Past Residents
Past Resident
2024: Vision Fund
Kearra Amaya Gopee
Kearra Amaya Gopee (they/them) is an anti-disciplinary visual artist from Carapichaima, Kairi (the larger of the twin-island nation known as Trinidad and Tobago), living on Lenape land (New York). Using video, sculpture, sound, writing and other media, they identify both violence and time as primary conditions that undergird the anti-Black world in which they work: a world that they are intent on working against through myriad collective interventions. They live and work between Trinidad and Tobago and New York City.
Kearra Amaya Gopee has exhibited work at The Kitchen, New York; Third Horizon Film Festival, Miami; and REDCAT, Los Angeles, among others.

Kearra Amaya Gopee, ca(r)milla, still, 2023, single channel video, 12:02 min.

Kearra Amaya Gopee, pappyshow in the dark time, my love, installation view, 2022, three channel video, 25:54 min.

Kearra Amaya Gopee, excision spell, installation view, 2020, single channel video, 4:56 min.

Kearra Amaya Gopee, ca(r)milla, installation view, 2023, single channel video, dirt, concrete, plaster, mirror, and crocus bags, dimensions variable.

Kearra Amaya Gopee, ca(r)milla, 2018, single channel video, 11:02 min.
Residents from Trinidad and Tobago
Past Resident
2024: Vision Fund
Verónica Gaona
Verónica Gaona is a Mexican American multidisciplinary artist whose work is deeply influenced by the current socio-political climate. She explores themes of architecture and migration, utilizing remnants of death and truck parts to represent the hybrid nature of remittance-built environments that span international borders. Gaona incorporates the perspectives of displaced and exploited communities, highlighting aspects of the diaspora such as opacity, transnationality, and impermanence. Her practice challenges traditional approaches to memorialization and seeks to subvert established power structures.
Verónica Gaona has exhibited work at Charlie James Gallery, Los Angeles; Lawndale Art Center, Texas; and Blaffer Art Museum, Texas, among others.

Verónica Gaona, to know and to dream at the same time, migrant metropolis, 2023-present, Ford F-150 body parts, aluminum sheets, archived prints on aluminum sheets, and vinyl, dimensions variable.

Verónica Gaona, Spanning Worlds, 2022-present, steel rod, eight migrant caps, and Ford F-150 truck shattered polarized window glass.

Verónica Gaona, Familia Gomez, 2024, caps and Ford F-150 truck tinted and translucent glass shards, dimensions variable.

Verónica Gaona, To know and to dream at the same time, 2022-present, Ford F-150 body parts, aluminum sheets, archived prints on aluminum sheets, and vinyl, dimensions variable.

Verónica Gaona, Northless, 2022, shattered Ford F-150 truck tinted window glass, and migrant caps and embroidered text, dimensions variable.
Residents from United States
Aryel René Jackson

Studio #305
Hanae Utamura

Studio #201
Past Resident
2024: Danish Arts Foundation
Maja Malou Lyse
Maja Malou Lyse is a multidisciplinary artist exploring themes that address the complexities of image and pleasure politics through an immersive practice. Using mediated, image-based platforms, which are deeply embedded in our daily lives—such as magazines, television shows and digital medias—Lyse’s works highlight the ways in which our desires are deeply connected to the cultural and political realities of our time.
Maja Malou Lyse has exhibited work at Kunstmuseum Brandts; ARoS Aarhus Art Museum; and Kunsthal Charlottenborg, all in Denmark, among others.

Maja Malou Lyse, Antibodies, 2022, video, 10 min. Charlottenborg Kunsthal, Denmark.

Maja Malou Lyse, Antibodies, 2022, video, 10 min. Charlottenborg Kunsthal, Denmark.

Maja Malou Lyse, WAP, 2023, video, 17 min.

Maja Malou Lyse, Pressure Picture, 2023, video billboard, 2 min. Commision for Roskilde Festival 2023 in collaboration with Esben Weile Kjær.

Maja Malou Lyse, Untitled, 2019, sculpture. Courtesy of Galleri Nicolai Wallner, Denmark.