Past Residents
Past Resident2022: Artis
Meghana Karnik
Meghana Karnik is a curator, arts worker and writer. In her practice, Karnik explores paradoxes between art and social change, spirituality and technology, and lived experience and institutional process. Her current research focuses on artists and cultural workers who practice disinformation, cultural dislocation, and/or mysticism.
Meghana Karnik has curated exhibitions at Richard and Dolly Maass Gallery, New York; Reinberger Gallery, Cleveland Institute of Art, Cleveland; and Foundation and Center for Contemporary Art, Prague, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Installation view of group exhibition featuring work by Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa and Emily Mae Smith, TITLE TBD, 2020, at The Cleveland Institute of Art's Reinberger Gallery, Cleveland, curated by Meghana Karnik. Photo by Yann Chashanovski.
Installation view of group exhibition featuring work by Admin, Adult Kindergarten, Thomas Barger, Lukaza Branfman-Verissimo, GenderFail, Jeff Kasper, Ariane Loze, Natalia Nakazawa and Emily Mae Smith, TITLE TBD, 2020, at Reinberger Gallery, The Cleveland Institute of Art, Cleveland, curated by Meghana Karnik. Photo by Yann Chashanovski.
Installation view of Tamar Ettun's work, Demon Traps, in the exhibition 'How To Trap A Demon', 2022, at Richard and Dolly Maass Gallery, New York, curated by Meghana Karnik. Photo by Yann Chashanovski.
Installation view of Tamar Ettun's work 'Demon traps' in exhibition, Demon Traps, in the exhibition 'How To Trap A Demon', 2022, at Richard and Dolly Maass Gallery, New York, curated by Meghana Karnik. Photo by Yann Chashanovski.
Documentation of artist book project and curator's editorial project, Texts From Lilit: 31 Cards to Connect You to Your Demon, 2022, in conjunction with 'How To Trap A Demon' at Richard and Dolly Maass Gallery, New York.
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2022: Wallace Arts Trust
Li-Ming Hu
Li-Ming Hu is a multidisciplinary artist working with installation, video, and performance. Drawing on her experience in the entertainment industry, Hu explores the relationships between cultural production and the construction of subjectivities, engaging with the imperatives of our high-performance culture.
Li-Ming Hu has exhibited work at Te Tuhi, Auckland; CoProsperity, Chicago; and Roots and Culture, Chicago, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Li-Ming Hu, Where is the art?, 2022, mixed media installation.
Li-Ming Hu, Boney (Phoney?) M, 2020, still from single channel video.
Li-Ming Hu, Three diasporic Asian artists and one diasporic Asian curator, made for the occasion of an exhibition in which identity is not mentioned, 2022, archival digital print, 16 × 20 in. (40.64 × 50.8 cm).
Li-Ming Hu, Where is the art?, 2022, mixed media installation.
Li-Ming Hu, Americaaah: Part II, 2021, still from single channel video.
Residents from New Zealand
Past Resident2022: Conseil des arts et des lettres du Québec
Cindy Hill
Cindy Hill is a multidisciplinary artist and writer whose work explores the connection between design aesthetics and body perception. Her practice, which explores themes of intimacy, care, and sexuality, reflects on the history of health among women and the objects used to treat the body. Drawing on feminist and somatic discourses, Hill examines how women have historically reclaimed these spaces for liberation, healing, and empowerment.
Cindy Hill has exhibited work at Wick Gallery, Brooklyn; Projet Casa, Montreal; and Calaboose, Montreal, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
Cindy Hill, You leave me feeling, 2021, air mattress, metal and sewing pins, 20 × 12 × 2 in. (50.8 × 30.48 × 5.08 cm).
Cindy Hill, I can feel myself dissolving slowly, 2021, glazed recycled stoneware, lavender, almond oil, mint and white flowers, 11 × 25 × 51/2 in. (27.94 × 63.5 × 13.97 cm).
Cindy Hill, Bijou, 2019, wire, synthetic fabric, chiffon and chain, 70 × 36 × 1 in. (177.8 × 91.44 × 2.54 cm).
Cindy Hill, Key Elements to Cultivating Relaxation, 2021, de-stress belt and plastic, 31 × 7 × 21/2 in. (78.74 × 17.78 × 6.35 cm).
Cindy Hill, installation view, 2019.
