Past Residents
Past Resident2017: The New York Community Trust’s Edward and Sally Van Lier Fund
Camilo Godoy
Camilo Godoy’s multidisciplinary practice is concerned with the construction of political meanings and histories. His work engages with conceptual and choreographic strategies to negotiate questions that confront the politics of citizenship, imperialism and sexuality. Godoy’s work analyzes and challenges past and present historical moments to imagine different subversive ways of being.
Camilo Godoy was born in Bogotá and is based in New York. He is a graduate of The New School with a BFA from Parsons School of Design, 2012; and a BA from Eugene Lang College of Liberal Arts, 2013. Godoy was a 2015-2017 Movement Research Artist-in-Residence; 2014 Keyholder Resident, Lower East Side Printshop; 2014 Hemispheric New York Emerging Performers Program Fellow, The Hemispheric Institute of Performance and Politics; and 2012 Queer Art Mentorship Fellow. His work has been presented at venues such as La Mama Galleria, New York; Movement Research at the Judson Church, New York; Donaufestival, Krems; and Mousonturm, Frankfurt, among others.
Camilo Godoy, Political Consciousness (Why Borders?), 2012-, mixed media, guard, audience, rubber stamp, invisible ink, and blacklight flashlight.
Camilo Godoy, Criminal, 2013, soap made with HIV positive semen and lavender.
Camilo Godoy, Everybody knows that they are guilty: Ronald Reagan (AIDS, War on Drugs, Central America, etc.), 2015, artist’s blood on paper.
Camilo Godoy, Sex Dances, (Study), 2016, three male bodies.
Camilo Godoy, Noticiero, 2002-2017, footage as a child and television set.
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2017: Aisho Miura Arts
Shuhei Yamada
Shuhei Yamada works with a variety of media including photography, video, sculpture, collage and installation. Through his art, he examines themes of power and social conditions.
Shuhei Yamada (born 1974, Shiga) has had solo exhibitions at Aishonanzuka, Hong Kong, 2014, 2016, 2017; The Armory Show, New York, 2013; Aisho Miura Arts, Tokyo, 2010, 2012; and Capsule, Tokyo, 2012. He has also participated in group exhibitions including Unclear nuclear, Urano, Tokyo, 2016; Resonance, Sao La Gallery, 2014; Leather Japan 2014, Thomas Erben Gallery, New York, 2014; and V, Sprout Curation, Tokyo, 2013.
Events & Exhibitions
Fall Open Studios 2017
November 10–November 11, 2017
Shuhei Yamada, I AM AN AMERICAN, 2013, wood and china ink, 15 × 106 in. (38.1 × 269.24 cm).
Shuhei Yamada, X, 2014, oil on canvas, 7 × 5 in. (17.78 × 12.7 cm).
Shuhei Yamada, “Kendall+Kylie launch smiles”, 2016, sublimation transfer printing on fabric, 35 × 47 in. (88.9 × 119.38 cm).
Shuhei Yamada, Insurance of nuclear risks, 2016, offset print and brochure holder, dimensions variable.
Shuhei Yamada, Occupy, 2012, wood, fluorescent lamp and tarpaulin, 177 × 255 in. (449.58 × 647.7 cm).
Past Resident2017: KdFS Kulturstiftung des Freistaates Sachsen
Katharina Schilling
Katharina Schilling’s practice focuses on painting and the objecthood within the medium. Schilling explores the perception of objects by detaching them from their original order systems and shifting them into a new context. The figuration and the puzzling cohesion form a display, which at the same time overcomes and preserves itself. In this process, the realism of the objects is transformed into a state of abstraction.
Katharina Schilling (born 1984, Cologne) received an MA from the Academy of Visual Arts Leipzig. She has been the recipient of numerous grants and awards, including a grant from DAAD’s London branch, the Prize of the German Federal Bank Frankfurt and the Marion Ermer Prize, awarded by Museum der bildenden Künste Leipzig. Schilling’s work has been presented in art spaces throughout Europe including Cologne, Düsseldorf, Berlin, Frankfurt, Hamburg, Leipzig, Bologna, Vienna and London.
Events & Exhibitions
Fall Open Studios 2017
November 10–November 11, 2017
Katharina Schilling, Star Fruit, 2017, oil on canvas, 12 × 16 in. (30.48 × 40.64 cm).
Katharina Schilling, Jimmy, 2016, oil on canvas, 26 × 22 in. (66.04 × 55.88 cm).
Katharina Schilling, Pool, 2016, pigment on canvas, 79 × 114 in. (200.66 × 289.56 cm).
Katharina Schilling, The Tide Pool, installation view, 2016, oil on canvas and wood, foam, and lacquer.
Katharina Schilling, Hello, Stranger, 2017, pigment and oil on canvas, 47 × 63 in. (119.38 × 160.02 cm).
