Past Residents
Past Resident2023: Pollock-Krasner Foundation
Hellen Ascoli
Hellen Ascoli creates multidisciplinary works that weave through memory and sensation. Working primarily with a backstrap loom, Ascoli situates herself within concepts of proprioception, affordances, and translation.
Hellen Ascoli has exhibited works at Art Pace, Texas; Contemporary Art Center, Ohio; and La Nueva Fàbrica, Guatemala, among others.
Hellen Ascoli, The Corners Speak, 2022, collaboration with Karl Williamson, textile, sound and wood, 63 × 63 × 20 in. (160.02 × 160.02 × 50.8 cm).
Hellen Ascoli, E como Leer, 2022, collaboration with Karl Williamson, textile and wood, 10 × 63 × 12 in. (25.4 × 160.02 × 30.48 cm).
Hellen Ascoli, ¿How is your heart?, 2021, textile and wood, 236 × 196 in. (599.44 × 497.84 cm).
Hellen Ascoli, We Shaped Soft Gods Here, 2021, collaboration with Karl Williamson, textile, wooden molds and kinetic components, 80 × 275 × 2 in. (203.2 × 698.5 × 5.08 cm).
Hellen Ascoli, Cien Tierras, 2021, textile and wood, 100 × 80 in. (254 × 203.2 cm).
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2023: Temple Bar Gallery + Studios, Dublin
Aideen Barry
Aideen Barry is a multidisciplinary artist whose modes of expression include performance, moving image, and sculptural manifestations. Using visual tricks to intensify the suspension of reality, Barry explores subjects such as domestic labor, examinations of class, otherness, environmental change, and human vulnerability.
Aideen Barry has exhibited work at the Irish Museum of Modern Art, Dublin; Kazten Center at American University Museum, Washington D.C.; and Centro de Arte Contemporáneo de Málaga, Málaga, among others.
Events & Exhibitions
Artists at Work: Aideen Barry and Kokou Ferdinand Makouvia
March 14, 2023, 6–7pm
Aideen Barry, Béal (All Silent but for the Buzzing ) & The Monachopsis Drawing Editions, 2021, sound and architectural installation, dimensions variable.
Aideen Barry, oblivion / seachmalltacht / ᖃᐅᔨᒪᔭᐅᔪᓐᓃᖅᑐᑦ, 2021, video Installation with sound, 15:38 min.
Aideen Barry, Listen Liquid, 2021, multichannel video projection, sound, wall and floor drawing , dimensions variable.
Aideen Barry, Klostės, 2022, film, 67 min.
Hanni Kamaly
Hanni Kamaly is a research-based artist working with sculpture, video and performance whose practice examines the political construction of identity throughout history using layered research and a material approach. Kamaly investigates who has the authority to write and display history, as well as how these histories are recorded, embodied, and collected. Kamaly’s works weave together fragments to expose visual culture, ethnography, and history, exposing patriarchal, colonial, racist, and nationalist structures that still exist today.
Hanni Kamaly has exhibited work at Accelerator, Stockholm; 34th Bienal de São Paulo; and Index – Swedish Contemporary Art Foundation, Stockholm, among others.
Hanni Kamaly, BALLOK, 2017-2018, steel, aluminum mesh, zari thread and mirrors, 14 × 28,3 × 34,2 in. (35.56 × 28,3 × 34,2 cm).
Hanni Kamaly, GADJU, 2021, video, 8:15 min.
Hanni Kamaly, SALAZAR, 2022, steel, 34,2 × 90,5 × 109,8 in. (34,2 × 90,5 × 109,8 cm).
Hanni Kamaly, SAJID, 2021, steel, 35 × 41,7 × 97,2 in. (88.9 × 41,7 × 97,2 cm).
Hanni Kamaly, SAJID, 2018, video, 11:45 min.
