Past Residents
Past Resident2012: Danish Arts Foundation
A Kassen
Artist group A Kassen has engaged in a collaborative practice since 2005, including works that take the form of performative installation, architectural intervention, photography, and sculpture. Their work is rooted in the exhibition site and refers to context and the social space, exploring the conditions of perception and interpretation.
A Kassen is Christian Bretton-Meyer, Tommy Petersen, Morten Steen Hebsgaard, and Søren Petersen. Educated at the Royal Academy of Fine Arts, Copenhagen; the Städelschule, Frankfurt, and the Akademie der Bildende Künste, Munich, the group is based in Copenhagen. Recent exhibitions include Reykjavik Arts Festival; Kling & Bang Gallery, Reykjavik; Facetime, On Stellar Rays, New York City; THE TITLE IS A PILE OF LETTERS, IMO Projects, Copenhagen; La Vie Mode d’Emploi, Meessen De Clercq, Brussels, and Window to the World, Museo de Arte Contemporáneo de Castilla y León.
A Kassen, Window to the World, 2010, Plywood and glass panels, Dimensions variable. Courtesy of the artist.
A Kassen, Window to the World, 2010, Plywood, glass panels, and sliding door mechanism, Dimensions variable. Courtesy of the artist.
A Kassen, Minus Roof, 2010, Removed airplane roof, Dimensions variable. Courtesy of the artist.
A Kassen, Encirclement, 2012, C-print and curved glass, 43 × 55 in. (109.22 × 139.7 cm). Courtesy of the artist.
A Kassen, Damaged by Water, Financed by Insurance, 2008, Artist's book. Courtesy of the artist and Space Poetry.
Residents from Denmark
Past Resident2012: Institut Français
Camille Henrot
Best-known for her videos and animated films combining drawn art and music, Camille Henrot’s work blurs the traditionally hierarchical categories of art history. Her work, adapted into the diverse media of sculpture, drawing, photography and, as always, film, considers the fascination with the “other” and “elsewhere” in terms of both geography and sexuality. The artist’s impure, hybrid objects cast doubt upon the linear and partitioned transcription of Western history and highlight its borrowings and grey areas. In the series of sculptures Endangered Species, for example, the artist has created objects inspired by African art by using pieces from car engines, these slender silhouettes with zoomorphic allure make reference to the migration of symbols as well as to the economic circulation of objects. This survival of the past, full of misunderstandings (as shown in her film Cynopolis, drawings of the Sphinx, and even in the photographs of prehistoric flints) troubles cultural codes and conventions. In this way, Camille Henrot’s work questions mental resistances and the past’s resonance, whether it be drawn from myth or from reality.
Camille Henrot (born 1978) is a French artist based in Paris. Her work has been exhibited in France at the Centre Pompidou, the Paris Museum of Modern Art, the Palais de Tokyo, the Espace Paul Ricard, the Jeu de Paume, the Cartier Foundation, the Louis Vuitton Cultural Space, the Foundation Maeght, the collections of Saint-Cyprien, the The Musée des Beaux-Arts de Bordeaux and Crac Alsace. Henrot has also exhibited at the Sungkok Art Museum, Seoul; the Palais des Beaux-Arts, Brussels; the Center for Contemporary Images, Geneva; the Hara Museum, Tokyo and the Oi Futuro Cultural Center, Rio de Janeiro. Camille Henrot is represented by galerie Kamel Mennour.
Camille Henrot, Coupé/Decalé, 2010, 35mm film shot in Pentecost Island, Vanuatu, 5 min. 20 sec. Courtesy of the artist.
Camille Henrot, Navigation Chart, 2010, Copper, thermostat and water-heater, 70 × 39 × 3 in. (177.8 × 99.06 × 7.62 cm). Courtesy of the artist.
Camille Henrot, Prehistoric Collection, 2008 - 2012, Watercolor on black and white ink jet prints, 24 × 32 in. (60.96 × 81.28 cm). Courtesy of the artist.
Camille Henrot, The Price of Danger, 2010, Carved steel wings of Falcone airplane, Dimensions variable. Courtesy of the artist.
Past Resident2012: KdFS Kulturstiftung des Freistaates Sachsen
Mario Pfeifer
Mario Pfeifer’s work explores representational structures and conventions in the medium of film, in locations ranging from Mumbai to California to the Western Sahara. Conceiving each project out of a specific cultural situation, he researches social-political backgrounds and weaves further cross-cultural art historical, filmic and political references into a richly layered practice, ranging from film and video installations to photographs and text installations. Often, Pfeifer collaborates on publications that reconsider these projects, offering research materials and critical investigations by writers and thinkers of related fields, concerning issues suggested in his projects for a wider social-political discussion.
Mario Pfeifer (born 1981, Dresden) studied in Leipzig (HGB), Berlin (UDK) and graduated from Willem de Rooij’s class at Städelschule Frankfurt am Main in 2008. Pfeifer was a Fulbright fellow at the California Institute of the Arts from 2008 – 2009. Further grants from Goethe-Institut and DAAD lead him to Bangkok, Mumbai and New York. Awards include the Video Art Award, Bremen and the Salon Video Art Prize, London. A first monograph was published by Sternberg Press in 2011 followed by publications with Fotohof edition / KOW and Spector Books in 2012. Pfeifer’s works have been exhibited at MMK Museum für Moderne Kunst, Frankfurt am Main; Los Angeles County Museum of Art; The Cultural Centre, Brugge; KW – Institute for Contemporary Art, Berlin; Frankfurter Kunstverein; Circa Projects, Sunderland, UK; Nassauischer Kunstverein, Wiesbaden; Neues Museum Weserburg, Bremen and Landesgalerie Linz, Austria. His films have been screened at Anthology Film Archives, New York; London International Documentary Film Festival; World Film Festival, Bangkok; Images Festival, Toronto; Museum of Art and Design, New York; Moca Detroit; Museum Ludwig, Cologne; Folkwang Museum, Essen; Sprengel Museum, Hannover; Arsenal, Berlin and the Centre Pompidou in Paris. Mario Pfeifer is represented by KOW BERLIN.
Mario Pfeifer, Code Unknown [Re_Sync], 2010, Wall prints, inkjet prints, and video projection.
Mario Pfeifer, A Formal Film in Nine Episodesm Prologogue & Epilogue, 2010, 35mm film in HD projection, 52 min.
Mario Pfeifer, Reconsidering The New Industrial Parks near Irvine, California by Lewis Baltz, 1974, 2009, Synchronized dual 16mm film installation with sound.
Mario Pfeifer, Yet Untitled ("Pieces of Nature"), 2008, S16mm transferred to HD, 11 min. 30 sec.
Mario Pfeifer, Untitled (Two Guys), 2008, HD video installation, 7 min. 30 sec.
