Offsite Project
July 22, 2013–March 20, 2014

Tang-Wei Hsu: Monkey Magic

The International Studio & Curatorial Program (ISCP) and the New York City Department of Transportation’s (DOT) Urban Art Program are pleased to announce Tang-Wei Hsu’s Monkey Magic, a new artwork produced for the pedestrian safety island at 9th Avenue and 36th Street in Manhattan.

Monkey Magic, continues Tang-Wei Hsu’s use of anime and science fiction-influenced graphics. This totemic sculpture references the ancient South Asian fables Three Monkeys and The Journey to the West as well as Hsu’s own experience in New York where he has lived intermittently for the past three years. Coated with symbols of both landscape and manufacturing, the figures extend into the surrounding bustle, offering brief respite to passersby.

NYC DOT Urban Art Program:
The New York City Department of Transportation launched the Urban Art Program in October 2008 to invigorate the City’s streetscapes with engaging temporary art installations. The Program partners with community organizations and artists to present murals, sculptures, projections, and performances on public property such as plazas, fences, barriers, footbridges, and sidewalks.

Special thanks to Ministry of Culture, R.O.C.(Taiwan) and Taipei Cultural Center in New York for their support.

9th Avenue at 36th Street, Manhattan, NY

Participating Residents

Offsite Project
July 10, 2013–April 30, 2014

Jen Liu: Melon Mysticism for Everyone

The International Studio & Curatorial Program (ISCP), together with the NYC Department of Transportation’s (DOT) Urban Art Program, are pleased to present Jen Liu’s Melon Mysticism for Everyone, five photographic vinyl banners located along the Manhattan Bridge bike fence on Forsyth Street between Canal and Division streets in Manhattan. The banner series will be on display for a period of 11 months.

The five banners feature a watermelon that has been carved into a mandala pattern, being eaten by a series of animals: a goat, sheep, horse, and chicken. Chinatown food markets and the diverse neighborhood located around the Manhattan Bridge brought Liu to reflect on the ideas of unity and community, and the communal eating of watermelon by the animals acts as a humorous metaphor for the functional cohesion of immigrant communities in New York City.   The artist notes, “the diverse community that exists in the Chinatown markets is not an abstraction, but something informal, messy and full of life.”

This project is being produced through the pARTners track of the DOT Urban Art Program and is the third collaboration between the agency and the International Studio & Curatorial Program.

NYC DOT Urban Art Program:
Launched in October 2008, DOT’s Urban Art Program invigorates the city’s streetscapes with engaging temporary art installations. It partners with community-based organizations and artists to present murals, sculptures, projections, and performances on plazas, fences, barriers, bridges, and sidewalks for up to 11 months. Projects are presented within three program tracks: pARTners, Barrier Beautification, and Arterventions.

Manhattan Bridge
Forsyth Street between Canal and Division streets in Manhattan

ISCP Talk
June 25, 2013

Salon: Laura Horelli

Laura Horelli will present A Letter to Mother, a video piece produced during her 6-month residency at ISCP and currently exhibited at The 7th Momentum Biennial in Moss, Norway. A Letter to Mother was filmed in Flushing, Queens, where Horelli’s mother spent her first years in the 1950s. The narrative touches upon some political movements of the last century by recalling the life of one Finnish family.

Participating Residents