Past Residents
Past Resident2019: National Arts Council, Singapore
Stephanie Jane Burt
Stephanie Jane Burt’s practice lies between drawing, sculpture, and installation. Her work explores fictional narratives, often referencing film and feminist literature.
Stephanie Jane Burt has exhibited work at the Institute of Contemporary Arts Singapore, Yeo Workshop and Mizuma Gallery, all Singapore, among others spaces.
Stephanie Jane Burt, Suspect A, X, 2017, printed canvas, wood, rope, fluorescent lamp, plastic, lace, wire, thread, and needle.
Stephanie Jane Burt, Tip Me Over And Pour Me Out, 2017, metal and industrial paint.
Stephanie Jane Burt, O Dear What Can The Matter Be, 2016, wallpaper, paint, metal poles, thread, wire, wood, paper, nails, needle, lace, leather, fluorescent light, cloth, fence, ribbon, and book.
Stephanie Jane Burt, Madeline and Richard Go To The Park, 2014, wooden door, glass cabinet, hula hoop, picnic mat, plastic pipe, paper, wool, metal, ribbon, lace, cloth, needle, and thread.
Stephanie Jane Burt, Celine and Julie Go Boating, 2014, wood, windows, glass, railing, wire mesh, rusted iron, wool, cable, wire, metal, ribbon, paper, cloth, needle, and thread.
Residents from Singapore
Past Resident2019: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Katharina Gruzei
Katharina Gruzei works in various media including photography, video, film, sound, installation and art in public space. She is interested in socio-political topics and media inherent themes. The discussion of ‘labour / work’ is a recurring theme in her practice. For her installations, she often uses archive materials in a feminist approach. She also develops site-specific artworks that incorporate the distinct qualities of public space.
Katharina Gruzei lives and works in Vienna and Linz, Austria. She has exhibited work internationally at the Tokyo Metropolitan Art Museum; Moscow International Biennale for Young Art; Screen City Biennial, Stavanger; WRO Media Art Biennale, Wroclaw; MACT/CACT Arte Contemporanea Ticino, Bellinzona, Switzerland; MAK – Museum of Applied Arts, Vienna; Peresvetov Pereulok Gallery, Moscow; Fondazione Fotografia, Modena; MK Museum of Modern Art, Carinthia; among others. Gruzei recently has solo exhibition at Lentos Art Museum, Linz; and Charim Gallery, Vienna.
Katharina Gruzei, Bodies of Work, 2017, photography, 47 × 31 in. (119.38 × 78.74 cm).
Katharina Gruzei, War Rooms, 2016, photography, 39 × 27 in. (99.06 × 68.58 cm).
Katharina Gruzei, Portraits of the Unknown (Space Ladies), 2014, public space installation, 82 × 53 in. (208.28 × 134.62 cm).
Katharina Gruzei, Workers Leaving the Factory (Again), 2012, experimental film, 11 min.
Residents from Austria
Past Resident2019: Jane Farver Memorial Fund, Lambent Foundation Fund of Tides Foundation
Bárbara Perea Legorreta
Bárbara Perea Legorreta is an independent Mexico City-based curator and writer. Her practice focuses primarily on media and sound art and is grounded in the concept of exhibition making as a platform for critical thinking. Core aspects of her practice include transdisciplinarity and fostering dialogues between media art, contemporary practices and audiences. She is interested in listening practices and perceptual phenomena in relation to art.
Bárbara Perea Legorreta has curated exhibitions and festivals in Mexico, Europe, Canada and the United States, including at Plataforma Puebla 2006; Laboratorio Arte Alameda, Mexico City; and the Venice Biennale, among others.
Iván Abreu, m(r.p.m.), 2013, installation view at CECUT - Centro Cultural Tijuana, dimensions variable.
Martijn Tellinga, During..lasting, 2017, 3-day concert performance at Ex Teresa Arte Actual.
Rafael-Lozano Hemmer, Surface Tension, 2007, plasma or rear-projection screen, computerized surveillance system, and custom‐made electronics, dimensions variable. Installation view of the Mexican Pavilion at the 52nd Venice Biennale.
Gustavo Romano, PWRT Psyhcoeconomy War Room Table, 2013, interactive installation with tangible table and fiducials. Installation view at Transitio Festival.
Jim Campbell, Home Movies, 2011, interactive installation with tangible table and fiducials, dimensions variable. Installation view at Transitio Festival.
