Current Residents
Current Resident: Jul 1, 2025–Sep 30, 2025
Fire Station - Qatar Museums
Studio #209
Artist
Maha Al-Khater
Maha Al-Khater is an artist, designer, and urbanist whose multidisciplinary approach explores how people, systems, and environments shape one another. With a background in design and urban ecologies, their practice is driven by curiosity and a sensitivity to the invisible structures that influence everyday life. Driven by a systems-oriented approach, her work explores the evolving relationships between people, places, and perception—transforming observation and inquiry into visual form.
Maha Al-Khater has exhibited work at Virginia Commonwealth University School of the Arts, Qatar and Parsons School of Design, New York, among others.
Maha Al-Khater, doha roundabouts, 2014, digital collage, 30 × 30 in. (76.2 × 76.2 cm).
Maha Al-Khater, constructed mirage, 2023, digital collage, 21 × 30 in. (53.34 × 76.2 cm).
Maha Al-Khater, frenetic reverie, 2024, ink and marker on paper, 7 × 10 in. (17.78 × 25.4 cm).
Maha Al-Khater, sheraton doha, 2018, photograph digitally altered, 14 × 111/4 in. (35.56 × 28.57 cm).
Maha Al-Khater, new york sunset, 2019, phone camera with lens, 14 × 111/4 in. (35.56 × 28.57 cm).
Current Resident: Jul 1, 2025–Sep 30, 2025
DOOSAN Art Center
Studio #208
Artist
Jeong Yeoreum
Jeong Yeoreum translates the relationship between space and memory into a visual language. Her work is an ongoing process of focused reinvestigation, analyzing narrative structures and deconstructing the body from parts.
Jeong Yeoreum has exhibited work at Seoul Museum of Art (SeMA) Bunker, South Korea; Hapjeong Jigu, South Korea; and OCAT Shanghai, China, among others.
Jeong Yeoreum, Graeae: A Stationed Idea, 2020, single-channel video.
Jeong Yeoreum, The Long Hole, 2021, single-channel video.
Jeong Yeoreum, The Silent Bearers, 2023, 2-channel video.
Jeong Yeoreum, To a Natural Witness, 2021, 2-channel video and sound.
Jeong Yeoreum, In God We Trust, 2032, single-channel video.
Residents from South Korea
Current Resident: Jul 1, 2025–Nov 30, 2025
Pollock-Krasner Foundation
Studio #204
Artist
Umber Majeed
Speculative fiction, collage, and digital interfaces are recurring formal and conceptual tools in Umber Majeed’s interdisciplinary art practice. He draws on architectural design and historical events specific to Pakistan to challenge entangled notions of nationalism, community, and identity within the framework of the modernist nation-state. Majeed is particularly interested in the temporal disjunctures of South Asia’s urban landscapes, using them as a springboard to imagine alternative futures. In his work, video and digital interfaces serve to collapse the boundaries between drawing, familial analog photography, and widely circulated stock imagery.
Umber Majeed has exhibited work at the Queens Museum, New York; Pioneer Works, New York; and Hayy Jameel, Saudi Arabia, among others.
umbermajeed.com
Umber Majeed, Timeline, 2024-25, matte self-adhesive vinyl and works on paper, 36 × 20 in. (91.44 × 50.8 cm).
Umber Majeed, Welcome to the Trans-Pakistan Pavilion, 2025, animation, vinyl, wood and vinyl, 20 × 36 in. (50.8 × 91.44 cm).
Umber Majeed, We can fix it, 2025, ceramics, decal and wood, 30 × 40 × 30 in. (76.2 × 101.6 × 76.2 cm).
Umber Majeed, Saath Haath, 2025, mixed media on paper and web-based AR, 36 × 24 in. (91.44 × 60.96 cm).
Umber Majeed, Untitled, 2025, 3-channel video installation with sound and ceramics, 10 × 12 in. (25.4 × 30.48 cm).
Residents from United States
Maya Jeffereis
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation