Past Residents
Past Resident2021: The J.F. Costopoulos Foundation
Stefania Strouza
Stefania Strouza’s practice explores how cultural narratives of diverse epochs connect to produce new identity projects. It examines the spatial mobility of such narratives, the exchange of forms and symbols across large distances, and the cross-cultural syncretisms that emerge from it. The artist materializes these ideas through sculptural works and installations that draw associations between the symbolic world of objects and notions of temporality, geography and the body.
Stefania Strouza has exhibited work at The 3rd Industrial Art Biennial, Croatia; NEON, Greece; and Neue Galerie Innsbruck, Austria, among others.
Events & Exhibitions
Artists at Work: Stefania Strouza and Daphne Dragona
September 28, 2021, 1-2pm
Stefania Strouza, 212 Medea (Perpetual Silence Prevails in the Empty Space of Capital), 2020, expanded polystyrene foam, plywood, epoxy resin, varnish, 90 ³⁵/₆₄ × 59 ¹/₁₆ × 47 ¹/₄ (230 × 150 × 120 cm)
Stefania Strouza, 212 Medea (If only I had stayed the animal I was), 2020, metallised cane roots, insulation foam, spray-paint, aluminum foil, pins, 20 ⁵⁵/₆₄ × 13 ²⁵/₆₄ × 15 ²³/₆₄ (53 × 34 × 39 cm)
Stefania Strouza, Pro itu et reditu, 2019, ceramic, bronze, 12 ⁶³/₆₄ × 8 ¹⁷/₆₄ × 4 ²³/₃₂ (33 × 21 × 12 cm)
Stefania Strouza, Fundamentos Líquidos (Liquid Foundations), 2018, bricks, wood, and queen conch shell, 47 ¹/₄ × 78 ⁴⁷/₆₄ × 39 ³/₈ (120 × 200 × 100 cm)
Stefania Strouza, The center will not hold, 2019, plaster, liquid plastic, pewter, and acrylic paint, 106 ¹⁹/₆₄ × 66 ⁵⁹/₆₄ × 3 ¹⁵/₁₆ (270 × 170 × 10 cm)
Residents from Greece
Past Resident2021: Rhode Island College Faculty Scholarship Major Grant
Frank Yefeng Wang
Frank Wang Yefeng works across various media, including 3D animation, video installation, sculpture, and writing. His migratory experience at a young age drives him to explore his reality as a multicultural individual. The estrangement of the origin and the absence of home turn “in-betweenness” into his constant dwelling. Ambivalent characters play essential roles in Yefeng’s works, where he explores the transmission of affect and the in-between states of nomadic subjects in both virtual and physical realms.
Frank Wang Yefeng has exhibited work at BRIC Biennial, Brooklyn; Hyundai Motorstudio Beijing, China; and Vanguard Gallery, Shanghai, among others.
Frank Yefeng Wang, BIRDS Volume II - Slow Spectre, 2021, 3D animation with sound, writing; outdoor billboards, 2:40 min., dimensions variable
Frank Yefeng Wang, BIRDS Volume I, 2019, 3D animation, 4K single-channel video, 2.1 sound, writing, 12:52 min
Frank Yefeng Wang, The House of the Solitary, 2020, 3D animation, 4K single-channel video, 2.1 sound, writing, loop
Frank Yefeng Wang, The Whimsical Characters - Made Ready, 2021, 3D animation, public LED screens, loop
Frank Yefeng Wang, The Groundless Protag, 2020, 3D animation, motion capture, loop
Residents from China
Ariane Loze
Through a methodical deconstruction of cinematic norms, Ariane Loze strips her video-performances down to their most basic, structural inner workings. Her post-minimalist aesthetic brings together conceptual expression and home-made execution underpinned by an immediately recognizable narrative made up of static shots of a straightforward action or event. Since 2008, Loze produces her videos autonomously: she take on the roles of director, screenwriter, editor, dresser, and sound and lighting technician, as well as plays all characters.
Ariane Loze has exhibited work at Riga Biennial of Contemporary Art, Riga; S.M.A.K., Ghent; and KANAL Centre Pompidou, Brussels, among others.
Ariane Loze, Utopia, 2018, HD video projection with sound, 10:27 min
Ariane Loze, Archipelago of Me, 2018, HD video projection with sound, 32:54 min
Ariane Loze, Minimal Art, 2019, HD video projection with sound, 8:25 min
Ariane Loze, Highlands, 2019, HD video projection with sound, 30:18 min
Ariane Loze, Kolumba, 2020, HD video projection with sound, 13:36 min
