Paolo Bini’s artistic research is an investigatory attempt to transform and re-appropriate the authentic notions of ‘the memory of an image’ as it adheres to the contemporary rhythms in the world around us. These images are formed as a pixilation of units. Usually marked out by a scanner or a plotter, the result is a succession of colored stripes that become a succinct and redefined translation of what came before.
Residents from Italy
Jude Griebel’s work presents sculptures of hybrid bodies, whose anatomy is merged with their surroundings. These figures are compromised by situations of consumption, excess and disregard, played out on their dioramic surfaces. In these works, he is not so much interested in how waste is generated, but rather how we re-digest popular images of accumulation and environmental degradation, weaving them into the fabric of our subconscious. The sculptures embody these internalized and conflicted narratives of want and ruin, reifying them in monstrous and mythological proportions. Though informed by broader cultural desires and anxieties, the works resonate at a more personal level through the use of playful humor and autobiographical reference.
Jude Griebel received an MFA in sculpture and ceramics from Concordia University in 2014 and has worked in residence in institutions including Halle 14 Center for Contemporary Art, Leipzig, and MASS MoCA, North Adams. He has recently exhibited at the Spinnerei Archiv Massiv, Leipzig; Esker Foundation; Calgary; dc3 Art Projects, Edmonton; Galerie Sturm, Nuremberg; The Redpath Museum, Montreal; and presented a major sculptural installation in Future Station: The 2015 Alberta Biennial of Contemporary Art at the Art Gallery of Alberta. In April 2017, his public sculpture Plastic Ghost was mounted in the city center of Jyväskylä, Finland. Griebel has recently been awarded grants by the Canada Council for the Arts, the Alberta Foundation for the Arts and he is a three-time recipient of the Elizabeth Greenshields Foundation grant for international emerging artists.judegriebel.com
Ground Floor Residents
Danilo Correale’s work analyzes various aspects of human life such as labor, leisure and sleep through the lenses of time and the body. His recent works focus on speculation about post-labor society, nonaligned subjectivities, idleness and withdrawal.
Danilo Correale (born Naples, 1982) currently lives in New York City. He is the founder of the Decelerationist Reader and a regular contributor to publications in the field of critical theory. His most recent publications include The Game – A three sided football match, FeC, Fabriano, 2014 and No More Sleep No More, Archive Books, Berlin, 2015. Correale’s work has been presented in numerous group exhibitions including the 16th Art Quadriennal, Palazzo delle Esposizioni, Rome, 2016; Pigs, Artium Museum, Vitoria-Gasteiz, Spain, 2016; Ennesima, La Trienniale de Milano, 2016; Kiev Biennial, 2015; The Museum for Modern and Contemporary Art of Bolzano (Museion), 2015; Museum of contemporary Art Donna Regina, Naples, 2014; Steirischer Herbst Festival, Graz, 2013; Fondazione Sandretto Re Rebaudengo, Turin, 2012; Manifesta 8, Murcia, Spain, 2010; Moscow Biennial, 2010; and Istanbul Biennial, 2009. Recent solo shows include Tales of Exhaustion, La Loge, Brussels, 2016; The Missing Hour: Rhythms and Algorithms, Raucci/Santamaria, Naples, 2015; The Warp and the Weft, Peep-Hole, Milan, 2012; Pareto Optimality, Supportico Lopez, Berlin, 2011; and We Are Making History, Entrèe, Bergen, Norway, 2011.danilocorreale.com