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Pauline Shaw
Pauline Shaw

Past Residents

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Past Residents
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Patricia Margarita Hernandez
Patricia Margarita Hernandez
United States

Past Resident
2020: Lenore G. Tawney Foundation

Artist

Pauline Shaw

Through sculpture, textile and installation, Pauline Shaw’s work questions how personal history and cultural knowledge is acquired, preserved and rendered. Her practice draws upon personal experience and perception processed through material transformations–felted wool, cast glass, ceramics. She examines historical and modern representations of memory, identity and lineage through the lenses of scientific, spiritual or cultural belief systems.

Pauline Shaw has exhibited work at Institute of Contemporary Arts Singapore; Gagosian, New York; and Almine Rech Gallery, Paris, among others.

Events & Exhibitions

Water Works
September 15, 2022–February 17, 2023
2020 Summer Open Studios
August 25–August 26, 2020
Pauline Shaw, You And Me, 2019, wet and needle felted wool held by incense ash and citrus fruits suspended through cable wire, steel rod and pulleys, 138 × 144 × 18 in. (350.52 × 365.76 × 45.72 cm).
Pauline Shaw, You And Me II, 2019, wet and needle felted wool held by citrus fruits, ceramic cups and urns, suspended through cable wire, steel rod and pulleys, 126 × 120 × 18 in. (320.04 × 304.8 × 45.72 cm).
Pauline Shaw, Me and You II, detail, 2019, wet and needle felted wool held by citrus fruits, ceramic cups and urns, suspended through cable wire, steel rod and pulleys, 126 × 120 × 18 in. (320.04 × 304.8 × 45.72 cm).
Pauline Shaw, Rabbit’s Fur Vest, 2019, wool, gauze, burgundy trim rope, and wood hanger, 60 × 48 × 3 in. (152.4 × 121.92 × 7.62 cm).
Pauline Shaw, Gracious Fates, 2019, hand-dyed wet and needle felted wool, silk, and milk fibers with cotton gauze on steel rod, and hardware, 126 × 96 in. (320.04 × 243.84 cm).

Residents from United States

Maya Jeffereis

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201
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International Studio & Curatorial Program

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Residencies

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Pauline Shaw
Pauline Shaw
New Red Order
New Red Order
Cuba, United States

Past Resident
2020: Artis

Curator

Patricia Margarita Hernandez

Patricia Margarita Hernández is a curator and researcher based in Brooklyn. Her work, which is often grounded in collaboration, focuses on the intersections of digital technology, climate change, and feminist theory. Most recently, she was an assistant curator at Dia Art Foundation, New York, NY. Hernández also held the position of Associate Director at A.I.R. Gallery, Brooklyn, the first artist-run collective dedicated to feminist practices within the United States. At A.I.R., she co-curated exhibitions such as Dialectics of Entanglement: Do We Exist Together? and The Scalability Project.

Since 2015, Patricia Margarita Hernández has been a founding member of Alliance of the Southern Triangle (A.S.T.), an art and design initiative that employs the art field as a platform from which to broaden interdisciplinary collaboration with a focus on urbanism and sea level rise. Its members include Diann Bauer, Felice Grodin, and Elite Kedan. Recent exhibitions with A.S.T. include Intertidal, ArtCenter South Florida, Miami, FL (2018) and Sharjah Biennale 13, Sharjah, UAE (2017). Hernández holds a master’s degree from the Center for Curatorial Studies at Bard College in Annandale-on-Hudson, New York.

Events & Exhibitions

2020 Summer Open Studios
August 25–August 26, 2020
Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.
Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.
Installation view at Oolite Arts, Miami, curated by Natalia Zuluaga, Intertidal, 2018, four-channel video installation and exhibition design, interior architecture, graphics, furniture build-outs and integrated audiovisuals.
A.S.T., Future Cities: Miami | Research Intensive: Transcripts, 2017, The Miami Rail, Issue 23, Spring 2018 (10 page) edited transcript, commentary and layout design, from the day-long event 'Future Cities: Miami | Research Intensive,' developed and hosted by A.S.T., in partnership with Bas Fisher Invitational, at FIU’s Miami Beach Urban Studios, Miami Beach.
Installation view at History Miami Museum curated by Kevin Arrow and Barron Sherer, Landscape (Test Patterns for Future Positions), 2017, three-channel video projection and monitor installation, with mdf set and bench object.

Residents from United States

Maya Jeffereis

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201
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Development by Corey Tegeler

International Studio & Curatorial Program

1040 Metropolitan Avenue
Brooklyn, New York, 11211

Residencies

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Patricia Margarita Hernandez
Patricia Margarita Hernandez
Anishinaabe, United States

Past Resident
2020: National Endowment for the Arts

Artist

New Red Order

New Red Order (NRO) is a public secret society facilitated by core contributors Adam Khalil, Zack Khalil, and Jackson Polys. Now based in New York and working with an interdisciplinary network of Informants, the NRO co-produces video, performance, and installation works that confront desires for indigeneity and obstacles to Indigenous growth and agency.

New Red Order has exhibited work at the Whitney Biennial 2019; Toronto Biennial 2019; and Tate Modern, London, among other institutions.

Events & Exhibitions

2020 Summer Open Studios
August 25–August 26, 2020
Artists at Work: New Red Order hosted by Culture Pass
August 18, 2020, 4–4:45pm
New Red Order, Culture Capture: Terminal Adddition, 2019, video, 7 min.
New Red Order, Never Settle, 2020, video, 45 min.
New Red Order, The Violence of a Civilization without Secrets, 2017, video, 9 min.
New Red Order, INAATE/SE/, 2016, video, 71 min.

Residents from United States

Maya Jeffereis

United States
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Ground Floor

Aryel René Jackson

United States
Vision Fund
2025

Hanae Utamura

Japan, United States
Every Page Foundation
Studio #201
Stay Connected
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Site Credits
Design by Other Means
Development by Corey Tegeler

International Studio & Curatorial Program

1040 Metropolitan Avenue
Brooklyn, New York, 11211