Past Residents
Past Resident2022: Institut Français, Villa Albertine
Ittah Yoda
Ittah Yoda is a duo formed by Kai Yoda and Virgile Ittah. Ittah Yoda have developed their artistic identity through the use of digital technology, which has served as a channel for cross-cultural creative collaborations. Their work takes the form of large generative and performative installations. Through haptic experience, they attempt attempt a therapeutic approach to reframe ways of communicating and living together in the dawn of symbiocene.
Ittah Yoda has exhibited work at Rencontres d’Arles, France; Grand Palais Ephemere, Paris; and Frieze Cork Street, London, among others.
Ittah Yoda, Installation Never the Same Ocean, 2022, mixed media, dimensions variable. Group exhibition 'The Territories of Abstraction' presented by Galerie Jérôme Poggi at No.9 Cork Street: Frieze.
Ittah Yoda, Francis and Rebecca, 2022, oil paint and spray paint on canvas, 47 × 63 in. (119.38 × 160.02 cm).
Ittah Yoda, Never the Same Ocean, 2021, glass, brass, phytoplankton, LED screen, VR artwork and aluminium, dimensions variable .
Ittah Yoda, Lei, 2021, glass, pate de verre and brass, 11 × 15 × 8 in. (27.94 × 38.1 × 20.32 cm).
Ittah Yoda, Body Alights a fragmented memory, 2019, aluminium casted, VR artwork, resin, thermochromic pigments and LED screen, dimensions variable.
Past Resident2022: Danish Arts Foundation
Dina El Kaisy Friemuth
Dina El Kaisy Friemuth’s practice deconstructs the complexities of collectivity and belonging through curating, teaching, writing, and visual arts, frequently created in collaboration with other cultural workers. Her work focuses on creating environments that prioritize voices from the global South, as well as decolonial and institutional critique. Together with Anita Beikour and Neda Sanai, she co-founded the artist collectives FCNN (Feminist Collective with No Name) and D.N.A.
Dina El Kaisy Friemuth’s has exhibited work at 11 Berlin Biennale; Gasworks, London; and O-Overgaden, Copenhagen, among others.
Dina El Kaisy Friemuth, No History at All, 2021, video and carpet.
Dina El Kaisy Friemuth, Oral History, 2022, talk.
Dina El Kaisy Friemuth, What Cannot Be Said Must Be Wept, 2022, comic.
Dina El Kaisy Friemuth, Fluid Organisms, 2020, video.
Dina El Kaisy Friemuth, Welcome To The Crisis, 2021, billboard.
Residents from Denmark
George Egerton-Warburton
Utilizing text, sculpture, painting and video, George Egerton-Warburton’s works embrace stylistic dissonance and the syntax of conceptual art. The artist’s practice attempts to investigate the discordance between impulses and behavior shaped by cultural norms.
George Egerton-Warburton has exhibited works at Heide Museum of Modern Art, Melbourne; Shoot the Lobster, New York; and Chateau Shatto, Los Angeles, among others.
Events & Exhibitions
2022 Fall Open Studios
November 18–November 19, 2022
George Egerton-Warburton, Installation view, Contemporary Art Tasmania, 2018, chairs and paper.
George Egerton-Warburton, Woozy Heights, 2022, steel from farm machinery and infrastructure, castor wheels, eucalyptus branch, chain, antique plough point, Guzman y Gomez table numbers, United Airlines ratchet strap, strainer, designer coffee mugs, water bottles, carrier, Calvin Klein underpants, security tag and disco ball, 353/8 × 755/8 × 7811/16 in. (89.92 × 192.02 × 199.9 cm).
George Egerton-Warburton, Untitled, 2021, tiger snake.
George Egerton-Warburton, Installation view, Heide Museum of Modern Art, 2019, augers, belts, DC motors, modified steel grating, oil on canvas, resin and tape.
George Egerton-Warburton, Installation view, Chateau Shatto, 2017, motors, wood, cotton and foam.
