Past Residents
Past Resident2022: Artis
Xavier Acarín Wieland
Xavier Acarn Wieland is a curator who works at the intersection of performativity, material culture, and ecology.
Xavier Acarín Wieland has presented exhibitions at Caixaforum, Barcelona; Mies van der Rohe Foundation, Barcelona; and Abrons Arts Center, New York, among others.
Xavier Acarín Wieland, The Next Mutation, 2021-2022, exhibition view at La Caixa Foundation
Xavier Acarín Wieland, Love the Daily Work, 2018, exhibition view
William Lamson, Luba Drozd and Roarke Menzies, A Continuous Stream of Occurrence, 2019, exhibition view
Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs, Conspiracies are Things, 2017, exhibition view
Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz, PUBLIC FORMATS, 2017, exhibition view
Residents from United States
Past Resident2022: The Netherland-America Foundation
Ginta Tinte Vasermane
Ginta Tinte Vasermane is an artist and curator working in a variety of mediums including motion picture, multi-channel video installation, film, sculpture, and costume design. She creates theatrical scenes that are filmed in cinematographic settings and then set up as multi channel video installations. In her work, she experiments with behavioral patterns, social norms, and role play.
Ginta Tinte Vasermane has exhibited work at the European Media Art Festival, Germany; Art Rotterdam, The Netherlands; and Stockholm Independent Art Fair, Sweden, among others.
Ginta Tinte Vasermane, At the Mall, 2022, 5-channel video installation, 8:11 min
Ginta Tinte Vasermane, At the Mall, 2022, 5-channel video installation, 12:15 min
Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation, 33:17 min
Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation
Ginta Tinte Vasermane, Working Frames, 2014, 5-channel video installation
Past Resident2022: Artis
Adam Liam Rose
Through his multidisciplinary practice, Adam Liam Rose investigates the visual language and architecture of “safety.” His work delves into the intersection of theater and life, where aesthetics and cheap tricks are used to numb, soothe, or distract audiences from a real or perceived disaster.
Adam Liam Rose has exhibited work at The Bronx Museum of the Arts; Ortega y Gasset Projects; and The Jewish Museum, all New York, among others.
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house-paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)
Adam Liam Rose, Stages of Fallout, 2019-2022, works on paper (graphite, gouache, colored pencil) , dimensions variable . Installation at 'BRONX CALLING: The Fifth AIM Biennial,' The Bronx Museum of the Arts, 2021-22.
Adam Liam Rose, Stages of Fallout (invasion) , 2020, graphite on paper, 71/2 × 11 in. (19.05 × 27.94 cm)
Adam Liam Rose, Stages of Fallout (never lonely), 2021, graphite on paper, 9 × 12 in. (22.86 × 30.48 cm)