Past Residents
Past Resident2022: Danish Arts Foundation
Dina El Kaisy Friemuth
Dina El Kaisy Friemuth’s practice deconstructs the complexities of collectivity and belonging through curating, teaching, writing, and visual arts, frequently created in collaboration with other cultural workers. Her work focuses on creating environments that prioritize voices from the global South, as well as decolonial and institutional critique. Together with Anita Beikour and Neda Sanai, she co-founded the artist collectives FCNN (Feminist Collective with No Name) and D.N.A.
Dina El Kaisy Friemuth’s has exhibited work at 11 Berlin Biennale; Gasworks, London; and O-Overgaden, Copenhagen, among others.
Dina El Kaisy Friemuth, No History at All, 2021, video and carpet.
Dina El Kaisy Friemuth, Oral History, 2022, talk.
Dina El Kaisy Friemuth, What Cannot Be Said Must Be Wept, 2022, comic.
Dina El Kaisy Friemuth, Fluid Organisms, 2020, video.
Dina El Kaisy Friemuth, Welcome To The Crisis, 2021, billboard.
Residents from Denmark
George Egerton-Warburton
Utilizing text, sculpture, painting and video, George Egerton-Warburton’s works embrace stylistic dissonance and the syntax of conceptual art. The artist’s practice attempts to investigate the discordance between impulses and behavior shaped by cultural norms.
George Egerton-Warburton has exhibited works at Heide Museum of Modern Art, Melbourne; Shoot the Lobster, New York; and Chateau Shatto, Los Angeles, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
George Egerton-Warburton, Installation view, Contemporary Art Tasmania, 2018, chairs and paper.
George Egerton-Warburton, Woozy Heights, 2022, steel from farm machinery and infrastructure, castor wheels, eucalyptus branch, chain, antique plough point, Guzman y Gomez table numbers, United Airlines ratchet strap, strainer, designer coffee mugs, water bottles, carrier, Calvin Klein underpants, security tag and disco ball, 353/8 × 755/8 × 7811/16 in. (89.92 × 192.02 × 199.9 cm).
George Egerton-Warburton, Untitled, 2021, tiger snake.
George Egerton-Warburton, Installation view, Heide Museum of Modern Art, 2019, augers, belts, DC motors, modified steel grating, oil on canvas, resin and tape.
George Egerton-Warburton, Installation view, Chateau Shatto, 2017, motors, wood, cotton and foam.
Past Resident2022: International Visegrad Fund
Kristian Nemeth
Kristian Nemeth’s work offers a reflection and critique of the Christian Church and how it operates in the context of twenty-first-century democracy. The artist focuses on its hidden mechanisms and contradictions, secrecy, the unconfessed sins of those who serve as its official representatives, and the injustice suffered by those affected by these actions.
Kristian Nemeth has exhibited work at Slovak National Gallery, Bratislava; Museum of Moscow; and Czech Center New York, among others.
Kristian Nemeth, Fragile, 2012, installation.
Kristian Nemeth, The Bars, 2009, video art.
Kristian Nemeth, In The Name, 2016, exhibition project.
Kristian Nemeth, The Children of Jan Mokso, 2020, exhibition project.
Kristian Nemeth, Monument of Possible Fall, 2019, exhibition project.
