Past Residents
Past Resident2022: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Sarah Ortmeyer
Sarah Ortmeyer’s work draws from her keen interest in–and uncanny understanding of–cultural, human, and political interrelations, whether contemporary or historic, highbrow or lowbrow, and academic or punk. Her work is both intellectually challenging as well as visually stunning and refined in its execution yet emotionally completely raw.
Sarah Ortmeyer has exhibited at Belvedere Museum, Vienna; Monnai de Paris, Paris; and MoMA PS1, New York, among others.
Sarah Ortmeyer, ST PETERSBURG PARADOX, 2013, exhibition view at Swiss Institute, New York.
Sarah Ortmeyer, PALMA, 2017, exhibition view at Belvedere 21, Vienna.
Sarah Ortmeyer, FLYRT, 2018, exhibition view at Kunstverein München, München.
Sarah Ortmeyer, GRANDMASTER, 2019.
Sarah Ortmeyer, GRANDMASTER, 2014, exhibition view at Dvir Gallery, Tel aviv.
Past Resident2022: Luso-American Development Foundation (FLAD)
AnaMary Bilbao
AnaMary Bilbao articulates documentation from photography, drawing, sound, and moving images. Through the combination of these elements and references, she seeks to start fictional narratives that put into question the idea of a single truth. As the artist states, “there is no truth beforehand, only connections, interruptions, and incompleteness – a piece can never end in itself.”
AnaMary Bilbao has exhibited at ARCOmadrid, Madrid; Museum of Art, Architecture and Technology and Leal Rios Foundation, both Lisbon, among others.
Events & Exhibitions
2022 Spring Open Studios
April 22–April 23, 2022
AnaMary Bilbao, Blast effects, 2021, 35 inkjet prints on cotton paper.
AnaMary Bilbao, J’avale la vague qui me noie le soleil de midi Date: , 2021, inkjet prints, slide projections, and video.
AnaMary Bilbao, Como interromper a eternidade? (Intervalos para a dúvida) [How to cease eternity? (Gaps for doubt)], 2019, 6 inkjet prints on cotton paper 320gr 16mm film, and sound, 2:53 min, loop.
AnaMary Bilbao, Todas as formas sublimes são transitórias [All sublime forms are transitory], 2018, inkjet print on Japanese paper, 433/8 × 59 in. (110.24 × 149.86 cm) each.
AnaMary Bilbao, Renascimento por transformação II (Rebirth through transformation), 2018, Inkjet print on Japanese paper, 433/8 × 65 in. (110.24 × 165.1 cm).
Past Resident2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha2023: Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha
Kyoung eun Kang
Kyoung eun Kang’s work focuses on the small, simple everyday gestures and rituals that we tend to see as mundane, but have great significance. She captures subtle human interactions and behaviors to better understand human nature and the bonds between us–bonds that bridge time and space to connect couples, families, communities, strangers, and even the dead. Using an interdisciplinary approach, she explores geographical and cultural identity as well as universal human themes such as affection and attachment.
Kyoung eun Kang has exhibited at A.I.R. gallery, Brooklyn; The Korean Cultural Center, Washington D.C.; and Collar Works, Troy among others.
Events & Exhibitions
2023 Spring Open Studios
April 21–April 22, 2023
Care Package: A Performance Series by Kyoung eun Kang
January 24, 2023, 6-7pm
Kyoung eun Kang: Every Morning, Every Evening
December 13, 2022–February 2, 2023
2022 Fall Open Studios
November 18–November 19, 2022
2022 Spring Open Studios
April 22–April 23, 2022
Kyoung eun Kang, TRACES: 28 Days in Elizabeth Murray’s Studio, 2020, performance photograph, kodak endura luster photo print mounted on mat-board, 30 × 20 in. (76.2 × 50.8 cm).
Kyoung eun Kang, TRACES: 28 Days in Elizabeth Murray’s Studio, 2020, multimedia installation, a video shown in three segments, photographs, studio objects that belonged to the late American painter Elizabeth Murray.
Kyoung eun Kang, 1402 Seok-Dong, 2017, family poems, Korean dried anchovies, photographs, hand made ceramic sculptures, a Korean chamber pot, a sound installation and a floor installation.
Kyoung eun Kang, Partners, 2008, video still of a performance-based single channel video, 12:58 min.
Kyoung eun Kang, Omaha Diary I, 2016, three-channel video installation, 63min.
Ground Floor Residents
Hong Seon Jang
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Sarah Zapata
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Hartfield Foundation
Sasha Wortzel
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York City Department of Cultural Affairs, in partnership with the City Council, New York City Council District 34, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation, Brooklyn Borough President Antonio Reynoso