Kiran Nadar Museum of Art (KNMA), New Delhi. She completed her degree in English literature from Delhi University and Master’s Degree in the History of Art. Her recent exhibitions include Zones of Contact: Propositions on the Museum, 2013 and the Inhabiting the Museum performance series, 2011-14, KNMA. Rastogi is part of the artist collective WALA and received a FICA Public Art Grant for performance projects. She is the recipient of the 2014-15 IFA Research Grant for studying Exhibition Histories and Practices of Indian Modern and Contemporary Art.