Past Residents
Past Resident2019: Fire Station - Qatar Museums
Fatima Mohammed
Fatima Mohammed works in mixed media, installation art and printmaking, creating her own homemade inks from medicines meant to cure her back complaint. Her work focuses on the changing social anatomy of the Arabian Gulf, portrayed through the perspective of her fictional character, 3naj (Anaj).
Fatima Mohammed (born 1993, Qatar) graduated from Virginia Commonwealth University Qatar (VCUQ) in 2016, with a major in Painting and Printmaking and a minor in Art History. She has exhibited work at al markhiya gallery, Fire Station, and Msheireb Museums, all Doha, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Fatima Mohammed, The Golden Cage, 2018, mixed media.
Fatima Mohammed, 3naj Searching for the Supersonic, 2018, mixed media.
Fatima Mohammed, Unscrewed, 2018, mixed media.
Fatima Mohammed, Oil & Gold, 2018, mixed media.
Fatima Mohammed, The Start, 2015, mixed media.
Residents from Qatar
Fritjof Mangerich
Fritjof Mangerich is concerned with the relationship of the public realm of urban space, its sonic dimensions and the human body and its metabolisms. In his site responsive situations, he uses sound as a sculptural matter to fathom both the psychology of architecture and the physicality of perception.
Fritjof Mangerich has exhibited at Kunstmuseum Wolfsburg, Germany; Salian Art Space, Lembang, Jawa Barat, Indonesia; and Kuenstlerforum Bonn, Germany, among others.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, eine andere Stimme, 2016, gypsum, birch plywood, modeling stands, steel rope, speaker, wire, amplifier, and WAV-Player; in situ in Braunschweig, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.
Fritjof Mangerich, Neuroschuppen, 2018, petroleum jelly, paraffin wax, Zellan©, transducer, wire, amplifier, and computer; in situ in Berlin, Germany.
Past Resident2019: Pollock-Krasner Foundation
Teresa Viana
In her practice, Teresa Viana materializes tactile thoughts into paintings, and introduces synesthetic elements in her works through the use of thick and heavy layers of encaustic. She does so by using a method she has developed over the years, with the goal of elevating the sculptural dimension of encaustic techniques.
Teresa Viana has exhibited at A.I.R Gallery, New York; Museum of Contemporary Art, University of São Paulo; and São Paulo Museum of Modern Art, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Teresa Viana, Detail, 2017, encaustic and oil on canvas.
Teresa Viana, Untitled 1, 2017, encaustic and oil on canvas, 981/2 × 19613/16 in. (250.19 × 499.87 cm).
Teresa Viana, 2015-16, encaustic and oil on canvas. Exhibition view at Centro Cultural São Paulo.
Teresa Viana, Series - 2017-PS2, 2017, encaustic and oil on canvas, 10 paintings, 11 x 7 in. each.
Teresa Viana, Series - 2017-FS2, 2017, sheep wool felting, 10 works, 20 x 14 inc. each.
