Past Residents
Past Resident2020: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Yasmina Haddad
Yasmina Haddad’s artistic practice is based on photography and sometimes extends to different media such as sculpture, sound and set design. Recent works focus on how different cultural expressions are inevitably connected and how this reciprocal impact manifests through esthetics. The subjects shown often derive from the fields of fashion and theatre, and are portrayed in stage-like situations. Somewhat artificial and glossy, isolated from their usual settings, they depict socio-cultural processes and recall the malaise of postmodern sensitivities.
Yasmina Haddad has exhibited work at Beirut Art Center; Liu Haisu Museum, Shanghai; and Kunsthalle Exnergasse, Vienna, among others.
Events & Exhibitions
2019 Fall Open Studios
November 15–November 16, 2019
Yasmina Haddad, We Enter By The Front Door, 2019, C-print, 20 × 30 in. (50.8 × 76.2 cm)
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 59 × 87 in. (149.86 × 220.98 cm)
Yasmina Haddad, Studio Settings, 2016 - ongoing, c-prints on textile, 59 × 87 in. (149.86 × 220.98 cm)
Yasmina Haddad, Interni, 2013, c-prints and sculpture (wood, acrylic paint, marble, and plexiglass), dimensions variable
Yasmina Haddad, Interni, 2013, c-print, 20 × 30 in. (50.8 × 76.2 cm)
Past Resident2019: Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, Jacques and Natasha Gelman Foundation, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature2016: Alberta Foundation for the Arts
Jude Griebel
Jude Griebel’s sculptures present sympathetic figures that are merged with architectural and landscape elements. In this liminal state, the characters speak to a range of anxieties from growth and mortality to planetary collapse, through scenes playing out on their detailed surfaces. These hybrid bodies function as stages for productive and destructive miniature events that unfold upon them. While these situations speak to instances of human neglect and behaviors in a broader context, they also function as twofold metaphors for the development and destruction of the self.
Jude Griebel (born Canada) is a New York-based figurative sculptor, who has completed numerous residencies including The Studios of MASS MoCA, North Adams and HALLE 14, Leipzig. His major sculptural commission Tired Water was installed earlier this year in the Telus Spark, Calgary. Recent exhibitions include the Esker Foundation, Calgary, the Beaty Museum of Biodiversity, Vancouver, Galerie Sturm, Nuremberg and the Spinnerei Archiv Massiv, Leipzig. Griebel is a three-time recipient of the Elizabeth Greenshields Foundation Grant for Emerging Figurative Artists and his work is in collections including Arsenal Contemporary Art, Montreal and the Frans Masereel Centrum, Kasterlee.
Jude Griebel, Off-Shore, 2017, wood, rein, shells, and oil paint, 22 × 751/2 × 271/2 in. (55.88 × 191.77 × 69.85 cm). Photo courtesy of dc3 Art Projects, Canada
Jude Griebel, Crafting Ruin, 2017, installation at dc3 Art Projects, dimensions variable
Jude Griebel, Plastic Ghost, 2017, public sculpture in Jyväskylä, Finland, 9 × 9 × 12 in. (22.86 × 22.86 × 30.48 cm). Photo courtesy of the artist
Ground Floor Residents
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2019: Mondriaan Fund2014: Van Beuningen/Peterich Fund
Allard van Hoorn
Allard van Hoorn investigates relationships to our environment incorporating the disciplines of architecture, design, music and dance. He visually, acoustically and spatially transcodes our usage and perception of cities and nature in order to question preconceptions and experiences of the spaces we live and work in. Through mapping and the subsequent re-ordering of embedded rituals, rules and routines in buildings and public spaces, he allows for reinterpretation of form and function taking into account the inherent impossibility of complete description of our world by manmade systems.
Allard van Hoorn (Leiden, The Netherlands, 1968) has been shown at biennials in cities including Istanbul, Shenzen and Gwangju. His work has also been shown at the de Appel Arts Centre and Stedelijk Museum Amsterdam, Storefront for Art and Architecture, New York City; Pinakothek der Moderne, Zurich; the Moore Space, Miami; MoCA and Zendai MoMA, Shanghai; Art Rotterdam; Van Abbemuseum, Eindhoven; Gasworks, London; CCCB, Barcelona; Museu de Arte Moderna, Salvador; Museo de la Ciudad de México, the German Architectural Centre, Berlin and Contemporary Arts Center, Cincinnati. He currently collaborates as Outpost with OfficeUS, the official participation of the United States at the Venice Architectural Biennial. He tutors at the Architectural Association in London.
Allard van Hoorn, 032_Urban_ Songline Latitude: 41.693521° N - 41.693646° N / Longitude: 44.810989° E - 44.811070° E, 2015, score-based cushions and software, dimensions variable
Allard van Hoorn, 029_Urban_ Songline Latitude: 41.030423° N - 41.030811° N / Longitude: 28.976201° E - 28.976577° E, 2015, organ pipes and software, dimensions variable
Allard van Hoorn, 039_Urban_ Songline Latitude: 44.434722° N - 44.440265° N / Longitude: 25.987555° E - 26.120778° E, 2016, Billboard, several musical compositions and 48 paint cans, dimensions variable
Allard van Hoorn, 020_Urban_ Songline Latitude: 39.102759° N - 39.102907° N / Longitude: -84.511896° W - -84.512164° W, 2014, 9 - 22 ft. weather balloons and dancers, dimensions variable
Allard van Hoorn, 004_Urban_ Songline Latitude: 52.358054° N - 52.358134° N Longitude: 4.879876° E - 4.879939° E, 2011, echolocation devices, audience volunteers, software, and laptop, dimensions variable
