Past Residents

Residents Map

Past Resident
2013: Canada Council for the Arts

Karen Elaine Spencer

Karen Elaine Spencer’s work questions use values and investigates how we, as transient beings, occupy the world in which we live. The notion of progress is challenged through the repetition of an action that leads nowhere. Metro-riding, rambling, dreaming, and loitering are among the activities Spencer folds into her practice. A project is sustained over time, often a year, and materials of our day-to-day existence are favored. Through a détournement of materials or intentions, Spencer intervenes into specific places, where she marks and is marked by spatial and social geographies. A current project, “hey! mike” the blog, is part of a multifaceted conversation with Mike Bloomberg, the 108th mayor of New York City. Here she questions a system whereby one person can be held up as a philanthropist without a basic acknowledgement of a deep lack of justice between all humans because “no one gets rich alone.”

Karen Elaine Spencer lives and works in Montreal, Québec, Canada. Since 2008, she has been active in a postcard and web-based project entitled Transient Traces, where she steals the words of others to then send these words to politicians and public figures. Her practice oscillates between work in the street, exhibitions in galleries, and disseminations via the web. In 2011, she curated the program Gosser le Furtif at Galerie Skol, Montreal. Her text for the performance group TRAFIC was published in the catalog “Lost and found/Les Bureau des Objets Trouvés,” and she was an artist in residence at The John Snow House in Calgary, Alberta. Her work has been exhibited across Canada and Europe. She is the recipient of the 2012 Powerhouse Prize.

Brendan Van Hek

Brendan Van Hek works predominantly in the field of installations. These vary in tone and scale, shifting from minimal or industrial to lush and colorful. His work is influenced by popular culture, literature and the diverse, conflicting and varied sources that affect cultural producers today. Van Hek’s work emerges from elaborate narratives based on the artist’s personal history, fiction or cultural politics. Through these narratives, the artist explores the concepts of race, religion and masculinity, often looking at the social politics around these issues. Van Hek works with materials such as neon, mirror, glass, metal and disco balls. He manipulates the elemental properties of these materials in order to extend and often negate their symbolic potential.

Brendan Van Hek (born 1968, Perth, Western Australia) studied at Curtin University of Technology, Bentley, Western Australia, graduating in 2001. He has exhibited nationally in Australia in various group exhibitions including: Neon, Anna Schwartz Gallery, Sydney; NEW11, Australian Centre for Contemporary Art, Melbourne; remix, Art Gallery of Western Australia, Perth. His solo exhibitions include; Some kind of love story, Anna Schwartz Gallery, Sydney; A certain slant of light, Perth Institute of Contemporary Art, Perth. He has also developed artwork for a number of public art commissions.

Past Resident
2012: Danish Arts Foundation

Nanna Debois Buhl

Nanna Debois Buhl works conceptually with film, photography, drawing, text and sound. Combining text and images in various ways, her work is a continuous investigation of the relationship between aesthetics and ideologies. In previous projects, this relationship has been examined through a particular site, from a 19th century Danish amusement park to an abandoned Caribbean sugar mill, in order to investigate how histories and ideologies are inscribed in architecture and urban space. In recent projects, Buhl examines how signs are created and how meaning can change over time and between contexts. In Street Haunting, found photographs are presented alongside diverse readings from five psychics, while Dearest. I Will Be There on Sunday features 63 vintage postcards all depicting the same motif.

Nanna Debois Buhl (born 1975, Denmark) received her MFA from The Royal Danish Academy of Fine Arts in 2006 and participated in The Whitney Independent Study Program, New York in 2008-09. She has exhibited internationally, with recent shows including: Art in General, NY; The Studio Museum in Harlem, NY; Bureau, NY; Lunds Konsthall, Lund, Sweden; Ar/Ge Kunst, Bolzano, Italy; Kunsthallen Brandts, Odense, Denmark; and Herning Museum of Contemporary Art, Herning, Denmark. Her work is in the collections of the Museum for Contemporary Art and The National Museum of Photography in Denmark. In 2010, Revolver Publishing published her artist’s book A Journey in Two Directions and the collaborative book City Grammar (with Liz Linden). Her work has recently been reviewed in Art in America, Art Forum, and The New York Times.