Exhibition
June 24–October 3, 2025

Nifemi Ogunro: The First Act

Join us for the Opening Reception on Tuesday, June 24 from 6–8pm.

The International Studio & Curatorial Program (ISCP) presents Nifemi Ogunro: The First Act, the designer and sculptor’s first institutional solo exhibition, curated by Paul Galloway. Featuring a group of new works crafted from wood, Ogunro’s material investigations manifest as compelling contradictions: furniture that is not just furniture, sculpture that defies conventional formalist readings.  

Embracing an older interpretation of the word “manufacture,” which originally referenced something handmade, Ogunro invites the viewer to reconsider the social implications of working directly with materials that were once, like us, organic beings. If we think of a forest as a community, is it possible to find fellowship among these transmuted forms? Ogunro ponders questions like this while shaping the wood, with techniques that range from rough chainsaw work to finely executed joinery. The act of becoming is a focus for Ogunro, as she explores the tensions between beauty and discomfort that accompany all processes of change. 

Discarding the typical design imperatives of function, comfort, and utility, Ogunro highlights the formal qualities of the body in absentia via objects that suggest vacancies. One work, Child’s Play, evokes the movement of the body through its seesaw form, furniture that requires two people to perform its oscillating function. Sinking reverses this, suggesting a body at ease, albeit on the unforgiving surface of bent plywood. Aiming for her pieces to be “as bare-boned and legible as possible,” Ogunro questions the way we build our environments to accommodate our corporeal perspective. In our quest to make the world more comfortable we divorce ourselves from risk, minimizing our chances of physical and psychological injury. Ogunro reminds us that to be challenged is an invitation, just as a tree pruned of a limb offers an opportunity for new growth. 

Brooklyn-based designer and sculptor Nifemi Ogunro (b. 1995, Lyon, France) describes her works as functional sculptures. Her design process gives equal consideration for both the bodies that interact with these objects and the forms of the objects themselves. While wood is her primary medium, Ogunro draws inspiration from photography, film, performance, and movement. She has exhibited work at Side Gallery, Barcelona, Spain; and Marta Gallery, Los Angeles, CA among other venues, and her work is in collections including at the Denver Art Museum, Colorado. Ogunro is a recipient of The New York Community Trust’s Edward and Sally Van Lier Fund Residency at ISCP. 

Paul Galloway is the Senior Collection Specialist for the Architecture & Design Department at The Museum of Modern Art (MoMA). During his time at MoMA he has curated Designer’s Choice: Norman TeagueJam Sessions and co-curated the exhibitions Never Alone: Video Games and Other Interactive Design and Automania. Galloway has authored and contributed to multiple MoMA publications, including Shigetaka Kurita: Emoji, as well as catalogs from the Fondation Louis Vuitton and the Montreal Museum of Fine Arts.   

Nifemi Ogunro: The First Act is curated by Paul Galloway, Senior Collection Specialist, Department of Architecture and Design, The Museum of Modern Art. It is supported by The New York Community Trust’s Edward and Sally Van Lier Fund; Brooklyn Borough President Antonio Reynoso; Hartfield Foundation; James Rosenquist Foundation; Milton and Sally Avery Arts Foundation; New York City Council District 34; New York City Department of Cultural Affairs in partnership with the City Council; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.   

Participating Residents

ISCP Talk
June 10, 2025, 6:30–7:30pm

Artists at Work: Matthias Garff in Conversation with Hannah Kirshenbaum

For this Artists at Work, ISCP artist-in-residence Matthias Garff will be joined by Hannah Kirshenbaum, avid birder and founder of NYC Queer Birders. Garff will present on his practice and speak with Kirshenbaum about the birds that live amongst us, often unnoticed around cities, and yet deeply connected to our shared environment. They will also discuss the state of biodiversity in New York City, the birding community, and how to observe birds. A Q&A with the audience will follow.

Join Matthias Garff and NYC Queer Birders for a bird walk at West 87th Street Park & Garden, New York, NY on Thursday, June 12 from 5:30 – 7:30pm. The event is held in collaboration with the Goethe-Institut and NYC Queer Birders.

Based in Leipzig, Germany, Matthias Garff transforms discarded materials into animal sculptures, exploring the abundance and fragility of wildlife in urban environments. Often larger than life, his sculptures celebrate the diversity around us, addressing themes of biodiversity, evolution, and our use of resources. His work has been exhibited at institutions such as the Museum der Bildenden Künste Leipzig, Germany; Staatsgalerie Stuttgart, Germany; House of Arts in Ústí nad Labem, Czech Republic; and the National Museum of Natural History, Luxembourg City, Luxembourg, among others. 

Hannah Kirshenbaum is an avid birder and lifelong lover of the natural world. In 2020 they founded NYC Queer Birders as a way to cultivate community and explore the natural world of New York City with LGBTQIA+ bird-lovers. Through all the seasons, Hannah leads educational birding events in all five boroughs and beyond. They encourage and welcome all bird enthusiasts, regardless of experience. Hannah’s favorite bird is a Ruby-crowned kinglet because they are so adorable and you’re lucky if you get to see their ruby crown!

This program is supported by KdFS Kulturstiftung des Freistaates Sachsen; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
_____

This in-person event will be live streamed through Instagram: @iscp_nyc

Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. A temporary ramp can be installed to cover the step. To access the second floor, there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our speakers will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents

ISCP Talk
May 28, 2025, 6:30–7:30pm

Artists at Work: Akeema-Zane in conversation with Ladi'Sasha Jones

For this Artists at Work, ISCP artist-in-residence Akeema-Zane will be joined by writer, designer and curator Ladi’Sasha Jones. Akeema-Zane will present her recent work that draws from her archival research of Trinidad and its Carnival traditions and speak with Jones about her family history of immigration to Harlem, their shared and divergent working histories and visions for diasporic convergences. They will also discuss Jones’ exploration of Black Interior Art, reflecting on the emotional, psychological, and spiritual spaces of Black life. A Q&A with the audience will follow.

Akeema-Zane is a Harlem-born artist and researcher working in literature, film, performance and sound. With collaborator Rena Anakwe, the artist has developed works that combine her literary, film, performance and sound practices in Our Mourning Due: A Funeral Sermon (2022) commissioned by Savannah College of Art and Design (SCAD) Museum of Art’s Walter and Linda Evans Center for African American Studies, Georgia, and Sonic Escape Routes: Shall We Fly? Or, Shall We Resist? (2020) commissioned by Weeksville Heritage Center, Brooklyn. Her featured role in the short film When Rain Clouds Gather by Christian Nyampeta debuted at the 2024 Venice Biennale. She is currently a film educator at Maysles Documentary Center, New York and serves as board chair of The School of Making Thinking as well as on the board of directors of Cucalorus Film Festival, North Carolina.

Ladi’Sasha Jones (she, her) is a writer, designer and curator from Harlem, New York. Her research-based practice explores Black spatial histories through text, sculpture and public engagement. She has written for Aperture, Avery Review, Arts.Black, e-flux Criticism, Gagosian Quarterly, Houston Center for Photography, and The Art Momentum. Her project Black Interior Space / Spatial Thought was commissioned by The Shed, New York as a part of the Open Call 2021 and was the recipient of a 2021 Research and Development award from the Graham Foundation for Advanced Studies in the Fine Arts. As an arts administrator, Jones held appointments at The Laundromat Project, New York; Norton Museum of Art, Florida; New Museum’s IdeasCity platform, New York; and the Schomburg Center for Research in Black Culture, New York Public Library. She is currently pursuing a Ph.D. in the History and Theory of Architecture at Princeton University, and holds a M.A. in Arts Politics from New York University and B.A. in African American Studies from Temple University.

This program is supported by Vision Fund; Hartfield Foundation; James Rosenquist Foundation; Joe Sultan; Lèna Saltos; Milton and Sally Avery Arts Foundation; New York City Department of Cultural Affairs, in partnership with the City Council; Brooklyn Borough President Antonio Reynoso; New York City Council District 34; New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature; Dr. Samar Maziad; Sarah Jones; van Beuren Charitable Foundation; William Talbott Hillman Foundation; and Woodman Family Foundation.
_____

This in-person event will be live streamed through Instagram: @iscp_nyc

Accessibility information: Please note that the entrance to ISCP has seven steps and a ramp, which is ADA compliant. There are seven artist studios and one exhibition space which can be accessed on the first floor of ISCP. There is an accessible bathroom on the first floor at the end of the hallway, up one step, where the artist studios are located. A temporary ramp can be installed to cover the step. To access the second floor, there is a staircase with a grab bar installed on the right side with 22 steps. The second floor has 22 artist and curator studios, one exhibition space, and a lounge where remarks by our speakers will take place. To access the third floor there is a staircase with a grab bar installed on the right side with 24 steps. The third floor has five artist and curator studios. ISCP can access a freight elevator to bring visitors between the first and second floors on request.

ISCP can offer two reserved parking spaces on request for people with disabilities. Please email programs@iscp-nyc.org to request a parking space and/or freight elevator usage.

6:30–7:30pm

Participating Residents