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Karen Elaine Spencer
Karen Elaine Spencer

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Past Residents
Past Residents
Ambie Abaño
Ambie Abaño
Canada

Past Resident
2013: Canada Council for the Arts

Artist

Karen Elaine Spencer

Karen Elaine Spencer’s work questions use values and investigates how we, as transient beings, occupy the world in which we live. The notion of progress is challenged through the repetition of an action that leads nowhere. Metro-riding, rambling, dreaming, and loitering are among the activities Spencer folds into her practice. A project is sustained over time, often a year, and materials of our day-to-day existence are favored. Through a détournement of materials or intentions, Spencer intervenes into specific places, where she marks and is marked by spatial and social geographies. A current project, “hey! mike” the blog, is part of a multifaceted conversation with Mike Bloomberg, the 108th mayor of New York City. Here she questions a system whereby one person can be held up as a philanthropist without a basic acknowledgement of a deep lack of justice between all humans because “no one gets rich alone.”

Karen Elaine Spencer lives and works in Montreal, Québec, Canada. Since 2008, she has been active in a postcard and web-based project entitled Transient Traces, where she steals the words of others to then send these words to politicians and public figures. Her practice oscillates between work in the street, exhibitions in galleries, and disseminations via the web. In 2011, she curated the program Gosser le Furtif at Galerie Skol, Montreal. Her text for the performance group TRAFIC was published in the catalog “Lost and found/Les Bureau des Objets Trouvés,” and she was an artist in residence at The John Snow House in Calgary, Alberta. Her work has been exhibited across Canada and Europe. She is the recipient of the 2012 Powerhouse Prize.

Karen Elaine Spencer, Dream Listener, 2007, Ink on cardboard. Courtesy of the artist.
Karen Elaine Spencer, Eating Oranges After Dark, 2009, Orange peel. Courtesy of the artist.
Karen Elaine Spencer, I Dreamt I Ran Away From Home, 2009, Chalk on pavement. Courtesy of the artist.
Karen Elaine Spencer, Sittin', 2010, 10-day intervention Union Station, Toronto, Ontario. Courtesy of the artist.
Karen Elaine Spencer, Transient Traces, 2011, Postcards. Courtesy of the artist.

Residents from Canada

Asal Andarzipour

Canada, Iran
Alberta Foundation for the Arts, Behdad Esfahbod
Studio #213

Braxton Garneau

Canada
Elizabeth Greenshields Foundation, Edmonton Arts Council, Canada Council for the Arts
Studio #202

Jude Griebel

Canada, United States
Canada Council for the Arts
2016
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Karen Elaine Spencer
Karen Elaine Spencer
Nanna Debois Buhl
Nanna Debois Buhl
Philippines

Past Resident
2012: ACC - Asian Cultural Council

Artist

Ambie Abaño

Ambie Abaño’s shift from painting to printmaking brought her to an exploration of the medium as she investigates portraiture in relation to both material and process. From two-dimensional prints, her experimental works led to the creation of portraits and figures in sculpture, mixed media works, and installations, always with an element of traditional printmaking processes.

Ambie Abaño (born Manila 1967) abandoned the practice of architecture in favor of being a visual artist. She exhibits widely in the Philippines and across Asia. Abaño is a faculty member at the University of the Philippines College of Fine Arts. For the past six years, she served as president of the Philippine Association of Printmakers and remains active in their training program. Her solo exhibitions include: SurFACE (2011); Sanctuaire des memoires (2012) at the Alliance Francaise de Manille, and TransFIGURATION at the Cultural Center of the Philippines (2006). She participated in A/P: Analog Playground, Ateneo Art Gallery, Manila; The Speaking House, Kerala, India (2012); Asian International Art Exhibition (2007-2011), and Open Studios at Cité Internationale des Arts, Paris (2011).

Ambie Abaño, Trapped, 2009, Stuffed prints on textile, 24 × 24 × 24 in. (60.96 × 60.96 × 60.96 cm).
Ambie Abaño, Prayer, 2009, Installation with woodcut on textile and plastic.
Ambie Abaño, Self Awareness, 2011, Oil painting and woodcut on phillippine mahogany, 72 × 60 in. (182.88 × 152.4 cm).
Ambie Abaño, Diaries, 2010, Woodcut on recycled wood carved into books.

Residents from Philippines

Katrine Elise Agpalza Pedersen

Philippines, Norway
OCA - Office for Contemporary Art Norway
2024

Carlos Quijon, Jr.

Philippines
ACC - Asian Cultural Council
2024

Samuel Penaso

Philippines
ACC - Asian Cultural Council
2013
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International Studio & Curatorial Program

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Ambie Abaño
Ambie Abaño
Denmark

Past Resident
2012: Danish Arts Foundation

Artist

Nanna Debois Buhl

Nanna Debois Buhl works conceptually with film, photography, drawing, text and sound. Combining text and images in various ways, her work is a continuous investigation of the relationship between aesthetics and ideologies. In previous projects, this relationship has been examined through a particular site, from a 19th century Danish amusement park to an abandoned Caribbean sugar mill, in order to investigate how histories and ideologies are inscribed in architecture and urban space. In recent projects, Buhl examines how signs are created and how meaning can change over time and between contexts. In Street Haunting, found photographs are presented alongside diverse readings from five psychics, while Dearest. I Will Be There on Sunday features 63 vintage postcards all depicting the same motif.

Nanna Debois Buhl (born 1975, Denmark) received her MFA from The Royal Danish Academy of Fine Arts in 2006 and participated in The Whitney Independent Study Program, New York in 2008-09. She has exhibited internationally, with recent shows including: Art in General, NY; The Studio Museum in Harlem, NY; Bureau, NY; Lunds Konsthall, Lund, Sweden; Ar/Ge Kunst, Bolzano, Italy; Kunsthallen Brandts, Odense, Denmark; and Herning Museum of Contemporary Art, Herning, Denmark. Her work is in the collections of the Museum for Contemporary Art and The National Museum of Photography in Denmark. In 2010, Revolver Publishing published her artist’s book A Journey in Two Directions and the collaborative book City Grammar (with Liz Linden). Her work has recently been reviewed in Art in America, Art Forum, and The New York Times.

Events & Exhibitions

Nanna Debois Buhl: Street Haunting
September 19–October 26, 2012
Nanna Debois Buhl, A Journey in Two Directions, 2010, Artist’s book. Photo courtesy of Anders Sune Berg.
Nanna Debois Buhl, Postcards - Tivoli, 2006, 16mm film transferred to DVD, 11 min.
Nanna Debois Buhl, Dearest. I'll be there on Sunday, 2009, Postcard and sound installation, Dimensions variable.
Nanna Debois Buhl, Journey to the End of the Night, 2010. Photo courtesy of Anders Sune Berg.
Nanna Debois Buhl, The Sound of P’, 2011, Installation, Dimensions variable. Photo courtesy of Anders Sune Berg.

Residents from Denmark

Lina Hashim

Denmark, Iraq
Danish Arts Foundation
Studio #207

Tora Schultz

Denmark
Danish Arts Foundation
2024

Asta Lynge and Jakob Ohrt

Denmark
Danish Arts Foundation
2025
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International Studio & Curatorial Program

1040 Metropolitan Avenue
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