ISCP Talk
January 28, 2025, 6:30–7:30pm

The Land, Dark and Muddy: Sujin Lim in conversation with Cody Ann Herrmann and Melinda Lang

In conjunction with the exhibition The Land, Dark and Muddy, artist Sujin Lim will present her ongoing project exploring the vanishing landscape of the small fishing island of Yeongheung in South Korea, a place transformed by commercial and industrial development and changing tidelines. Lim has invited artist and community organizer Cody Ann Herrmann to speak with her about the impacts of wide-scale development in coastal environments, focusing on parallels between Yeongheung and New York City. They will also discuss some of the current efforts to restore and protect vulnerable ecosystems in urbanized areas today. The conversation will be moderated by exhibition curator and ISCP’s Director of Programs and Exhibitions Melinda Lang. A Q&A with the audience will follow. 

Sujin Lim is currently an artist-in-residence in ISCP’s Ground Floor Residency Program for New York-based artists. Through site-specific installations and sculptures, Lim transforms actual locations into surreal images and alternative realities as a means to confront social, political and environmental injustices. Lim has exhibited work at Brooklyn Museum, New York; Seoul Museum of Art, South Korea; Museum of Moscow, Russia; and MARCO Museo de Arte Contemporáneo, Argentina, among other venues.

Cody Ann Herrmann is a New York-based artist and community organizer. She combines socially engaged art, political advocacy, and community science to create participatory art works and public programs. Guided by her interest in public space, participatory design methods, and urban resilience, Herrmann’s work explores urban planning processes while applying an iterative, human-centered approach to ecological problem solving. Since 2014 her work has focused on her hometown of Flushing, Queens, with projects critiquing policy related to land use and environmental planning in areas surrounding Flushing Bay and Flushing Creek. 

 

This program is supported by Alice and Lawrence Weiner; Danna and Ed Ruscha; Hartfield Foundation; James Rosenquist Foundation; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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This in-person event will be live streamed through Instagram: @iscp_nyc.

Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email Veronica Sanchez at vsanchez@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents

ISCP Talk
January 21, 2025, 6:30–7:30pm

Artists at Work: Antonis Pittas in conversation with Gabriela López Dena

For this Artists at Work, ISCP artist-in-residence Antonis Pittas will be joined by curator Gabriela López Dena. Pittas will present on his practice and share the research and work he has developed during his residency. He will speak with López Dena about his interest in relationships between the past and the present, finding inspiration from historical contexts, and his engagement with performative aspects of installation art. A Q&A with the audience will follow.

Antonis Pittas’ work revolves around current social and political issues, marked by a profound connection to history. His practice delves into significant historical moments of destruction, decay, and resistance, all of which play pivotal roles in shaping his artistic narrative. Pittas has exhibited work at Mujin-to Productions, Tokyo; National Museum of Contemporary Art Αthens (ΕΜΣΤ), Greece; Hessel Museum of Art & CSS Bard Galleries, Annandale, New York; Centraal Museum; Stedelijk Museum Bureau Amsterdam; and Museum for Contemporary Art – Eindhoven – Van Abbemuseum (all in The Netherlands), among other institutions. 

Gabriela López Dena works across curation and social practice to address the relationship between the built environment and its social dynamics. She is currently the Associate Curator of Public Practice at Public Art Fund, a teaching artist with Swiss Institute, and a member of Interference Archive. She has realized curatorial projects with Cooper Hewitt, the Museum of Arts and Design, and the Vera List Center for Art and Politics. Originally from Mexico City, she founded DENA, a transdisciplinary practice focused on designing and building spaces and collaborating with artists, primarily on architectural-scale installations.

This program is supported by Mondriaan Fund; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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This in-person event will be live streamed through Instagram: @iscp_nyc.

Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email Veronica Sanchez at vsanchez@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents

ISCP Talk
December 18, 2024, 4–5pm

Artists at Work: Frank WANG Yefeng in conversation with Xiaoyu Weng

For this Artists at Work, ISCP artist-in-residence Frank WANG Yefeng will be joined by curator Xiaoyu Weng. WANG will present on his practice and share his recent projects including Groundless Flowers, a new work that he made during his ISCP residency. He will speak with Weng about his interest in “nomadism” and “in betweenness” and how these ideas filter into his artmaking. A Q&A with the audience will follow.

Frank WANG Yefeng is an interdisciplinary artist and researcher based between New York and Shanghai. Initially trained as a sculptor, WANG’s work spans diverse media, including video installation, 3D animation, painting, drawing, and writing. His practice explores the “in-betweenness” of a transnational, nomadic existence, blending physical and digital realms to critically examine fixed identity constructs, the histories of racialized “others,” and the alienation of people and objects within dominant cultural and technological narratives. He has exhibited work at Smack Mellon, New York; Hessel Museum of Art, New York; BRIC Biennial, New York; Times Square, New York; the OCAT Biennial, Shenzhen; Vanguard Gallery, Shanghai, among others. 

Based in New York, Xiaoyu Weng is Artistic Director of the Tanoto Art Foundation, a Singapore-based not-for-profit foundation. From 2021-2023, she was Head of the Modern and Contemporary Art department at the Art Gallery of Ontario (AGO) in Toronto, Canada. Previously, she served as Associate Curator at the Solomon R. Guggenheim in New York, where she curated exhibitions including Tales of Our Time (2016–17) and One Hand Clapping (2018), exploring the responses of Chinese artists to globalization. Weng also curated the fifth Ural Industrial Biennial in 2018–19 in Yekaterinburg, and from 2010 to 2015, she held the position of director and curator of Asia Programs at Kadist Art Foundation, Paris and San Francisco.

This program is supported by Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
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This in-person event will be live streamed through Instagram: @iscp_nyc.

Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. To access the second floor there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our guest speaker will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP  can access a freight elevator to bring visitors between the first and second floors on request.

 

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email Veronica Sanchez at vsanchez@iscp-nyc.org to request a parking space and/or freight elevator usage.

4–5pm

Participating Residents