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Henrique Pavão
Henrique Pavão

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Past Residents
Past Residents
Cornelia Herfurtner
Cornelia Herfurtner
Portugal

Past Resident
2022: Luso-American Development Foundation (FLAD)

Artist

Henrique Pavão

Artist Henrique Pavão focuses on issues of entropy, loss, anachronism, storytelling, and temporality. Pavão reflects an interest in the use of conceptual movement archaeology, which is linked, according to the artist, to a sophisticated, poetical, and cinematic use of processes. His work traverses various media (sculpture, film/video, photography, and sound), with a focus on each medium’s unique processes and mechanisms as markers of its temporality and history.

Henrique Pavão has exhibited work at Frame Section, Frieze, New York; MAAT – Museum of Art Architecture and Technology, Lisbon; and Culturgest, Porto, among others.

Events & Exhibitions

2022 Fall Open Studios
November 18–November 19, 2022
BRONZE, IRON, STEEL, WOOD, 16MM FILM PROJECTOR, LOOPER, 16MM FILM (B/W, SILENT, 2’25”, LOOP) VARIABLE DIMENSIONS INSTALLATION VIEW, ‘SEA OF TRANQUILITY’, FRAME SECTION AT FRIEZE NY AT THE SHED, NEW YORK
Henrique Pavão, Sea of Tranquility, installation view, 2021, 16mm film, bronze, iron, steel and wood, dimensions variable.
THE LOST LONGING FOR EXISTENCE, 2019 35 MM SLIDES (2 SETS OF 31), BLACK AND WHITE AND COLOR, LOOP; 35 MM SLIDE, BLACK AND WHITE; THREE SLIDE PROJECTORS SUPER 8 FILM TRANSFERRED TO DIGITAL VIDEO, BLACK AND WHITE, SILENT, 2’ 31’’, LOOP; VIDEO MONITOR 2 VINYL RECORDS, 12 IN, 33 1/3 RPM, SOUND, 21’ 28’’, LOOP; TWO RECORD PLAYERS TURTLE (NANCY), HEATING LAMP, CONCRETE AND IRON DIMENSIONS VARIABLE INSTALLATION VIEW ‘EDP FOUNDATION’S NEW ARTISTS AWARD’, MAAT, LISBON PHOTO — BRUNO LOPES
Henrique Pavão, The Lost Longing for Existence, 2019, installation, dimensions variable. Photo by Bruno Lopes.
ANTES E DEPOIS DE ANTES, 2017 ASPHALT, WOOD, REAL-TIME VIDEO CIRCUIT, 15-CHANNEL VIDEO INSTALLATION, VIDEO LOOP DIMENSIONS VARIABLE VIDEO STILL FROM THE INSTALLATION, ‘ANTES E DEPOIS DE ANTES' CULTURGEST PORTO VIDEO STILL — HENRIQUE PAVÃO
Henrique Pavão, antes e depois de antes, 2017, video installation, dimensions variable.
ABSENCE REMINDERS, 2017 INKJET PRINT ON COTTON PAPER 320GR, IRON, OBSIDIAN (36) 20 X 27 CM INSTALLATION VIEW, ‘ANOZERO’17’ BIENNIAL, COIMBRA PHOTO — HENRIQUE PAVÃO
Henrique Pavão, Absence Reminders, 2017, installation, 713/16 × 36 × 105/8 in. (19.81 × 91.44 × 26.92 cm). Photo by Henrique Pavão.
RED FLOWER #3, 2021 TERRACOTTA, ASHES, GLASS, RAMMED EARTH 255.6 x 71.1 x 71.1 IN INSTALLATION VIEW, 'RED FLOWER', BRUNO MÚRIAS GALLERY, 2021 PHOTO - BRUNO LOPES
Henrique Pavão, Red Flower #3, 2021, sculpture, terracotta, ashes, glass and rammed earth, 711/8 × 2555/8 × 711/8 in. (180.59 × 649.22 × 180.59 cm). Photo by Bruno Lopes.

Residents from Portugal

Vanja Smiljanić

Serbia, Portugal
Innovation Properties Group
Studio #203

Lukas Marxt

Germany, Portugal, Austria
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218

AnaMary Bilbao

Portugal, Spain
Luso-American Development Foundation (FLAD)
2022
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Henrique Pavão
Henrique Pavão
Elza Sile
Elza Sile
Germany

Past Resident
2022: Senate Department for Culture and Europe, Berlin

Artist

Cornelia Herfurtner

Cornelia Herfurtner utilizes wood as material and relief as form. Her work often portrays everyday objects on portable shields, taking inspiration from West-Germany legal history, where these objects were negotiated as so-called protective weapons. Herfurtner’s practice raises and answers questions such as “What does it mean for society if the defensive moment of protecting oneself is understood offensive? To protect themselves, what practices of caring for oneself and others do people develop? What is the role of public space in this?”

Cornelia Herfurtner has exhibited work at after the butcher, Berlin; very project space, Berlin; and Mélange, Cologne, among others.

Events & Exhibitions

2022 Fall Open Studios
November 18–November 19, 2022
The photograph shows the relief "Handles". On a lightly coloured wooden boardone can see different makeshift handles in relief.
Cornelia Herfurtner, Handles, 2022, lime wood, 373/8 × 235/8 in. (95 × 59.94 cm).
The Photo shows an installation view of Herfurtner's solo exhibition "What is a weapon?"
Cornelia Herfurtner, What is a weapon?, 2021, mixed media (lime wood, construction wood, potato bags, laser print on paper and straw), dimensions variable.
A relief showing safety goggles, a base cap and a safety west lies in a pile of straw.
Cornelia Herfurtner, Protective shield (Some of the participants had previously put on safety goggles), 2021, lime wood, 1911/16 × 1511/16 in. (50.04 × 39.88 cm).
The photo shows a relief hanging on a wooden structure in the space. The relief shows a view onto a table on whicht different objects are loosely laid out. One of the objects is a transparent foil with the imprint "Smash Capitalism"
Cornelia Herfurtner, Protective shield (Smash capitalism), 2021, lime wood, 291/2 × 1911/16 in. (74.93 × 50.04 cm).
A detail of the same relief shows the imprint "Smash capitalism"
Cornelia Herfurtner, Protective shield (Smash capitalism), 2021, lime wood, 1911/16 × 1511/16 in. (50.04 × 39.88 cm).

Residents from Germany

Lukas Marxt

Germany, Portugal, Austria
Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Studio #218

Szu-Ying Hsu (Ida)

Taiwan, Germany
Ministry of Culture, Taiwan
Studio #302

Matthias Garff

Germany
KdFS Kulturstiftung des Freistaates Sachsen
Studio #214
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Cornelia Herfurtner
Cornelia Herfurtner
Latvia, Switzerland

Past Resident
2022: Kim? Contemporary Art Centre

Artist

Elza Sile

Elza Sile works with possibility lists (menus) made up of units and their possible outcomes (sets). She creates a vocabulary of psycho-spatial typologies in flow by combining analytic division and mental imagery.

Elza Sile has exhibited work at Haus Konstruktiv, Zürich; Misako & Rosen, Tokyo; and Kunsthalle Zürich, among others.

International Enemies, dimensions variable, exhibited under (Mir-Nul) at Kim? Contemporary Art Centre, Riga, 2022
Elza Sile, International Enemies, 2022, gelatin, graphite pencil lead and acrylic paint on coated stick, dimensions variable.
fire droplets, installation view, exhibited under (Ge-Ilk) at Kim? Contemporary Art Centre, Riga, 2022
Elza Sile, fire droplets, 2022, oil paint on aluminium, 37 × 49 in. (93.98 × 124.46 cm).
seaweed salad on a yard sign, installation view, exhibited under (Ge-Ilk) at Kim? Contemporary Art Centre, Riga, 2022
Elza Sile, seaweed salad on a yard sign, 2022, oil paint on aluminium, 27 × 39 in. (68.58 × 99.06 cm).
Lush Wheat Star, dimensions variable, exhibited under (Mir-Nul) at Kim? Contemporary Art Centre, Riga, 2022
Elza Sile, Lush Wheat Star, 2022, gelatin, graphite pencil lead and acrylic paint on coated sticks, dimensions variable.
Liberated Lands, 21 inches, gelatin dipped into acrylic paint on coated stick, exhibited under (Mir-Nul) at Kim? Contemporary Art Centre
Elza Sile, Liberated Lands, 2022, gelatin and acrylic paint on coated stick, 21 in. (53.34 cm).

Residents from Switzerland

Sara Sjölin

Sweden, Switzerland
Danish Arts Foundation
2024

Okka-Esther Hungerbühler

Germany, Switzerland
Senate Department for Culture and Europe, Berlin
2024

Pascale Birchler

Switzerland
Pro Helvetia, Atelier Flex - Kanton Zug
2024
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