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Staš Kleindienst
Staš Kleindienst

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Past Residents
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Natasa Kokic
Natasa Kokic
Slovenia

Past Resident
2014: Foundation for a Civil Society

Artist

Staš Kleindienst

Staš Kleindienst’s work addresses issues of origin, representation, and naturalization of authority. Within this context he is shaping a social fiction, drawn through dystopian image of a social reality that stems from the present-day ideological, economic, and political co-ordinates.
Staš Kleindienst (born 1979, Slovenia) lives and works in Ljubljana, Slovenia. Kleindienst has an MA in Fine Art from the Academy of Fine Art and Design in Ljubljana. His exhibitions include U3-7th Triennial of Contemporary Slovenian Art, Museum of Contemporary Art Metelkova (MSUM), Ljubljana; Spaceship Yugoslavia- The Suspension of Time, nGbK, Berlin; Not So Distant Memory, Delaware Center for Contemporary Art; and Buy Your Own Art Experience, AC Institute, New York. In 2014 he won the OHO Group Award, the national visual arts award for young visual artists.
Staš Kleindienst, Third decade, 2014, Alkyd on canvas, 47 × 52 in. (119.38 × 132.08 cm). Courtesy of the artist.

Residents from Slovenia

Veli & Amos

Slovenia
Foundation for a Civil Society
2013

Veli & Amos

Slovenia
Foundation for a Civil Society
2013

Tomaz Furlan

Slovenia
Foundation for a Civil Society
2012
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Staš Kleindienst
Staš Kleindienst
Gianfranco Foschino
Gianfranco Foschino
Serbia

Past Resident
2014: Foundation for a Civil Society

Artist

Natasa Kokic

Natasa Kokic’s recent works are inspired by nature and its symbolism in contemporary culture. Her drawings show fictional landscapes, devoid of any visible impact left by people, with indeterminate seasons or times of day. She focuses on the notion of inner landscape, the place we all carry inside of us. It is a place where everything starts and ends and its shape depends on our social circumstances, the places where we grew up and people around us. Her latest series of charcoal drawings use images from the history and science. Here Kokic is trying to tell a slightly different story where man-made landscapes, asteroids and computers have their own separate lives and meanings, but connect with one another through the same background, coming from the same place.

Natasa Kokic (born 1979, Belgrade, Serbia) is currently completing her PhD studies in Belgrade. Recent shows include 47th October salon: Life, art and confusion, Belgrade; Ny Serbisk Kunst, Copenhagen, Denmark; Restoration, Cultural Center of Belgrade; Strength in us, European Centre for Culture and Debate GRAD, Belgrade; Supermarket, Stockholm Art Fair, Kulturhuset, Stokholm, Sweden; NordArt 2012, Kunstwerk Carlshutte, Germany; Nothing comes from isolation, Tegnerforbundet Oslo, Norway; Edge of the Map, Cultural Centre of Belgrade and I’m so full of rocks, I can hardly move, Remont Gallery, Belgrade.

Events & Exhibitions

Salon: Natasa Kokic and Dominik Lang
October 7, 2014
Natasa Kokic, Equant, 2014, Charcoal on paper, 75 × 941/2 in. (190.5 × 240.03 cm).

Residents from Serbia

Vanja Smiljanić

Serbia, Portugal
Innovation Properties Group
2025

Maja Bekan

The Netherlands, Serbia
Mondriaan Fund
2021

Saša Tkačenko

Serbia
Foundation for a Civil Society
2013
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Natasa Kokic
Natasa Kokic
Chile

Past Resident
2014: Anonymous

Artist

Gianfranco Foschino

Operating between photography, documentary film and video art, Gianfranco Foschino’s work is currently focused on video installations, which evoke “tableaux vivants”, emulating a sort of live photograph. Shooting long sequences from fixed viewpoints he produces scenes with minimal movements, presented on flat screens, and framed as light boxes. Distanced from urban life, he portrays bucolic scenes that seem to occur in parallel time dimensions. The political value of Foschino’s work lies in exploring the singular anachronism of these spaces, and trying to recognize anonymous stories and lost lifestyles.

Gianfranco Foschino was born in 1983 in Santiago de Chile. He graduated in Cinema Studies from UNIACC University (Santiago). In 2010, he had his first exhibition Almost Romantic curated by Christopher Eamon at I-20 Gallery, New York. In 2011, his work was featured at the Latin American pavilion of 54th La Biennale di Venezia. In 2014, he participated as guest artist of the Chilean pavilion MONOLITH CONTROVERSIES at the 14th International Architecture Exhibition, awarded with the Silver Lion prize. He currently lives and works in Santiago de Chile.

Gianfranco Foschino, Almost Romantic, 2010, Video Installation. Courtesy of the artist and I-20 Gallery, New York.
Gianfranco Foschino, HOME, 2011, Video installation. Courtesy of the artist and Latin American Pavilion, 54th La Biennale di Venezia.
Gianfranco Foschino, FLUXUS, 2011, Video sculpture. Courtesy of the artist and National Museum of Fine Arts, Santiago.
Gianfranco Foschino, Im Oberlchtraum, 2012, Video installation. Courtesy of the artist and Galerie Michael Sturm, Stuttgart.
Gianfranco Foschino, A New Landscape, 2013, Video installation. Courtesy of the artist and Galería Leyendecker, Santa Cruz de Tenerife.

Residents from Chile

Carolina Muñoz

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2024

Maria Gabler

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2022

Nicolás Grum

Chile
Beca Arte, CCU - Corporación Cultural La Araucana
2010
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