Past Residents
Caroline Garcia
Caroline Garcia is an interdisciplinary artist working across live performance and video through a hybridized aesthetic of cross-cultural dance, ritual practice, and new media. Her work performances and video installations traverse a highly personalized aggregation of distinct systems that encompass live-green screening, botany, robotics, poetry, and virtual reality. Her most recent body of work serves to function as a reparative measure to contend with personal loss and the diasporic and post-colonial grief that accompanies it.
Caroline Garcia has exhibited work at The Shed, New York; Museum of Contemporary Art Australia, Sydney; and The Sydney Opera House, Sydney, among others.
Caroline Garcia, The Breath of Death, 2022, performance installation, dimensions variable.
Caroline Garcia, Dancing on Axes & Spears, 2023, mixed media, dimensions variable.
Caroline Garcia, Pay Salutation, 2022, performance by the Chrysalis Kali Collective.
Caroline Garcia, On Being Mortal, 2022, five-channel video installation, dimensions variable.
Caroline Garcia, Tropical Dissent (Weapons No. 4, 1, and 2), 2022-ongoing, 3D printed polylactic acid filament.
Past Resident2023: Amsterdams Fonds voor de Kunst, Stichting Stokroos2022: The Netherland-America Foundation
Ginta Tinte Vasermane
Ginta Tinte Vasermane is an artist and curator working in a variety of mediums including motion picture, multi-channel video installation, film, sculpture, and costume design. She creates theatrical scenes that are filmed in cinematographic settings and then set up as multi channel video installations. In her work, she experiments with behavioral patterns, social norms, and role play.
Ginta Tinte Vasermane has exhibited work at the European Media Art Festival, Germany; Art Rotterdam, The Netherlands; and Residency Unlimited, New York, among others.
Events & Exhibitions
2023 Fall Open Studios
November 10–November 11, 2023
Ginta Tinte Vasermane, Almost never present, 2022, 5-channel video installation, 8:11 min.
Ginta Tinte Vasermane, Almost never present, 2022, 5-channel video installation, 12:15 min.
Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation, 33:17 min.
Ginta Tinte Vasermane, Supportive Structures, 2016, 4-channel video installation.
Ginta Tinte Vasermane, Working Frames, 2014, 5-channel video installation.
Past Resident2023: Conseil des arts et des lettres du Québec
Ella den Elzen
Ella den Elzen is a Montréal-based artist and curator. Her multi-disciplinary practice engages with writing, installation, sound, and film, to explore and critique the politics of the built environment, with a focus on archives and institutions. Her writing has been published by the Canadian Centre for Architecture, CMagazine, and Public Parking Journal.
Ella den Elzen has exhibited work at ACUD Galerie, Germany; Akademie Schloss Solitude, Germany; and Canadian Centre for Architecture, Canada, among others.
Events & Exhibitions
2023 Fall Open Studios
November 10–November 11, 2023
Ella den Elzen, Dunn's River Still Life, 2022, backlit transparency film and lightbox, 331/8 × 4613/16 in. (84.07 × 118.87 cm).
Ella den Elzen, Green Screen, 2022, digital print on PVC, metal clamps and photo backdrop stand, 551/8 × 7013/16 × 271/2 in. (139.95 × 179.83 × 69.85 cm).
Ella den Elzen, Value (to come from nowhere), 2023, UV print on aluminum dibond, engraved alumnium panel, audio, water infused with annatto and jar.
Ella den Elzen, A warm and homey feeling, 2020, video, 4 min, single channel.
Ella den Elzen, The trouble with disorderly detail, 2023, lasercut aluminum frame, aluminum lightbox and backlit transparency film with archival photographs, 235/8 × 353/8 in. (59.94 × 89.92 cm).
