Past Residents
Past Resident2020: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Yasmina Haddad
Yasmina Haddad’s artistic practice is based on photography and sometimes extends to different media such as sculpture, sound and set design. Recent works focus on how different cultural expressions are inevitably connected and how this reciprocal impact manifests through esthetics. The subjects shown often derive from the fields of fashion and theatre, and are portrayed in stage-like situations. Somewhat artificial and glossy, isolated from their usual settings, they depict socio-cultural processes and recall the malaise of postmodern sensitivities.
Yasmina Haddad has exhibited work at Beirut Art Center; Liu Haisu Museum, Shanghai; and Kunsthalle Exnergasse, Vienna, among others.
Events & Exhibitions
2019 Fall Open Studios
November 15–November 16, 2019
Residents from Austria
Past Resident2019: Danish Arts Foundation
Helene Nymann
Helene Nymann’s practice addresses the concept of embodied knowledge and the ways in which associative images stimulate memory. Applying mnemonic devices and memory-systems to image-making, Nymann constructs performative environments in which the moving image, sound and sculpture make way for transformative arrays of consciousness, deepening the understanding of the fundamental aspects by which we process information, store knowledge and create memories for more sustainable futures.
Helene Nymann has exhibited work at The New Museum, New York; Fridman Gallery, New York; and Kunsthal Aarhus, Denmark, among others.
Residents from Denmark
Past Resident2019: Mondriaan Fund2014: Van Beuningen/Peterich Fund
Allard van Hoorn
Allard van Hoorn investigates relationships to our environment incorporating the disciplines of architecture, design, music and dance. He visually, acoustically and spatially transcodes our usage and perception of cities and nature in order to question preconceptions and experiences of the spaces we live and work in. Through mapping and the subsequent re-ordering of embedded rituals, rules and routines in buildings and public spaces, he allows for reinterpretation of form and function taking into account the inherent impossibility of complete description of our world by manmade systems.
Allard van Hoorn (Leiden, The Netherlands, 1968) has been shown at biennials in cities including Istanbul, Shenzen and Gwangju. His work has also been shown at the de Appel Arts Centre and Stedelijk Museum Amsterdam, Storefront for Art and Architecture, New York City; Pinakothek der Moderne, Zurich; the Moore Space, Miami; MoCA and Zendai MoMA, Shanghai; Art Rotterdam; Van Abbemuseum, Eindhoven; Gasworks, London; CCCB, Barcelona; Museu de Arte Moderna, Salvador; Museo de la Ciudad de México, the German Architectural Centre, Berlin and Contemporary Arts Center, Cincinnati. He currently collaborates as Outpost with OfficeUS, the official participation of the United States at the Venice Architectural Biennial. He tutors at the Architectural Association in London.