Past Residents
Past Resident2018: Anonymous
Lu Liang
Over the past few years, Lu Liang has been dedicated to creating what he calls “empty scenes” without figures. The scenes he depicts are based on his personal experiences. Liang uses techniques of classical painting to express contemporary concerns.
Lu Liang has exhibited work at Creek Art Center, Beijing and Eslite Gallery, Taipei. His work is in the collection of the National Art Museum of China.
Lu Liang, Coal Storage, 2007-14, oil on canvas, 189 × 1125/8 in. (480.06 × 286 cm)
Lu Liang, Night Road-Willow, 2009-11, oil on canvas, 1523/4 × 8513/16 in. (387.98 × 217.98 cm)
Lu Liang, Angkor Marsh, 2011-13, oil on canvas, 189 × 1125/8 in. (480.06 × 286 cm)
Lu Liang, Dreaming of the Tiger Spring, 2012-13, Oil on canvas, 20411/16 × 1243/8 in. (519.94 × 315.98 cm)
Residents from China
Frank WANG Yefeng
Studio #303
Past Resident2018: Senate Department for Culture and Europe, Berlin
Antonia Low
Antonia Low’s installations, sculptures and photographs are inspired by infrastructures that underline everyday life, such as work spaces, storage rooms, construction sites and archaeological excavations. When she exposes a room’s wiring or presents medieval walls on semi-transparent fabric, she is only rarely concerned with a critique of that specific site. Instead, her interest is in a spatial reconstruction of how the recollections and after images of spaces become fixed in one’s mind and superimposed on an actual space.
Antonia Low has had solo exhibitions at K21 Kunstsammlung NRW Duesseldorf; Palazzo Altemps, Museo Nationale Romano; Kunstverein Braunschweig; Kunstmuseum Bonn; and most recently at Eigen&Art Lab Berlin and Gingko Space Beijing. Her work has been presented in art institutions such as at Irish Museum of Modern Art Dublin; Marres Maastricht; MUDAC Lausanne; Den Frie Udstillingsbygning Copenhagen and MACRO Testaccio, Rome.
Antonia Low, Rooms in Chapters, 2017, mixed media installation, 312 × 156 × 468 in. (792.48 × 396.24 × 1188.72 cm)
Antonia Low, Status of Lost Imagery, 2016, mixed media installation, 275 × 21 × 787 in. (698.5 × 53.34 × 1998.98 cm)
Antonia Low, A Room Recalls, 2014, mixed media installation, 432 × 216 × 504 in. (1097.28 × 548.64 × 1280.16 cm)
Antonia Low, Skulpturendepot, 2014, mixed media installation, dimensions variable
Antonia Low, Electric Return, 2010, installation, dimensions variable
Residents from United Kingdom
Past Resident2018: Hasselblad Foundation
Elisabeth Molin
The work of Elisabeth Molin deals with slips in perception, time warps and bodily displacements; often materialized as video, photography, installation and performance. Her work looks beyond the seamless ideology of the world we live in and finds multiple jarring contradictions, dislocations, asymmetries and quiet injustices.
Elisabeth Molin has had exhibitions at Wiels, Brussels; Sundy, London; Sixty Eight Institute, Copenhagen; Austrian Cultural Forum, London and Danish Cultural Institute, Edinburgh, among others. She has shown her videos as part of the 32nd Images Festival in Toronto, the 31 Stuttgarter Filmwinter in Stuttgart and the 7th Medrar Video Festival in Cairo.
Elisabeth Molin, COMFORT 7/32/00, 2019, photography, text, and privacy film, dimension variable
Elisabeth Molin, COMFORT 7/32/00, 2019, photography, text, and privacy film, dimension variable
