Past Residents
Past Resident2024: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Tali Keren
Tali Keren is a multidisciplinary artist and educator born in Jerusalem and based in Brooklyn. Her performances, videos, and installations center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. Through poetic interventions into archival sources, legislative documents, and the creation of immersive documentary installations, Keren seeks to unsettle foundational national myths. Her practice is grounded in collaboration, cross-disciplinary dialogue, and experimental pedagogy as a way to forge new forms of collectivity and political imaginaries.
Tali Keren has exhibited at Museum of Contemporary Art Detroit, Detroit; Queens Museum and Eyebeam, both New York City, among others.
Events & Exhibitions
Artists at Work: Tali Keren in conversation with Kari Conte
March 14, 2024, 6:30–7:30pm
2023 Fall Open Studios
November 10–November 11, 2023
2023 Spring Open Studios
April 21–April 22, 2023
2022 Fall Open Studios
November 18–November 19, 2022
2022 Spring Open Studios
April 22–April 23, 2022
Tali Keren, Un-Charting, 2021-ongoing, 180-degree 3D animated film
Tali Keren, Un-Charting, 2021-ongoing, 180-degree animated film
Tali Keren, Heat signature, 2019, mixed media
Tali Keren, The Great Seal, 2018, multi-media interactive installation
Tali Keren and Alex Strada, Proposal for a 28th Amendment? Is It Possible to Amend and Unequal System? , 2021-on going, multi-media interactive installation
Ground Floor Residents
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2024: ACC - Asian Cultural Council
Carlos Quijon, Jr.
Carlos Quijon, Jr. is a Manila-based art historian, critic, and curator. He was a fellow of the research platform Modern Art Histories in and across Africa, South and Southeast Asia (MAHASSA) convened by the Getty Foundation’s Connecting Art Histories project, and has written exhibition reviews for publications such as Artforum, MoMA’s post, Queer Southeast Asia and ArtReview Asia. Quijon previously co-curated the exhibition series Afro-Southeast Asia in Singapore, 2021, Manila, 2022, and Busan, 2022, and recently started the curatorial project Archipelagic Futurisms. In 2024, he will curate the Philippine Pavilion at the 60th Venice Biennale.
Carlos Quijon, Jr. has curated exhibitions at Vargas Museum, Philippines; ADM Gallery, School of Art, Design and Media, Singapore; and ASEAN Culture House, South Korea, among others.
Carlos Quijon, Jr., and land erodes into, 2023, exhibition
Carlos Quijon, Jr., Nothing human is alien to me, 2023, exhibition, 'A+ Works of Art,' Kuala Lumpur
Carlos Quijon, Jr., Synthetic Condition, 2022, exhibition, Vargas Museum, Manila. Presented in partnership with' A+ Works of Art,' Kuala Lumpur
Carlos Quijon, Jr., To A Faraway Friend: Beyond Afro-Southeast Asian Affinities, 2022, exhibition, co-curated with Kathleen Ditzig and Sooyoung Leam, ASEAN Culture House, South Korea
Carlos Quijon, Jr., Cast But One Shadow: Afro-Southeast Asian Affinities, 2022, exhibition, co-curated with Kathleen Ditzig, Vargas Museum, Manila
Past Resident2024: Tauck Ritzau Innovative Philanthropy, Dennis Elliott Founder's Fund
Crystal Yayra Anthony
Crystal Yayra Anthony’s work explores alternate ways of being by conceptualizing the human body in its most natural and vulnerable state: nude. Her subjects are presented in ways that challenge preconceived notions of decorum or performative and acceptable expression. Anthony’s practice investigates her perception of what African society used to be and experiments with what it could be.
Crystal Yayra Anthony has exhibited work at Kunsthalle Krems Museum, Vienna; Dot Ateliers, Ghana; and PM/AM, London, among others.
Events & Exhibitions
Crystal Yayra Anthony: A Glimpse of Us
May 14–September 27, 2024
Crystal Yayra Anthony, Two Cedis and Friends. I & II, 2023, acrylic, oil pastels and oil paint on canvas, 601/4 × 811/8 in. (153.01 × 205.99 cm)
Crystal Yayra Anthony, Reflection, 2023, acrylic and oil on canvas, 471/4 × 591/16 in. (119.99 × 150.01 cm)
Crystal Yayra Anthony, Solace, 2023, acrylic and oil on canvas, 623/16 × 565/16 in. (157.99 × 143 cm)
Crystal Yayra Anthony, Glimmer of Hope, 2023, acrylic, oil pastels and oil paint on canvas, 48 × 67 in. (121.92 × 170.18 cm)
Crystal Yayra Anthony, Mr. Lover, 2022, oil and acrylic on canvas, 471/4 × 311/2 in. (119.99 × 80.01 cm)
