Past Residents
Past Resident2019: Ministry of Culture, Taiwan
Yi-Hsuan Lin
Yi-Hsuan Lin creates monumental installations of paintings as well as drawings on papers and canvas through meticulously constructed compositions that explore ideas of space and mobility.
Yi-Hsuan Lin is an artist from Taiwan based in São Paulo since 2009. He has exhibited work at Taipei Fine Arts Museum; Instituto Figueiredo Ferraz, Sao Paulo; and Morán Morán, Los Angeles, among others.
Yi-Hsuan Lin, Sky, 2018, oil, oil-based paint, spray paint, and crayon on paper, 255/8 × 305/16 in. (65.02 × 76.96 cm).
Yi-Hsuan Lin, Sailor License, 2018, oil on canvas, 353/8 × 33 in. (89.92 × 83.82 cm).
Yi-Hsuan Lin, Gangster, 2018, oil, oil-based paint, spray paint, and crayon on paper, 155/16 × 215/8 in. (38.86 × 54.86 cm).
Yi-Hsuan Lin, Tattoo, 2018, oil, oil-based paint, spray paint, and crayon on paper, 22 × 30 in. (55.88 × 76.2 cm).
Yi-Hsuan Lin, Truth, 2017, oil, oil-based paint, spray paint, and crayon on paper, 28 × 291/2 in. (71.12 × 74.93 cm).
Past Resident2019: Inlaks Shivdasani Foundation
Srajana Kaikini
Srajana Kaikini is a writer, researcher and curator. Her doctoral research, Arrangement of Objects. An Ontology of Contemporary Curatorial Practice, engages with an ontological study of contemporary curatorial practice through the philosophy of relations. She was at de Appel Art Centre’s Curatorial Programme in 2012-13, is the recipient of 2013 FICA Research Fellowship and was Curator at KK Hebbar Gallery and Arts Centre (2015-2019).
Srajana Kaikini’s recent projects include Backstage of Biology, 2019, at Archives at the National Centre for Biological Sciences, Bangalore, and Vectors of Kinship, 2016, at the 11th Shanghai Biennale.
Srajana Kaikini, Window Poems, 2017, video projection and text creative intervention at Delfina Foundation, 6 min.
Srajana Kaikini, Mukhaputa, 2017, exhibition view of Manipal International Literature and Arts Platform.
Srajana Kaikini, Vectors of Kinship, 2016, curatorial object at Infra – Curatorial Platform, 11th Shanghai Biennale.
Srajana Kaikini, Backstage of Biology, 2019, curatorial complex at Archives at the National Centre for Biological Sciences, Bangalore.
Srajana Kaikini, Suddenly this Overview, Reading the Literal, 2014, curatorial research.
Past Resident2019: Artis
Orr Menirom
Orr Menirom’s work examines how digital moving images form personal memories and collective narratives. She explores how digital imagery reflects upon, and interjects with, the daily reality of social and political life. Her works are influenced by research-based practices, documentary filmmaking and video essays. Part of her process involves re-editing found footage. She also creates environments which are documented and edited into moving image work.
Orr Menirom has exhibited work at Pippy Houldsworth Gallery, London; International Film Festival Rotterdam; and Tel Aviv Museum of Art, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Orr Menirom, Homewrecker, 2015/18, single channel HD video, 14:30 min.
Orr Menirom, Clinton and Sanders Looking at the World and Naming Things for the First Time, 2018, two-channel video installation, 12:30 min.
Orr Menirom, Clinton and Sanders Looking at the World and Naming Things for the First Time, 2018, two-channel video installation, 12:30 min.
Orr Menirom, Limited Speech Holds Endless Misunderstandings, 2013, single channel single video, 10 min.
Orr Menirom, Exchange, 2014, single channel HD video, 12 min.
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217