Past Residents
Current Resident: Feb 1, 2025–Jan 31, 2026
Mondriaan Fund
Studio #219
Artist
Inge Meijer
Inge Meijer’s practice revolves around stories rooted in her mother’s youth on a tenant farm—a topography altered by generations from which a deep knowing rises of the interdependence we share with all forms of life. Through sculpture, photography, and installation, Meijer seeks to translate this heritage into experiences, fostering an intimate connection between viewer and environment. She continues to explore how familial memory can deepen our understanding of collective identity and the ecosystems we inhabit.
Inge Meijer has exhibited work at Stedelijk Museum Amsterdam, The Netherlands; Australian Centre for Contemporary Art, Australia; and Museum Arnhem, The Netherlands, among others.
ingemeijer.com

Inge Meijer, The Plant MoMA Collection, 2024, publication, 1111/16 × 85/16 in. (29.72 × 21.08 cm).

Inge Meijer, The Plant Collection, 2019, publication, 1111/16 × 85/16 in. (29.72 × 21.08 cm).

Inge Meijer, Are You Still Resonating?, 2024, performance, dimensions variable.

Inge Meijer, Are You Still Resonating?, 2024, performance.

Inge Meijer, One Meter Under, 2024, installation, dimensions variable.
Past Resident
2025: Anonymous
Ailyn Lee
Ailyn Lee is a South Korean interdisciplinary artist based in New York. She creates dreamlike scenes that explore memory, feminine identity, and transformation, using materials such as hand-sculpted stone clay, found objects, and traditional Korean silks. Her practice is deeply rooted in her family history—particularly her childhood spent in her grandmother’s antique shop in Busan, where she was surrounded by old furniture, marionettes, and figurative sculptures made by her mother. These early experiences continue to inform her instinct to reimagine everyday objects and biographical narratives with a dreamlike quality. Her process often begins with automatic drawings or fragments of dreams, which serve as intuitive maps for her practice.
Ailyn Lee has exhibited work at A.I.R. Gallery; Wassaic Project; and HERE Arts Center, all in New York, among others.
Events & Exhibitions
Spring Open Studios 2025
April 25–April 26, 2025

Ailyn Lee, Gambling Moon, 2023, wooden box, stone clay, carved wooden container, glass container, wooden part from a jewelry box, mannequin hand, screw, drawer handle, thread, pin, dice, micro playing card, acrylic, pigment, fur, 12 × 15 × 7 in. (30.48 × 38.1 × 17.78 cm).

Ailyn Lee, Break a Leg, 2023, engraved cabinet, stone clay, acrylic, wood stain, mirror, epoxy, bronze key and sea shell flakes, 35 × 35 × 23 in. (88.9 × 88.9 × 58.42 cm).

Ailyn Lee, Midnight Delivery, 2024, wooden shadow box, carved drawer, bronze handle, dollhouse stairs, magnifying lens, plastic butterfly, lock, stone clay, rhinestone, acrylic and wood stain, 24 × 8 × 3 in. (60.96 × 20.32 × 7.62 cm).

Ailyn Lee, Are You Decent?, 2023, ngraved wooden coat rack, stone clay, acrylic, wood stain, epoxy and jute twine, 20 × 80 × 15 in. (50.8 × 203.2 × 38.1 cm).

Ailyn Lee, Neither of Us Is Real, 2024, faucet, mother-of-pearl lacquered drawer, jar, stone clay, base from a wooden jewelry box, tile, acrylic, glass eyeball, wooden finger, sponge, needle, thread, epoxy, 5 × 9 × 8 in. (12.7 × 22.86 × 20.32 cm).
Residents from United States
Maya Jeffereis

Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Hanae Utamura

Studio #201
Tora Schultz
Tora Schultz navigates the opaque intersection between revealing and concealing, creating works that store something internal within the external world. Her practice is rooted in meticulous material treatments, simultaneously uncovering their internal qualities while exposing their functional assets and limitations.
Tora Schultz has exhibited work at O-Overgaden, Copenhagen; Den Frie, Copenhagen; and Konstnärshuset, Stockholm, among others.

Tora Schultz, disclose, 2024, sculpture, 42 × 84 × 33 in. (106.68 × 213.36 × 83.82 cm).

Tora Schultz, Appendix, 2024, bronze and various metals, 6 × 7 × 0,3 in. (15.24 × 17.78 × 0,3 cm).

Tora Schultz, Control, 2022, galvanized steel.

Tora Schultz, The devils contract, 2021, stainless steel, motor, chain, gears, modified prada stilettos, and red lacquer.

Tora Schultz, pinocchio (1940), 2022, bentwood, stain, school locker and red linoleum, 14 × 100 × 14 in. (35.56 × 254 × 35.56 cm).