Past Residents
Past Resident2023: Federal Ministry for Arts, Culture, the Civil Service and Sport of Austria
Belinda Kazeem-Kamiński
Belinda Kazeem-Kamiński is a writer, artist, and scholar. Her research-based and process-oriented practice rooted in Black feminist theory revolves around archives, specifically the gaps and blanks in public archives and collections. Her works, which intertwine documentary and fiction and are presented in a wide range of mediums, examine the present of an everlasting colonial past. Kazeem-Kamiński’s first artistic monograph a past without closure will be published by Sternberg Press in 2023.
Belinda Kazeem-Kamiński has exhibited work at 2023 Liverpool Biennial, United Kingdom; Camera Austria, Austria; and Kunsthalle Wien, Viena, among others.
Belinda Kazeem-Kamiński, Unearthing. In Conversation, 2017, video, 13 min.
Belinda Kazeem-Kamiński, The Letter, 2019, video, 18 min.
Belinda Kazeem-Kamiński, Fleshbacks, 2021, video, 6 min.
Belinda Kazeem-Kamiński, In Search of Red, Black, and Green, 2021, photograph, 31 × 46 in. (78.74 × 116.84 cm)
Belinda Kazeem-Kamiński, Respire (Liverpool), 2023, video, 16 min.
Residents from Austria
Past Resident2023: Danish Arts Foundation
Hannibal Andersen
Hannibal Andersen creates images, objects, interventions and performances that address the role of the economy in society. He gives intangible economic conditions physical form, revealing their relationship to art and existence. His works pose amusing and embarrassing issues about capital’s authority, limitlessness, and invisible power.
Hannibal Andersen has exhibited work at Kunsthal Charlottenborg, Copenhagen; P.E.T Projects, Athens; and The National Museum of 21st Century Arts, Rome, among others.
Hannibal Andersen, $!?, 2022, trademarked paint, 748 × 394 in. (1899.92 × 1000.76 cm)
Hannibal Andersen, The Abstract Expression of Privatization, 2022, readymade jpegs printed on artpaper, clip-frames and neutral grey backdrop, 83 × 70 in. (210.82 × 177.8 cm)
Hannibal Andersen, Everything Under the Sun, 2023, mixed media, dimensions variable
Hannibal Andersen, Everything Must Go!, 2022, video/animation and LED ad-screen, 15 sec
Hannibal Andersen, Møntfod (Coin Foot), 2021, CNC-cut styropor, polyurea coating and paint, 79 × 47 × 32 in. (200.66 × 119.38 × 81.28 cm)
Residents from Denmark
Alex Nowak
Alex Nowak is a transdisciplinary artist creating sculptures and paintings in the realm of a comical archeology. Blurring the lines between the built environment and the natural world, his artworks are characterized by raw texture and organic forms. Nowak explores spatial stories about the human figure that are influenced by folk props and horror fiction. His work aims to interweave artistic materiality with contemporary social and philosophical theory.
Alex Nowak has exhibited work at Folkwang Museum, Germany; Banff Centre for Arts and Creativity, Canada; and KIT, Germany, among others.
Alex Nowak, Puppets on Fire, 2023, paint, styrofoam and stucco, installation view, dimensions variable
Alex Nowak, Angelisa Frayed, 2023, paint, styrofoam and stucco, 90 × 20 × 20 in. (228.6 × 50.8 × 50.8 cm)
Alex Nowak, Puppets on Fire, 2023, paint, styrofoam and stucco, installation view, dimensions variable
Alex Nowak, Puppets on Fire, 2023, paint, styrofoam and stucco, installation view, dimensions variable
Alex Nowak, Untitled, 2017, paint, styrofoam and stucco, from the group exhibition "Mary and the Vulcano" at KIT, Düsseldorf, 80 × 80 in. (203.2 × 203.2 cm)
