Current Residents
Current Resident: Jul 1, 2025–Dec 31, 2025
Edward Steichen Award Luxembourg
Studio #206
Artist
Marianne Villière
Marianne Villière’s artistic practice centers on identifying tipping points within shared spaces, seeking to invert power dynamics and draw attention to marginalized perspectives or forms of biodiversity. She creates contextual, ephemeral, and situational compositions. Villière holds a Master’s degree from ENSAD Nancy and completed the CCC Master’s program in Critical Theory at HEAD Geneva. She was awarded the Gianni Motti Prize in 2014 and the Edward Steichen Award in 2024.
Marianne Villière has exhibited work at Musée des Beaux Arts, France; Centre d’Art Dominique Lang, Luxembourg; and Galerie Commune, Switzerland, among others.
Marianne Villière, Megaphone, 2025, glass.
Marianne Villière, des nuées / clouds, 2022-2025, blanc de meudon and chalk powder.
"manifestation de bonnes volontés" / Protest of goodwill, 2023, collective perfromance.
Marianne Villière, Face to our Liberty, 2021, performance. Photo by Margaux Moritz.
Marianne Villière, Face to our Liberty, 2023, edition.
Current Resident: Jul 1, 2025–Sep 30, 2025
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #212
Artist
Anaïs Horn
Anaïs Horn’s multidisciplinary practice moves fluidly across media, creating intimate, often sitespecific settings. Her work traces the tension between presence and absence, where personal narratives—autobiographical fragments, rites of passage or the biographies of historical (female) figures—evolve into broader reflections on contemporary existence and how memories and (her)story/stories echo through the spectral presence of objects and spaces. She frequently introduces elements of illusion and mystery, situating her work within a space of the in-between.
Anaïs Horn has exhibited work at Camera Austria, Graz; FOTOHOF, Austria; and GALERÍA RGR, Mexico, among others.
Past Residencies
Anaïs Horn, Talk to Me, 2025, installation view.
Anaïs Horn, Talk to Me, 2025, installation view.
Anaïs Horn, The Windows/Self-Portrait as Josephine, 2024, installation view.
Anaïs Horn, Longing Ghosts in Deep Blue Paranoia, 2022, photography, drawing and installation, dimensions variable.
Anaïs Horn, Die Hand voller Stunden, so kamst du zu mir, 2021, photography and installation, dimensions variable.
Current Resident: Jul 1, 2025–Sep 30, 2025
IASPIS - The Swedish Arts Grants Committee's International Programme for Visual Artists
Studio #215
Artist
Anna Nyberg
Anna Nyberg’s painting practice often culminates in large-scale spatial installations. Her painterly objects engage with the architecture of the exhibition space, interacting with walls, ceilings, and floors to evoke new spatial experiences, both real and imagined. These encounters challenge the body’s perceptual ability to take in knowledge from its surroundings. By inviting viewers to experience the space from within, Nyberg aims to create an awareness of our own existence.
Anna Nyberg has exhibited work at Västerås Art Museum; Ronneby; and Kummelholmen, all in Sweden, among others.
Anna Nyberg, The Gaze Drifts apart, 2025, installation and mixed media. Photo by John Håkansson.
Anna Nyberg, The Gaze Drifts apart, 2025, installation and mixed media. Photo by John Håkansson.
Anna Nyberg, Everything Becomes One – Nothing Becomes One, 2023, installation and mixed media. Photo by John Håkansson.
Anna Nyberg, Everything Becomes One – Nothing Becomes One, 2023, installation and mixed media. Photo by John Håkansson.
Anna Nyberg, Embace/to Be a part of vy, 2025, installation and color pigment and adhesive on canvas. Photo by Anna Nyberg.
