Past Residents

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Past Resident
2023: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Artist

Belinda Kazeem-Kamiński

Belinda Kazeem-Kamiński is a writer, artist, and scholar. Her research-based and process-oriented practice rooted in Black feminist theory revolves around archives, specifically the gaps and blanks in public archives and collections. Her works, which intertwine documentary and fiction and are presented in a wide range of mediums, examine the present of an everlasting colonial past. Kazeem-Kamiński’s first artistic monograph a past without closure will be published by Sternberg Press in 2023.

Belinda Kazeem-Kamiński has exhibited work at 2023 Liverpool Biennial, United Kingdom; Camera Austria, Austria; and Kunsthalle Wien, Viena, among others.

Events & Exhibitions

Artists at Work: Anawana Haloba and Belinda Kazeem-Kamiński

August 31, 2023, 6–7:30pm

Unearthing. In Conversation © Belinda Kazeem-Kamiński, Gallery Wonnerth Dejaco

Belinda Kazeem-Kamiński, Unearthing. In Conversation, 2017, video, 13 min.

The Letter © Belinda Kazeem-Kamiński, Gallery Wonnerth Dejaco

Belinda Kazeem-Kamiński, The Letter, 2019, video, 18 min.

Fleshbacks © Belinda Kazeem-Kamiński, Gallery Wonnerth Dejaco

Belinda Kazeem-Kamiński, Fleshbacks, 2021, video, 6 min.

In Search of Red, Black, and Green© Belinda Kazeem-Kamiński, Gallery Wonnerth Dejaco

Belinda Kazeem-Kamiński, In Search of Red, Black, and Green, 2021, photograph, 31 × 46 in. (78.74 × 116.84 cm)

Respire (Liverpool) ©Belinda Kazeem-Kamiński, Gallery Wonnerth Dejaco

Belinda Kazeem-Kamiński, Respire (Liverpool), 2023, video, 16 min.

Residents from Austria

Irina Lotarevich

A wall-hanging sculpture made up of two long rows of brass boxes. Cast brass clamps grip the sculpture on the top and bottom. Cast brass hooks hang from the bottom.

Austria

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Studio #218

Ulrike Königshofer

Images of the sun, coming through a large lens and burning itself into drawing paper over the course of one day.

Austria

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

Studio #212

Sarah Bechter

Austria

Federal Ministry for Arts, Culture, Civil Service and Sport of Austria

2024

Poland

Past Resident
2023: International Visegrad Fund

Artist

Nadia Markiewicz

Nadia Markiewicz uses language borrowed from the entertainment industry to produce installations, performances, and video art that deal with issues of identity, chance, and disability. She draws inspiration from both her own life experiences and representations of disability. Markiewicz is currently a PhD fellow at the Jan Matejko Academy of Fine Arts in Cracow, Poland.

Nadia Markiewicz has exhibited work at Galeria Miejska Arsenał, Poland; Kunsthalle Bratislava, Slovakia; and Zachęta National Gallery of Art, Poland, among others.

The image presents an interior with white walls and a gray terrazzo floor. On the wall on the right there are two white, closed doors. on the left hand side is a window. Towards the middle of the image, and room, are four objects. Starting from the left, on the wall next to the set of doors, in the distance, is a small box covered in a dark red, metallic festive garland. Right about above it, and crossing the room in half, facing the camera, is a white rippled curtain. A arch-like shape has been cut out in the curtain, making it possible to pass through. The arch is not in the middle of the square-shaped curtain, but a bit to the left of it, asymmetrically. In front of the curtain, diagonally cutting through the space and resting with its red, boxy arrowhead on the floor is a giant, wooden cupid's arrow. It has a light colored wood shaft and the feathers are a white wooden cut-out. Above the arrow, a bit to the right and overlapping the window, is a stained glass in the shape and colors of a dart board - beige, black, red and green.

Nadia Markiewicz, DRIVE-THRU, 2022, installation, dimensions variable

This image is a video still. It presents the front half of a toy pink convertible Cadillac, shot a bit from above, diagonally cutting through the frame, from the bottom right corner, heading towards the top left one, but not reaching it. The car is placed on a background made from fake green grass. In the car, at the steering wheel is a white woman with brown long hair flowing in the wind, wearing a black tank top. She is presented from the back, and is resting her left elbow on the door of the convertible. Her left arm ends right under her elbow.

Nadia Markiewicz, DRIVE-THRU (The Runaway), 2022, video, dimensions variable

This image is a video still. The background of the image is filled with a gold festive curtain, made from individual strands of metallic ribbon. The middle of the frame is lit with round spotlight lighting. In the spotlight is a white woman laying down horizontally across the frame. She has white tights, red sequin shoes and red lips, her brown hair is in a bun. Her body is hidden in two separate black boxes that seem to have come from one longer box previously cut in half. As a result, her body appears to have been cut in half, most probably with the gray plastic-toy like saw hovering above her.

Nadia Markiewicz, Mysterioso, 2021, video, dimensions variable

In the image in an interior. It was white walls and no windows. The floor is filled with green carpeting and the light is dimmed, coming only from a video projected onto the wall in the back of the room. The video presents the top half of a wheel of fortune, with pie-chart-like pieces of orange, green, sky blue, navy and magenta colors. In front of the video, obstructing its view is a figure of a woman, with her face in the shade. She is wearing black tights and appears to be mid-walk, her hair is in a bun. She is wearing a hard, plastic costume of the black pool ball with the number 8 on a white circle on her front. The pool ball costume covers her body from the place the neck hits the shoulders to the top of her thighs.

Nadia Markiewicz, Jackpot, 2020, performative installation

In the image there is an interior in a basement with no windows. Scattered through the middle of the space are three sets of oversized red cherries, much like the ones in slot machines. Behind them, towards the back of the room is a dark green curtain. At the top left corner of the curtain is a TV, presenting a video containing a sunset. Yet the TV is far away from the camera and small. On the right side of the curtain, against a white wall is a slot machine. On the wall next to the machine, the one that in perspective is coming closer to the camera, somewhere mid-way across the space is a photo of a white woman dressed in a black hat, holding a revolver, with a red bandana on the end of her arm - around the elbow. She is portrayed on a dark green background. Across the room, on the wall on the other side of the cherries, there is a small black and white image of a couple. The room has additional visible elements typical for basement spaces such as pipes crossing the room near the ceiling.

Nadia Markiewicz, one armed bandit, 2019, installation, dimensions variable

Residents from Poland

Magdalena Ciemierkiewicz

Poland

International Visegrad Fund

2024

Maess Anand

Poland, Germany

Polish Cultural Institute New York, The Adam Mickiewicz Institute, Krupa Gallery

2023

Marta Krześlak

The tornado over the chamomile box house is a mobile with spinning objects from my garage. You could say that a storm is a permanent state, but often invisible. I am interested in movements that cannot be seen. The movement of particles when you move or the passage of time – but also things and phenomena that we notice from a certain perspective because their reference point has changed.

Poland

International Visegrad Fund

2022

Germany

Past Resident
2023: DAAD-Deutscher Akademischer Austausch Dienst German Academic Exchange Service, North America

Artist

Alex Nowak

Alex Nowak is a transdisciplinary artist creating sculptures and paintings in the realm of a comical archeology. Blurring the lines between the built environment and the natural world, his artworks are characterized by raw texture and organic forms. Nowak explores spatial stories about the human figure that are influenced by folk props and horror fiction. His work aims to interweave artistic materiality with contemporary social and philosophical theory.

Alex Nowak has exhibited work at Folkwang Museum, Germany; Banff Centre for Arts and Creativity, Canada; and KIT, Germany, among others.

Alex Nowak, Puppets on Fire, 2023, paint, styrofoam and stucco, installation view, dimensions variable

Alex Nowak, Angelisa Frayed, 2023, paint, styrofoam and stucco, 90 × 20 × 20 in. (228.6 × 50.8 × 50.8 cm)

Alex Nowak, Puppets on Fire, 2023, paint, styrofoam and stucco, installation view, dimensions variable

Alex Nowak, Untitled, 2017, paint, styrofoam and stucco, from the group exhibition "Mary and the Vulcano" at KIT, Düsseldorf, 80 × 80 in. (203.2 × 203.2 cm)

Residents from Germany

Bob Kil

United Kingdom, Germany

Senate Department for Culture and Europe, Berlin

Studio #205

Charlie Stein

Germany

Telos Foundation, Holtmann Collection

2024

Navot Miller

Germany, United States

Artis, Norbert Janssen Stiftung

2024