Event
May 1–May 31, 2020

2020Solidarity: Support ISCP

Posters were available for purchase through May 31 to support the International Studio & Curatorial Program. The campaign has now ended.

ISCP is honored to be one of the organizations invited to sell posters as part of 2020Solidarity, a Between Bridges project aimed at helping cultural venues, community projects, independent spaces and publications that are threatened by the COVID-19 crisis.

Posters feature artwork by ISCP alumni Melanie Bonajo, Elmgreen & Dragset, and Jacolby Satterwhite and artists Tomma Abts, Marlene Dumas, Nicole Eisenman, Thao Nguyen Phan, Wolfgang Tillmans, Betty Tompkins, Luc Tuymans, Carrie Mae Weems, and David Wojnarowicz with Tom Warren.

Click HERE to purchase posters for $50 each. You will receive a post-sale email from ISCP asking you to indicate your poster selection.

Checks can be sent to the International Studio & Curatorial Program at 1040 Metropolitan Avenue, Brooklyn, NY 11211. 

All income from sales will go directly to helping the organization in these challenging times. ISCP’s essential mission to support artists and curators, to amplify their activities and raise their voices, to foster cultural exchange between them and back out to the world, continues to be crucial.

Posters will be available for pick-up in Brooklyn or mailed by USPS to buyers when stay-at-home restrictions are lifted – you will be contacted by ISCP to arrange pick-up and shipping. All posters are 16.5 x 23.4 in. (42 x 59.4 cm).

For more information, contact Juliana Cope at jcope@iscp-nyc.org.

Participating Residents

Michael Elmgreen / Ingar Dragset

ISCP Talk
April 28, 2020, 4–5pm

A Creative and Transformative Approach to the Crisis: Thinking Aloud with Solvej Helweg Ovesen about Contemporary Art on Instagram Live

Curatorial resident Solvej Helweg Ovesen will speak about creative and transformative approaches to the current COVID-19 provoked crisis on Instagram Live.

Tune in through this link, here.

With COVID-19 our lives have decelerated, and the production of goods in many cases has stopped. But during this time—apart from the nurses, doctors, postmen, and other people keeping society running—many artists are twisting their brains, hearts, and hands to make sense of the rapid transformation of societies, communication forms, habitus, illnesses, and sociability. What roles and formats can contemporary art take at this time, what shifts in values and event economies do we experience? What illnesses in our societies are surfacing during this crisis, what and who becomes visible and what and who disappears? Who is distancing from whom? Thinking and speaking with many artists and curators during the last month, it has become clear to Ovesen that the sensibilities of cultural workers are deeply needed for our societies and networks to recover, but also to transform, during and after the crises.

This event is made possible with the financial support of the Consulate General of the Federal Republic of Germany New York.

This program is also supported, in part, by Danish Arts Foundation; Hartfield Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; Stavros Niarchos Foundation (SNF); and William Talbott Hillman Foundation.

4–5pm

Participating Residents

ISCP Talk
April 21, 2020, 4–5pm

Artists at Work: James Beckett on Instagram Live 

In ISCP’s Instagram Live Artists at Work, resident James Beckett will walk us through his current research in New York on the history and broader cultural implications of air conditioning. This research was sparked by the fact that ISCP is known as the first building worldwide to be truly air conditioned back in 1902, when it was a printing house.

Tune into the Instagram Live here.

Read a New York Times article on ISCP’s air conditioning history here.

James Beckett’s work in diverse media examines subjects of a historical nature, from the development (and subsequent demise) of European industry, to the more metaphysical aspects of dowsing and voodoo. His constructions favor an obscure and rambling logic, often within a strict formalism reflecting the mechanisms of display. A sometimes-dubious approach to his subject matter entertains the historic as suspended in a state of constant re-interpretation, a portrayal of a world where anomaly and change are fundamentals. Beckett has exhibited work at Belgian Pavilion of the Venice Biennale; MAAT, Lisbon; MCAD Manila – Museum of Contemporary Art and Design, among others.

This program is supported, in part, by Hartfield Foundation; Mondriaan Fund; New York City Department of Cultural Affairs, in partnership with the City Council; New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature; Stavros Niarchos Foundation (SNF); and William Talbott Hillman Foundation.

4–5pm

Participating Residents