Past Residents
Past Resident2014: The Adam Mickiewicz Institute
Olaf Brzeski
Olaf Brzeski’s practice is rooted in surrealist visions, which he puts into life via film, three-dimensional sculptures and installations. His comments about his own works do not so much mirror his personal interpretation, but narrate fictional stories, illustrated in the artworks or, in fact, made believable through the existence of the latter. This is the way in which Brzeski generates new worlds and their inhabitants.
Olaf Brzeski, Dream - spontaneous combustion, 2008, Bone soot, polyurethane resin and ash, 70 4/5 x 59 x 37 2/5 in. Courtesy of the artist.
Olaf Brzeski, Untitled (from the little orphans series), 2009, Cast iron, chair, 35 1/2 x 23 1/2 x 23 1/2 in. Courtesy of the artist.
Olaf Brzeski, Out of love for a woman, 2012, Steel, bronze, oil, paint and wood, 118 1/8 x 118 1/8 x 177 1/8 in. Courtesy of the artist.
Olaf Brzeski, The fall of the man i don't like, 2012, Painted steel, 106 1/3 x 137 3/4 x 82 2/3 in. Courtesy of the artist.
Olaf Brzeski, Untitled (from the little orphans series), 2009, Cast iron, wood, glass and light, 82 2/3 x 35 1/2 x 51 1/5 in. Courtesy of the artist.
Past Resident2014: KdFS Kulturstiftung des Freistaates Sachsen
Axel Töpfer
Axel Töpfer uses photographs, text and objects to construct imaginary events through an extension of narrative space. The work is structured so that the viewer performs the movement to assemble each story out of its parts. Töpfer continuously searches for instruments of inspiration such as: a late completion about space on Fotodinamismo Futurista by Anton Giulio Bragaglia, Secret Notes by Josef Albers and On Dimension Zero or Why Structural Cinema is Narrative by George Maciunas. He believes magic can be achieved through stuttering and repetition.
Axel Töpfer (born 1977 in Königs Wusterhausen) is Director of the Laboratory for Visibility Hy Brasil since 2012, Co-founder of the network Videoklub (2004) and a member of zeitgenossen since 2000. He studied media art, photography and typography at Hochschule für Grafik und Buchkunst Leipzig and sculpture and film at Akademie der Bildenden Künste Vienna. Töpfer works on the island of Hy Brasil and is living in Ulthar.
Axel Töpfer, Mitsubishi Dock Yard Nagasaki, 2010, Installation of 81 postcards. Courtesy of the artist and Photomuseum Braunschweig.
Axel Töpfer, To Say I am still alive i wonder if you are, 2008, Installation of 51 postcards. Courtesy of the artist and Hochschule für Grafik und Buchkunst Leipzig.
Axel Töpfer, Lieses Haus Horcht, 2013, Narrative Installation. Courtesy of the artist and Wolkenhof Murrhardt.
Axel Töpfer, Neko Yashiki, 2012, Narrative Installation and Nishinomiya Funasaka Biennale. Courtesy of the artist.
Axel Töpfer, A Landrara, 2013, Structural narrative of 8 pictures. Courtesy of the artist.
Past Resident2013: Foundation for a Civil Society
Veli & Amos
Veli & Amos is a Slovenian-Swiss artist duo, based between Ljubljana and Zürich. Their work uses language, codes and the energy of graffiti and activism to draw attention to problems and borders of our present-day reality. They research public space, squats and demonstrations, where they adapt their knowledge into a site-specific art practice. With public art, art on the Internet or art inside the gallery, they deal with how to transform site.
Veli Silver (born 1983, Banja Luka) studied painting at the Academy of Fine Arts, Ljubljana and the Faculty of Fine Arts, Porto. Amos Angeles (born 1986, Zurich) studied Architecture at the Swiss Federal Institute of Technology, Zurich and finished his bachelor’s degree at the Zurich University of the Arts. Veli and Amos have been working as a duo since 2008. Their work has been shown at Museum of Contemporary, Ljubljana; Rotor Gallery, Graz; HVW8 Gallery, Los Angeles; P 74 Gallery, Ljubljana; Message salon, Zurich and W139, Amsterdam.
Veli & Amos, F is forever, 2013, Bands, string, paper, plastic, 471/4 × 313/16 in. (120.01 × 79.25 cm). Courtesy of the artist.
Veli & Amos, Follow the Out Line, 2012, dimensions variable. Courtesy of the artist.
Veli & Amos, Who the fuck is Luka Princic, 2013, Performance. Courtesy of the artist.
Veli & Amos, Youtube, Let's Save the Whales International, Jew Box and Sheep, 2011, Mixed media, dimensions variable. Courtesy of the artist.
Veli & Amos, Signed by Mana Ous Bah, 2012, Street signs, lights, print, dimensions variable. Courtesy of the artist.
