Rather than creating works from the ground up, Constant Dullaart relies on existing frameworks, websites, search engines, and the like, treating them as “found objects” on which he enacts distortions and witty reconfigurations. With a practice focused on visualizing internet vernaculars and software dialects, a political approach critical to corporate systems influencing these contemporary semantics becomes clear through his minimal and sometimes bricolaged gestures. Editing online forms of representation, and the user’s access to it, he creates installations and performances online and offline. Rather than seeking merely to write a book to be placed on a library shelf, so to speak, Dullaart is interested in animating the very concept of the library itself.

Constant Dullaart’s practice reflects on the broad cultural and social effects of communication and image processing technologies. He is known for his work series Jennifer in Paradise, and for distributing 2.5 million bought Instagram followers. In doing so, he distributed artificial social capital. Dullaart was the winner of the Prix Net Art in 2015 and chosen as a staff-pick Kickstarter campaign for a start-up called Dulltech™.