Current Resident: Jun 1, 2023–Jul 31, 2023
Artis
Studio #222
Curator
Vanina Saracino
Vanina Saracino (she/they) is an independent curator, film programmer, writer, and lecturer. Her work focuses on theories and art practices that question anthropocentric and binary worldviews from an intersectional perspective, with an emphasis on lens-based and time-based art. Since 2021, Saracino has taught at the Institute of Time-based Art – IZM, Universität der Künste, and the MFA Bezalel Academy of Arts and Design.
Vanina Saracino has curated exhibitions at Screen City Biennial, in Berlin and Oslo; and the Contemporary Art Museum of Estonia, among others.
Patricia Domínguez, Matrix Vegetal, 2022, installation, dimensions variable. Courtesy of the artist. Photo by Marjorie Brunet Plaza
Anna Ehrenstein and 4DHD (Cibelle Cavalli Bastos and Coco Magnusson), Coffee Ground Imaginaries, 2022, AR experience. Courtesy of the artists. Photo by Marjorie Brunet Plaza
Jaakko Pallasvuo, Hole & Hole 2, 2019-2020, video installation and posters, dimensions variable. Courtesy of the artist
Kristina Õllek, Nautilus New Era, 2018, video installation, dimensions variable. Courtesy of the artist and Art Museum of Estonia. Photo by Kristina Õllek
Emilija Škarnulytė, Deep Point Cloud, 2019, video installation, dimensions variable. Courtesy of the artist. Photo by Oddbjørn Erland Aarstad
Current Resident: Jan 1, 2023–Jun 30, 2023
Pollock-Krasner Foundation
Studio #302
Artist
Hellen Ascoli
Hellen Ascoli creates multidisciplinary works that weave through memory and sensation. Working primarily with a backstrap loom, Ascoli situates herself within concepts of proprioception, affordances, and translation.
Hellen Ascoli has exhibited works at Art Pace, Texas; Contemporary Art Center, Ohio; and La Nueva Fàbrica, Guatemala, among others.
hellenascoli.com
Hellen Ascoli, The Corners Speak, 2022, collaboration with Karl Williamson, textile, sound and wood, 63 × 63 × 20 in. (160.02 × 160.02 × 50.8 cm)
Hellen Ascoli, E como Leer, 2022, collaboration with Karl Williamson, textile and wood, 63 × 10 × 12 in. (160.02 × 25.4 × 30.48 cm)
Hellen Ascoli, ¿How is your heart?, 2021, textile and wood, 196 × 236 in. (497.84 × 599.44 cm)
Hellen Ascoli, We Shaped Soft Gods Here, 2021, collaboration with Karl Williamson, textile, wooden molds and kinetic components, 275 × 80 × 2 in. (698.5 × 203.2 × 5.08 cm)
Hellen Ascoli, Cien Tierras, 2021, textile and wood, 80 × 100 in. (203.2 × 254 cm)
Current Resident: Jun 1, 2023–Aug 31, 2023
Doosan Art Center
Studio #303
Artist
Dew Kim
Dew Kim’s artistic approach is based on exploring the many intersections between art, religion, and identity that occur at the junction of change and collision. Kim uses installations and video art to examine topics such as sexuality, queerness, feminism, sadomasochism, pop culture, religion, mysticism, and the body.
Dew Kim has exhibited work at Various Small Fires, Seoul; National Museum of Modern and Contemporary Art, Seoul; and Para Site, Hong Kong, among others.
Dew Kim, Total Praise, 2023, mixed media with wood and lenticular, 39 × 351/2 × 1 in. (99.06 × 90.17 × 2.54 cm)
Dew Kim, Let the Church Say Amen, 2023, mixed media with steel, beads, metal and silicone casting, 67 × 31 × 4 in. (170.18 × 78.74 × 10.16 cm)
Dew Kim, Enrapture, 2022, wood, lenticular print and mixed media, 71 × 371/2 × 15/8 in. (180.34 × 95.25 × 4.06 cm)
Dew Kim, LOOK, 2022, iron, aluminum, clay, a neon light, a light stick, 3D printed resin and iPhone, 45 × 291/2 × 12 in. (114.3 × 74.93 × 30.48 cm)
Dew Kim, LOOK, 2020, single channel video, 4:18 min
