Current Resident: Jul 1, 2023–Jun 30, 2024
Toby Devan Lewis
Studio #305
Artist
Laura Bernstein
Laura Bernstein creates layered worlds that explore human and animal behavior, as well as mythologies of metamorphose. Her work reflects on the climate through video, performance, installation, and painting, drawing inspiration from medieval illuminated manuscripts and theatrical spectacle traditions.
Laura Bernstein has exhibited at Essex Flowers Gallery; BRIC; and Children’s Museum of the Arts, all in New York, among others.
Laura Bernstein, Hell Mouth, 2022, installation with three-channel stop-motion video, 3:00 min loop (color, sound), hand-stitched appliqué textiles, 18 puppets made from aluminum armature wire and repurposed fabrics, hoops, plaster, dowels, wood, papier-mâché and imitation gold leaf, 42 × 36 × 36 in. (106.68 × 91.44 × 91.44 cm)
Laura Bernstein, Miracle Tapestries Processional, January I--December XII, 2020, 2021, assortment of recycled organic and synthetic fabrics, hand stitched, thread and 10 PVC pipes, 12 × 100 in. (30.48 × 254 cm)
Laura Bernstein, Murder Hornets Sun Spike, 2022, watercolor and ink on watercolor paper, 42 × 60 in. (106.68 × 152.4 cm)
Laura Bernstein, Illuminator, 2019, plaster, burlap, steel plumbing pipes, wax, candles, glass, sand, imitation gold leaf, matchbox, brass, candle snuff, and acrylic on canvas and watercolor and ink on paper, dimensions variable
Laura Bernstein, A Speculative Performance Presented by The Institute of Super-Species Research and Experimentation, (ISSRE), 2019, performance, 60 min.
Residents from United States
Current Resident: Sep 1, 2023–Feb 29, 2024
ACC - Asian Cultural Council
Studio #306
Curator
Carlos Quijon, Jr.
Carlos Quijon, Jr. is a Manila-based art historian, critic, and curator. He was a fellow of the research platform Modern Art Histories in and across Africa, South and Southeast Asia (MAHASSA) convened by the Getty Foundation’s Connecting Art Histories project, and has written exhibition reviews for publications such as Artforum, MoMA’s post, Queer Southeast Asia and ArtReview Asia. Quijon previously co-curated the exhibition series Afro-Southeast Asia in Singapore, 2021, Manila, 2022, and Busan, 2022, and recently started the curatorial project Archipelagic Futurisms. In 2024, he will curate the Philippine Pavilion at the 60th Venice Biennale.
Carlos Quijon, Jr. has curated exhibitions at Vargas Museum, Philippines; ADM Gallery, School of Art, Design and Media, Singapore; and ASEAN Culture House, South Korea, among others.
Carlos Quijon, Jr., and land erodes into, 2023, exhibition
Carlos Quijon, Jr., Nothing human is alien to me, 2023, exhibition, 'A+ Works of Art,' Kuala Lumpur
Carlos Quijon, Jr., Synthetic Condition, 2022, exhibition, Vargas Museum, Manila. Presented in partnership with' A+ Works of Art,' Kuala Lumpur
Carlos Quijon, Jr., To A Faraway Friend: Beyond Afro-Southeast Asian Affinities, 2022, exhibition, co-curated with Kathleen Ditzig and Sooyoung Leam, ASEAN Culture House, South Korea
Carlos Quijon, Jr., Cast But One Shadow: Afro-Southeast Asian Affinities, 2022, exhibition, co-curated with Kathleen Ditzig, Vargas Museum, Manila
Residents from Philippines
Current Resident: Mar 31, 2023–Mar 31, 2024
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Tali Keren
Tali Keren is a multidisciplinary artist and educator born in Jerusalem and based in Brooklyn. Her performances, videos, and installations center on the formation of political ideology, historical mythologies, and the ongoing legacies of settler colonialism. Through poetic interventions into archival sources, legislative documents, and the creation of immersive documentary installations, Keren seeks to unsettle foundational national myths. Her practice is grounded in collaboration, cross-disciplinary dialogue, and experimental pedagogy as a way to forge new forms of collectivity and political imaginaries.
Tali Keren has exhibited at Museum of Contemporary Art Detroit, Detroit; Queens Museum and Eyebeam, both New York City, among others.
talikeren.comPast Residencies
2022–2023Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Tali Keren, Un-Charting, 2021-ongoing, 180-degree 3D animated film
Tali Keren, Un-Charting, 2021-ongoing, 180-degree animated film
Tali Keren, Heat signature, 2019, mixed media
Tali Keren, The Great Seal, 2018, multi-media interactive installation
Tali Keren and Alex Strada, Proposal for a 28th Amendment? Is It Possible to Amend and Unequal System? , 2021-on going, multi-media interactive installation
Ground Floor Residents
Tamen Pérez
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Azita Moradkhani
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
James Beckett
New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha