Past Residents

List Grid

Past Resident
2022: Artis

Xavier Acarín Wieland

Xavier Acarn Wieland is a curator who works at the intersection of performativity, material culture, and ecology.

Xavier Acarín Wieland has presented exhibitions at Caixaforum, Barcelona; Mies van der Rohe Foundation, Barcelona; and Abrons Arts Center, New York, among others.

Exhibition Collections Macba and La Caixa Foundation

Xavier Acarín Wieland, The Next Mutation, 2021-2022, exhibition view at La Caixa Foundation

Xavier Acarín Wieland, Love the Daily Work, 2018, exhibition view

Works by William Lamson and Luba Drozd with sound intervention by Roarke Menzies

William Lamson, Luba Drozd and Roarke Menzies, A Continuous Stream of Occurrence, 2019, exhibition view

Works by Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs

Sarah Anderson, Deville Cohen, Nick Doyle, Kolbeinn Hugi + Taraka Larson, Juan Kasari, and Gabriel Pericàs, Conspiracies are Things, 2017, exhibition view

Works by American Artist, Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz.

Itziar Barrio, Anton Ginzburg, Gordon Hall, Paul John, Sara Magenheimer and Alan Ruiz, PUBLIC FORMATS, 2017, exhibition view

Residents from Spain

Martinka Bobrikova & Oscar de Carmen

Gathering in front of parlament of Oslo, as protest, assembly, practicing collective nap.

Norway, Slovakia, Spain

Oslo Kommune Internasjonalt

2022

AnaMary Bilbao

Portugal, Spain

Luso-American Development Foundation (FLAD)

2022

Miki Leal

Spain

Consulate General of Spain in New York

2021

Latvia, The Netherlands

Past Resident
2022: The Netherland-America Foundation

Ginta Tinte Vasermane

Ginta Tinte Vasermane is an artist and curator working in a variety of mediums including motion picture, multi-channel video installation, film, sculpture, and costume design. She creates theatrical scenes that are filmed in cinematographic settings and then set up as multi channel video installations. In her work, she experiments with behavioral patterns, social norms, and role play.

Ginta Tinte Vasermane has exhibited work at the European Media Art Festival, Germany; Art Rotterdam, The Netherlands; and Stockholm Independent Art Fair, Sweden, among others.

Ginta Tinte Vasermane, At the Mall, 2022, 5-channel video installation, still from video

Ginta Tinte Vasermane, At the Mall, 2022, 5-channel video installation, 8:11 min

Ginta Tinte Vasermane, At the Mall, 2022, 5-channel video installation, 12:15 min

Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation, still from video

Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation, 33:17 min

Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation

Ginta Tinte Vasermane, Working Frames, 2014, 5-channel video installation

Residents from The Netherlands

Coralie Vogelaar

This interactive installation examines our urge to exert control over our body, the uncontrollable nature of the conditions that influence how we feel, and the data systems that analyze our state of wellbeing. Visitors are invited to take a seat and place a sensor on their earlobe. Their heart rate variability (HRV), the period between heartbeats, will immediately become audible as the sound of ticking metal friction on ceramics, and squeaking polysterene. Changes in HRV directly impact on the sound composition by Sjoerd Leijten and vice versa. The sensors register all the irregularities of the heartbeat, which fluctuates in response to physical and emotional factors. Because of the complexities involved in identifying the cause of individual fluctuations, science often dismisses small variations as irrelevant, and only average readings are used for examinations. Coralie Vogelaar explores the “noise” that is ususally filtered out in this hybrid cross of technological research and fine art - the installation exudes the atmosphere of a test environment, with its aluminium tubing, visible cables, and the inbuilt and pre-programmed conditional rules. Vogelaar demonstrates that our mood states are more complex than would be suggested by an averaged out measurement. She embraces this complexity by combining data-sampling systems with the physical experience of sound, rather than imposing any scientific framework or delimitation

The Netherlands

Mondriaan Fund

Studio #219

Claudine Arendt

Ahead of Time, The Times Ahead, 2021, sculpture fountain, polyester and computer-controlled water pump

Luxembourg, The Netherlands

Edward Steichen Award Luxembourg

2022

Remy Jungerman

The Netherlands

ISCP Alumni Fund, Dutch Culture USA program by the Consulate General of the Netherlands in New York

2018

United States, Israel

Past Resident
2022: Artis

Artist

Adam Liam Rose

Through his multidisciplinary practice, Adam Liam Rose investigates the visual language and architecture of “safety.” His work delves into the intersection of theater and life, where aesthetics and cheap tricks are used to numb, soothe, or distract audiences from a real or perceived disaster.

Adam Liam Rose has exhibited work at The Bronx Museum of the Arts; Ortega y Gasset Projects; and The Jewish Museum, all New York, among others.

Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house-paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)

Adam Liam Rose, Silver Bullet Test Site, 2017, installation, wood, bolts, house paint, ceramic, miniature light, PVC, insulation foam, dirt/trash and HD video, 120 × 96 × 96 in. (304.8 × 243.84 × 243.84 cm)

Installation shot of “Stages of Fallout” showing a constellation of graphite drawings hanging against a white wall at various heights. Each drawing is framed in a grey steel frame.

Adam Liam Rose, Stages of Fallout, 2019-2022, works on paper (graphite, gouache, colored pencil) , dimensions variable . Installation at 'BRONX CALLING: The Fifth AIM Biennial,' The Bronx Museum of the Arts, 2021-22.