Past Residents
Past Resident2010: Foundation for a Civil Society
Dušica Dražić
Dušica Dražić works with installation, performance and photography and carries a special interest in art in public space. Focusing on the search for abandoned, forgotten spaces in the urban structure of modern cities and exploring the transformation of these spaces, she rethinks them in terms of cultural continuity, symbolic irregularities and individual actions. In Dražić’s production, concept and form are of equal importance in opening the work to multi-layered interpretations, that is, for developing new ways of seeing. Dušica Dražić explores the ambivalent interrelationship between a citizen and a city, their mutual support and protectiveness and at the same time isolation and destruction. Dražić searches for spaces without order, spaces of irregularity, difference, flexibility and intuition. Dušica’s works deal with micro-histories of a locus and are also an act of narration.
Dušica Dražić was born in 1979 in Belgrade, Serbia, where she currently lives and works. She graduated from the faculty of Applied Arts in Belgrade in 2004, and finished an MFA in Public Art and New Artistic Strategies at the Bauhaus University Weimar in 2006. Since 2006 Dušica Dražić is also a part of the collective “usually4” with K. Freino (PL), S. Hopkins (UK/KEN) and Teresa Luzio (P). In 2010 Dražić received the Dimitrije Bašičević Mangelos Award (Serbia) and the Young European Artist Trieste Contemporanea Award (Italy) and was granted a DAAD scholarship in 2005/2006.
Events & Exhibitions
The Power to Host
June 15–July 29, 2011
Dušica Dražić, Dead-End Street, 2009, Installation, Dimension variable. Courtesy of the artist. Photo by K. Freino.
Dušica Dražić, The Winter Garden, 2010, Installation. Courtesy of the artist. Photo by D. Dražic.
Dušica Dražić, Prelom - Breach, Break, Breakage, Failure, Fraction, Infraction, Rupture, Split, Layout, 2008, Installation, Dimension variable. Courtesy of the artist. photo by G. Micevski.
Dušica Dražić, One Home In Rydygiera 45a, 2006, Installation, Dimensions variable. Courtesy of the artist. Photo by D. Dražic.
Dušica Dražić, Young Serbians, 2006, Video performance. Courtesy of the artist.
Past Resident2010: Danish Arts Foundation
Christian Schmidt Rasmussen
Christian Schmidt-Rasmussen (b. 1963 in Copenhagen, Denmark) lives and works in Copenhagen, Denmark. He graduated from The Royal Danish Academy of Fine Art in 1992.
In his most recent exhibition, Christian Schmidt-Rasmussen presents a series of new paintings installed upon black walls, upon which small texts are written. A diary written by a vampire, who is the artist himself, is also a part of the exhibition. Schmidt-Rasmussen presents us with stories from his own neighbourhood in Copenhagen, which represents a classic terrain vague, as well as the rest of Copenhagen and Denmark. The paintings communicate atmospheres in which the everyday and the trivial is illuminated by the poetic presence of color and glitter, but also by a melancholic darkness. In his work he addresses the relationship between the immediate and the distant world.
Christian Schmidt Rasmussen, Le Sacre du Printemps, 2010, Installation view. Courtesy of the artist. Photo courtesy of Anders Sune Berg.
Christian Schmidt Rasmussen, Le Sacre du Printemps, 2010, Installation view. Courtesy of the artist. Photo courtesy of Anders Sune Berg.
Christian Schmidt Rasmussen, Bubbles, 2009, Oil on canvas, 67 × 781/2 in. (170.18 × 199.39 cm). Courtesy of the artist.
Christian Schmidt Rasmussen, Teat Tree, 2009, Oil on canvas, 67 × 781/2 in. (170.18 × 199.39 cm). Courtesy of the artist.
Christian Schmidt Rasmussen, Migrant labor, 2009, Oil on canvas, 67 × 781/2 in. (170.18 × 199.39 cm). Courtesy of the artist.
Residents from Denmark
Past Resident2010: KUD Mreza Association for Arts and Culture, Alkatraz Gallery
Nika Oblak & Primoz Novak
‘The work of Nika Oblak and Primož Novak draws parallels between a society driven by personal needs and capital and their own role as artists in the contemporary art market. Infused with humor, their work adopts the visual tactics and seductive constructions commonly employed in the mass media to lure the consumer.’ (Yasmeen Baig-Clifford, Move – new European media art, 2009) Oblak & Novak have exhibited in the Sharjah Biennial 9, UAE; Istanbul Biennial, Turkey; Japan Media Arts Festival; Transmediale Berlin, Germany; and most recently in Biennale Cuvee, Linz, Austria.
Nika Oblak & Primoz Novak. Courtesy of the artist.
