Past Residents
Past Resident2022: AES+F
Pavlo Grazhdanskij
Pavlo Grazhdanskij works from the perspective of Ukrainian culture in the field of research of strategies of representation; problematics of documentary and found material; artistic approaches and manual labor in data processing and collection; dead-ends and turns of logics of sustainable states; biopolitics; reproduction techniques of existence–cycle, tradition, rituality, fatum, authoritarianism, insuperability, and other images of survival strategies; and abstraction, collaborationism, and intentionality.
Pavlo Grazhdanskij has exhibited at Detenpyla gallery, Lviv; Sörnäinen public bomb shelter, Helsinki; and Rosa’s House of Culture, Saint Petersburg among others.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, from Cheryomushki district to the present day, 2018, installation.
Pavlo Grazhdanskij, Shelters, 2018, single-channel video , 16:22 min.
Pavlo Grazhdanskij, Ponivecheno, 2020, single-channel video , 103 min.
Residents from Ukraine
Past Resident2022: Alberta Foundation for the Arts
Taryn Kneteman
Taryn Kneteman documents moving bodies and changes of state with video, sculpture, and works on paper. Using tactile, process-intensive working methods that offer chances for unexpected intervention–from materials, weather, technological glitches, and feedback–she combines stretches of habitual routine with gestures of dream-like divergence. Her work considers the cyclical nature of seemingly permanent materials and reflects on the intricacies of their transitions.
Taryn Kneteman has exhibited at Walter Phillips Gallery, Banff; Art Gallery of Alberta and SNAP Gallery, both Edmonton, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Taryn Kneteman, Bath bomb heart, 2020, 4k digital video with audio, 3:02 min.
Taryn Kneteman, Egg yolk brain, 2020, HD digital video with audio, 3:12 min.
Taryn Kneteman, Surf’s edge like pine needles, 2018, screen print, graphite ink and fluorescent acrylic on torn paper, 22 x 30 inches.
Taryn Kneteman, Everyday Rituals (survival tactics), 2015, archival pigment print on metallic paper, 29 x 36 inches.
Taryn Kneteman, Frequency Finding, 2021, HD digital video with audio, 2:00 min.
Residents from Canada
Past Resident2022: Alberta Foundation for the Arts, Canada Council for the Arts
Tyler Los-Jones
Tyler Los-Jones produces objects and images from his home in the Rocky Mountains of Alberta. Interested in the role photography plays in the production and the fulfillment of our expectations for environments, the work he had produced over the past decade aims to complicate inherited assumptions of environments by bringing the unnatural aspects of the western conception of nature to the forefront.
Tyler Los-Jones has exhibited work at Banff Centre for Arts and Creativity, Banff; Confederation Centre Art Gallery, Charlottetown; and Norberg Hall, Calgary, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 801/4 × 311/2 in. (203.83 × 80.01 cm).
Tyler Los-Jones, The knots of the net; Arnica / Aster / Castilleja , 2021, folded archival inkjet print, adhesive, 801/4 × 311/2 in. (203.83 × 80.01 cm).
Tyler Los-Jones, The knots of the net; Moss Campion, 2021, folded archival inkjet print, adhesive, 173/4 × 173/4 in. (45.08 × 45.08 cm).
Tyler Los-Jones, The knots of the net; Shooting Star, 2021, folded archival inkjet print, adhesive, 241/2 × 251/4 in. (62.23 × 64.13 cm).
Tyler Los-Jones, The knots of the net; Glacier Lilly / Western Anemone / White Geranium, 2021, folded archival inkjet print, adhesive, 361/4 × 371/4 in. (92.07 × 94.61 cm).