Past Residents
Past Resident2022: Artis
Xavier Acarín Wieland
Xavier Acarn Wieland is a curator who works at the intersection of performativity, material culture, and ecology.
Xavier Acarín Wieland has presented exhibitions at Caixaforum, Barcelona; Mies van der Rohe Foundation, Barcelona; and Abrons Arts Center, New York, among others.
Xavier Acarín Wieland, The Next Mutation, 2021-2022, exhibition view at La Caixa Foundation
Xavier Acarín Wieland, Love the Daily Work, 2018, exhibition view
William Lamson, Luba Drozd and Roarke Menzies, A Continuous Stream of Occurrence, 2019, exhibition view
Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs, Conspiracies are Things, 2017, exhibition view
Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz, PUBLIC FORMATS, 2017, exhibition view
Past Resident2022: Artis
Yael Frank
Yael Frank is a multi-disciplinary artist working mainly in sculpture and video. Her satiric projects conceptually hack cultural and textual systems, arguing for emotional connections between historical memory and esoteric consumerist goods. Frank employs comedic strategies to expose multiple points of view on the precarious state of ethical concepts. Her work aims to test the seriousness of political ethos by orchestrating situations that are physically beyond language.
Yael Frank has exhibited work at The Herzliya Museum of Contemporary Art, Israel; The Tel Aviv Museum of Art, Israel; and FuturDome, Milano, among others.
Yael Frank, IN A NUTSHELL, 2020, fake coconut tree, metal, styrofoam, epoxy and industrial paint, 240 × 60 in. (609.6 × 152.4 cm)
Yael Frank, GRID, 2021, video, sound, PVC, wood, metal, paint and ceramics, dimensions variable
Yael Frank, A Problem, 2018, video, 4:30 min
Yael Frank, A Monument for Monuments, 2015, styrofoam, paint, plaster and wood, 240 × 94 × 63 in. (609.6 × 238.76 × 160.02 cm)
Yael Frank, YES (no), 2019, architectural intervention, drywall and paint, dimensions variable
Residents from United States
Past Resident2022: Artis
Adam Liam Rose
Through his multidisciplinary practice, Adam Liam Rose investigates the visual language and architecture of “safety.” His work delves into the intersection of theater and life, where aesthetics and cheap tricks are used to numb, soothe, or distract audiences from a real or perceived disaster.
Adam Liam Rose has exhibited work at The Bronx Museum of the Arts; Ortega y Gasset Projects; and The Jewish Museum, all New York, among others.
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house-paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Stages of Fallout, 2019-2022, works on paper (graphite, gouache, colored pencil) , dimensions variable . Installation at 'BRONX CALLING: The Fifth AIM Biennial,' The Bronx Museum of the Arts, 2021-22.
Adam Liam Rose, Stages of Fallout (invasion) , 2020, graphite on paper, 71/2 × 11 in. (19.05 × 27.94 cm)
Adam Liam Rose, Stages of Fallout (never lonely), 2021, graphite on paper, 9 × 12 in. (22.86 × 30.48 cm)