Exhibition
June 29–November 17, 2023

Alchemyverse: Messa in Luce

The International Studio & Curatorial Program presents Alchemyverse: Messa in Luce, an installation of work developed in and about Chile’s Atacama Desert by resident collaborative artist duo Alchemyverse, curated by Jess Wilcox. The installation’s centerpiece is a cascade of hanging ceramic tiles produced from wild clay sourced, shaped and pit-fired during a 2022 research trip. 

Alchemyverse probes the region’s reputation as the driest, sunniest place on Earth and host to large-scale scientific and technological infrastructure such as astronomical observatories and solar energy farms. Each ceramic tablet bears the measurement of solar irradiance in kilowatts per square meter on the date of its making and is sonified by conducting transmitters emitting field recordings of the dried river Rio San Pedro and abandoned mine, Mina Victoria. The artists invite exhibition goers to walk onto an elevated floor that vibrates with desert audio and houses artifacts from their field work, which can be viewed from above.  

True to the title’s meaning, Messa in Luce, brings to light what is typically beyond sight. With this immersive scale-shifting installation, Alchemyverse amplifies the universe’s “background noise” to promote an understanding of the Earth as an accumulation of particulate matter in a state of constant flux. 

Alchemyverse was founded in 2020 in New York City by artists Bicheng Liang (b. 1994, China) and Yixuan Shao (b. 1996, China/United States). They combine their respective knowledge bases and skills in print-making and sound studies with intensive field research to form their collaborative practice. Focusing on the intersection of geologic time and contemporary human experience, Alchemyverse uses a tactile, multisensory approach to foster empathy in humans towards mineral systems in the landscape and beyond. Their collaboration began at the MFA Program at Columbia University, where they met. 

Alchemyverse has presented work at museums and galleries across the United States including Asia Art Archive in America, Brooklyn; The Bishop Museum, Honolulu; The Catherine Fosnot Art Gallery and Center, New London; and Lenfest Center for the Arts, Columbia University, New York, among others, and the artists’ work has been featured internationally. Residencies include LMCC Governors Island, New York; Desert 23′ S, La Wayaka Current, Chile; AAA-A Zine Residency, New York; International Studio & Curatorial Program Ground Floor Residency, New York; and the Rabbit Island Residency, Lake Superior (Summer 2023).

Jess Wilcox is an independent curator focusing on ecocritical, socially engaged and public art. From 2016 to 2022, she was Curator and Director of Exhibitions at Socrates Sculpture Park. There she curated dozens of projects including Helio Oiticica Subterranean Penetrable Projects: PN15, Sink or Swim: Climate Futures, Guadalupe Maravilla: Planeta Abuelx, MONUMENTS NOW, Nari Ward: G.O.A.T., again, and the Socrates Annual exhibitions among others.  During her tenure, she organized the first single-artist exhibitions in the Park’s 33-year history and initiated a program of traveling commissioned works to other venues. From 2011 to 2015, she worked at the Brooklyn Museum’s Center for Feminist Art where she co-curated Agitprop!, a 60-artist exhibition of historical and contemporary activist art. She has a BA from Barnard College and Master’s degree from Bard’s Center for Curatorial Studies. 

Alchemyverse: Messa in Luce is supported by Alice and Lawrence Weiner; Danna and Ed Ruscha; Hartfield Foundation; Horace W. Goldsmith Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; James Rosenquist Foundation; and William Talbott Hillman Foundation. 

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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a

A staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email akuo@iscp-nyc.org to request a parking space and/or freight elevator usage.

Open Hours: Monday–Friday, 10:30am–5:30pm
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Participating Residents

ISCP Talk
June 27, 2023, 6–7:30pm

Artists at Work: Akshay Sethi with William Chan

For this Artists at Work, ISCP artist-in-residence Akshay Sethi will speak about his practice and be interviewed by NYC-based artist and activist William Chan. A Q&A with the audience will follow. 

Sethi will begin the program with an overview of his recent book projects, leading into a closer examination of his work Situational Irony of a Stick. He and Chan will then discuss perspectives on rising political extremism in India and the United States, and the roles that artists, cultural organizers, and activists can play in advocating for social change.

Akshay Sethi is a Delhi-based artist whose practice explores the complex relationship between the personal and political. He contemplates the ordinary and delves into the vast reservoir of normally unnoticed, trivial, repetitive actions and the uneventful in everyday life, through his drawings, zines, graphic narratives and installations. 

William Chan is a mutual aid organizer, activist, and artist. His works on Iraq are held at public libraries such as the Tim Hetherington Library at the Bronx Documentary Center, New York; Tate Modern, London; Yale University, Connecticut; The Metropolitan Museum of Art, New York; and Harvard University, Massachusetts, among others. He is the founder of Home Gallery, a window gallery in Lower Manhattan and the co-director of Transmitter Gallery in Brooklyn.

This program is supported, in part, by Inlaks Shivdasani Foundation; Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 33; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; James Rosenquist Foundation; and William Talbott Hillman Foundation.
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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a

A staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email akuo@iscp-nyc.org to request a parking space and/or freight elevator usage.

6–7:30pm

Participating Residents

ISCP Talk
June 20, 2023, 6–7:30pm

Artists at Work: Ruth Owens and Sukaina Kubba

For this Artists at Work, ISCP artists-in-residence Ruth Owens and Sukaina Kubba will give presentations on their respective artistic practices and engage each other and the audience in conversation. They will be joined by Director of Programs Alison Kuo. 

Among the points of commonality between them, both Owens and Kubba left careers as highly respected professionals, Owens as a medical doctor and Kubba as an architect, to fully commit to their artistic practices. They share a passion for telling diasporic narratives with unexpected twists, and they recognize the power of craft, design, and specifically the use of pattern, as tools for better understanding cross-cultural histories.

Ruth Owens graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by the Jonathan Ferrara Gallery, and belongs to the artist collective The Front, both in New Orleans. Owens’ work is concerned with contributing to and preserving Black archives, and uses personal Super 8 film references in her painting and video art. Her work is in the permanent collections of the Ackland Art Museum, North Carolina; Addison Gallery of American Art, Massachusetts; and the Ogden Museum of Southern Art, New Orleans, among others. Artist residencies include Joan Mitchell Center, New York; Vermont Studio Center, Vermont; and Studios at MASS MoCA, Massachusetts, among others. Her videos have been featured in the New Orleans Film Festival and the Patois Film Festival in New Orleans.

Sukaina Kubba is an Iraqi Canadian artist living in Toronto. She has exhibited work at Aga Khan Museum, Toronto; Centre for Contemporary Art, Glasgow; and Hilary Crisp, London, among others. Upcoming exhibitions include ​​Mercer Union’s SPACE billboard commission for 2023/2024 and a solo exhibition at Dundee Contemporary Arts, Scotland in 2024. Kubba is also a sessional lecturer in Visual Studies at Daniels Faculty, University of Toronto and served as lecturer and curator at the Glasgow School of Art from 2013 to 2018. 

This program is supported, in part, by Canada Council for the Arts; Hartfield Foundation; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; New York City Council District 33; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Sherrill Collection of American Art Foundation; South Arts; James Rosenquist Foundation; Joseph Robert Foundation; and William Talbott Hillman Foundation. 

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Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a

A staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email akuo@iscp-nyc.org to request a parking space and/or freight elevator usage.

6–7:30pm

Participating Residents