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Inge Meijer
Inge Meijer

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Past Residents
Past Residents
Ailyn Lee
Ailyn Lee
The Netherlands

Current Resident: Feb 1, 2025–Jan 31, 2026

Mondriaan Fund

Studio #219

Artist

Inge Meijer

Inge Meijer’s practice revolves around stories rooted in her mother’s youth on a tenant farm—a topography altered by generations from which a deep knowing rises of the interdependence we share with all forms of life. Through sculpture, photography, and installation, Meijer seeks to translate this heritage into experiences, fostering an intimate connection between viewer and environment. She continues to explore how familial memory can deepen our understanding of collective identity and the ecosystems we inhabit.
Inge Meijer has exhibited work at Stedelijk Museum Amsterdam, The Netherlands; Australian Centre for Contemporary Art, Australia; and Museum Arnhem, The Netherlands, among others.
ingemeijer.com

Events & Exhibitions

Summer Celebration and Open House
July 16, 2025, 5–9pm
Spring Open Studios 2025
April 25–April 26, 2025
Inge Meijer, The Plant MoMA Collection, 2024, publication, 1111/16 × 85/16 in. (29.72 × 21.08 cm).
Inge Meijer, The Plant Collection, 2019, publication, 1111/16 × 85/16 in. (29.72 × 21.08 cm).
Inge Meijer, Are You Still Resonating?, 2024, performance, dimensions variable.
Inge Meijer, Are You Still Resonating?, 2024, performance.
Multi media installation including a hut of willow branches viewing audiovisual work inside titled Blow Softly (2024)
Inge Meijer, One Meter Under, 2024, installation, dimensions variable.

Residents from The Netherlands

Antonis Pittas

Greece, The Netherlands
Mondriaan Fund
2025

Ginta Tinte Vasermane

Latvia, The Netherlands
Amsterdams Fonds voor de Kunst, Stichting Stokroos
2022

Nika Schmitt

Luxembourg, The Netherlands
Edward Steichen Award Luxembourg
2023
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Inge Meijer
Inge Meijer
Tora Schultz
Tora Schultz
United States, South Korea

Past Resident
2025: Anonymous

Artist

Ailyn Lee

Ailyn Lee is a South Korean interdisciplinary artist based in New York. She creates dreamlike scenes that explore memory, feminine identity, and transformation, using materials such as hand-sculpted stone clay, found objects, and traditional Korean silks. Her practice is deeply rooted in her family history—particularly her childhood spent in her grandmother’s antique shop in Busan, where she was surrounded by old furniture, marionettes, and figurative sculptures made by her mother. These early experiences continue to inform her instinct to reimagine everyday objects and biographical narratives with a dreamlike quality. Her process often begins with automatic drawings or fragments of dreams, which serve as intuitive maps for her practice.
Ailyn Lee has exhibited work at A.I.R. Gallery; Wassaic Project; and HERE Arts Center, all in New York, among others.

Events & Exhibitions

Spring Open Studios 2025
April 25–April 26, 2025
Shadow box sculpture featuring a crescent moon face, a sculpted torso, a tabletop with miniature cards, dice, and a smoking cigarette. A wooden mannequin hand reaches out, creating a surreal, uncanny scene.
Ailyn Lee, Gambling Moon, 2023, wooden box, stone clay, carved wooden container, glass container, wooden part from a jewelry box, mannequin hand, screw, drawer handle, thread, pin, dice, micro playing card, acrylic, pigment, fur, 12 × 15 × 7 in. (30.48 × 38.1 × 17.78 cm).
Ailyn Lee, Break a Leg, 2023, engraved cabinet, stone clay, acrylic, wood stain, mirror, epoxy, bronze key and sea shell flakes, 35 × 35 × 23 in. (88.9 × 88.9 × 58.42 cm).
Shadow box artwork featuring a mysterious staircase painted green, leading to a blue door adorned with butterfly motifs, eyes, and golden accents. A faint, glowing silhouette emerges in the dark background, evoking an eerie presence. Below the stairs, a yellow and gray dripping form adds a surreal touch.
Ailyn Lee, Midnight Delivery, 2024, wooden shadow box, carved drawer, bronze handle, dollhouse stairs, magnifying lens, plastic butterfly, lock, stone clay, rhinestone, acrylic and wood stain, 24 × 8 × 3 in. (60.96 × 20.32 × 7.62 cm).
Figurative sculpture constructed from a wooden coat rack adorned with hand-sculpted elements, including a detailed face, arms, torso, and legs. One arm extends outward, holding a cigarette, while the legs, one black and one pale, dangle from the lower section
Ailyn Lee, Are You Decent?, 2023, ngraved wooden coat rack, stone clay, acrylic, wood stain, epoxy and jute twine, 20 × 80 × 15 in. (50.8 × 203.2 × 38.1 cm).
Surreal assemblage sculpture featuring a glass jar containing a pink bird-like head resting on stones, placed atop a small black chest of drawers adorned with butterfly motifs. A wooden hand extends from the side, holding a delicate thread, while a green faucet with a golden bird figure emerges on the opposite end.
Ailyn Lee, Neither of Us Is Real, 2024, faucet, mother-of-pearl lacquered drawer, jar, stone clay, base from a wooden jewelry box, tile, acrylic, glass eyeball, wooden finger, sponge, needle, thread, epoxy, 5 × 9 × 8 in. (12.7 × 22.86 × 20.32 cm).

Residents from United States

Maya Jeffereis

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201
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International Studio & Curatorial Program

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Ailyn Lee
Ailyn Lee
Denmark

Past Resident
2025: Danish Arts Foundation
2024: IASPIS - The Swedish Arts Grants Committee's International Programme for Visual Artists

Artist

Tora Schultz

Tora Schultz navigates the opaque intersection between revealing and concealing, creating works that store something internal within the external world. Her practice is rooted in meticulous material treatments, simultaneously uncovering their internal qualities while exposing their functional assets and limitations.

Tora Schultz has exhibited work at O-Overgaden, Copenhagen; Den Frie, Copenhagen; and Konstnärshuset, Stockholm, among others. 

Events & Exhibitions

Spring Open Studios 2025
April 25–April 26, 2025
2024 Spring Open Studios
April 12–April 13, 2024
Tora Schultz, disclose, 2024, sculpture, 42 × 84 × 33 in. (106.68 × 213.36 × 83.82 cm).
Tora Schultz, Appendix, 2024, bronze and various metals, 6 × 7 × 0,3 in. (15.24 × 17.78 × 0,3 cm).
Tora Schultz, Control, 2022, galvanized steel.
Tora Schultz, The devils contract, 2021, stainless steel, motor, chain, gears, modified prada stilettos, and red lacquer.
Tora Schultz, pinocchio (1940), 2022, bentwood, stain, school locker and red linoleum, 14 × 100 × 14 in. (35.56 × 254 × 35.56 cm).

Residents from Denmark

Lina Hashim

Denmark, Iraq
Danish Arts Foundation
Studio #207

Asta Lynge and Jakob Ohrt

Denmark
Danish Arts Foundation
2025

Jens Settergren

Denmark
Danish Arts Foundation
2019
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International Studio & Curatorial Program

1040 Metropolitan Avenue
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