Past Residents
Past Resident2021: Conseil des arts et des lettres du Québec
Chris Andrews
Chris Andrews is an art writer, curator, and visual artist. His practice examines bio-politics, materials, stability, and their intersection with animacy.
Chris Andrews has curated work at Centre CLARK, Critical Distance Centre for Curators, and Tilling, all Montréal, among others.
Events & Exhibitions
2021 Fall Open Studios
November 13, 2021
Tanya Lukin Linklater, Laurie Kang, Lila De Magalhaes, Nona Inescu, and Jenine Marsh, You sit in a garden, 2021.
Tanya Lukin Linklater, Laurie Kang, Lila De Magalhaes, Nona Inescu, and Jenine Marsh, You sit in a garden, 2021.
Coffin Factory, Slipping Between the Gap of Touch, Two Hands Vibrating, 2017.
Chris Andrews, Nerve Net, 2021, Silver and copper wire on dyed linen, 8 × 10 in. (20.32 × 25.4 cm).
Chris Andrews, A Lack, 2017, Vacuum-sealed plastic, photographic emulsion, embroidered garment. (Continually light-sensitive), dimensions variable.
Residents from Canada
Past Resident2021: KdFS Kulturstiftung des Freistaates Sachsen
Daniel Neumann
Daniel Neumann is a New York City based sound artist, organizer, and audio engineer whose primary works are installations or performances with spatialized sound that engage focused listening.
Daniel Neumann has exhibited work at Fridman Gallery, New York; ZonaMaco, Mexico City; and TEA Tenerife Espacio de las Artes, among others.
Events & Exhibitions
2021 Fall Open Studios
November 13, 2021
Daniel Neumann, CHANNELS, 2018, sound installation, dimensions variable.
Daniel Neumann, Disambiguation - Suspended Plate, 2020, sound installation, 84 × 84 × 14 in. (213.36 × 213.36 × 35.56 cm).
Daniel Neumann, Disambiguation - Cabinet, 2020, sound installation, 70 × 34 × 12 in. (177.8 × 86.36 × 30.48 cm).
Daniel Neumann, LAND-ING, 2018, sound installation, dimensions variable.
Daniel Neumann, Resounding the Tower, 2019, sound installation, dimensions variable.
Past Resident2022: Bunka-cho - Agency for Cultural Affairs, Government of Japan
Kenji Yamada
Kenji Yamada is an artist who carries out social practice and activities to share conflicts and paradoxes within international society. These conflicts and paradoxes emerge from application and misuse of ethnographical wisdoms, remains and modern heritages, including war ruins in a particular cultural area. He complexly questions undifferentiated historical views and public interest by cooperating with citizens to publicize and reveal historical artifacts that have been buried by the construction of public spaces to society.
Kenji Yamada has exhibited at 3331 Arts Chiyoda, Tokyo; Yang Art Museum, Beijing; and Morgue Gallery, Chelsea College of Arts, London, among others.
Kenji Yamada, MITA Intercept, 2020, video installation, 5:28 min.
Kenji Yamada, Intercepted self-portrait, 2017, 3 channel video installation, 5:00 min.
Kenji Yamada, Cao Gang River meeting practice, 2016, 10 channel video installation, 67:00 min.
Kenji Yamada, Smurfed remain, 2016, 2 channel video installation, 90:00 min.
Kenji Yamada, BSIM (, 2011, Interactive video installation.
