Past Residents
Past Resident2013: Al-Riwaq Art Space
Jaffar Al Oraibi
Jaffar Al Oraibi began drawing and painting early in life, first drawing portraits of friends and family members and then landscapes in Bahrain. His work has evolved toward the evolution of knowing the world of art and artists, through direct visits inside and outside Bahrain.
Jaffar Al Oraibi (born 1976) is one of Bahrain’s foremost emerging contemporary artists, with a Bachelor of Education from the University of Bahrain. His work has been exhibited widely, including solo exhibitions at Cuadro Fine Art Gallery, Dubai, and Al Riwaq Art Space, Bahrain. Group exhibitions include Morocco’s Asilah Festival, the China Art Olympiad Biennale, the 5th International Print Triennial in Egypt, and the Cité International des Arts in France. He has won numerous awards for his work, such as first prize at the Qatari Diar Art Symposium, special recognition at the 32nd Annual Plastic Arts exhibit at Bahrain’s National Museum, and the Silver Palm from the seven GCC art exhibitions, Kuwait. Al Oraibi was an artist-in-residence at Cité International des Arts and the Delfina Foundation in London.
Events & Exhibitions
Salon: Jaffar Al Oraibi, Waheeda Malullah and Mohamed Sharkawy
August 27, 2013
Jaffar Al Oraibi, Untitled, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 0, 2012, Oil, charcoal and oil bar on canvas, 5611/16 × 5811/16 in. (144.02 × 149.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 22, 2010, Oil, charcoal and spray paint on canvas, 353/8 × 275/8 in. (89.92 × 70.1 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled, 2010, Oil, charcoal and oil bar on canvas, 5811/16 × 753/16 in. (149.1 × 191.01 cm). Courtesy of the artist.
Jaffar Al Oraibi, Untitled 3, 2010, Oil, charcoal, oil bar and spray paint on canvas, 5611/16 × 753/16 in. (144.02 × 191.01 cm). Courtesy of the artist.
Residents from Bahrain
Past Resident2013: Creative Australia
Jackson Slattery
Jackson Slattery’s practice operates within the grey area between external and internal realities and examines the relationship between concept and subject matter. In collecting disparate and diverse images then meticulously reconstructing them, Slattery alludes to a narrative of events, one that is concerned as much with the fiction as with the realities that it is extracted from. Recently, Slattery’s practice has branched out from the tight frame of the watercolour with a radical shift in scale in the form of sculpture and installation.
Jackson Slattery (Born 1983) lives and works between Montreal and Melbourne. In 2004, Slattery received his BFA in Drawing from RMIT University. Slattery has shown extensively both nationally and internationally. Recent exhibitions include Drunk Versus Stoned, Neon Parc, 2013; Wrong Formalism, Sutton Gallery, Fitzroy, 2012; Primavera, Museum of Contemporary Art, Sydney, 2010 and in 2013 he will be Asialink Australia’s representative at Setouchi Triennale. Slattery has participated in several residency’s including Gertrude Contemporary Art Spaces, Melbourne, 2008-10 as well as the Sammlung Lenikus Programme, Vienna, 2012. Slattery is represented by Sutton Gallery, Fitzroy.
Jackson Slattery, Untitled (Props), 2011, Handmade stickers, perspex and bluestone. Courtesy of the artist.
Jackson Slattery, Untitled (Pears), 2013, Watercolor on paper (diptych), 20 x 12 in. and 18 x 11 in. Courtesy of the artist.
Jackson Slattery, Untitled (Wrong Formalism), 2012, Watercolor on paper (diptych), 161/2 × 113/8 in. (41.91 × 28.96 cm). Courtesy of the artist.
Jackson Slattery, Quarter Turn, 2011, Watercolor on paper, 411/16 × 611/16 in. (11.94 × 17.02 cm). Courtesy of the artist.
Past Resident2013: Canada Council for the Arts
Paul Dignan
The starting point for Paul Dignan’s recent paintings are squares aligned in an even grid. Within these squares there are individual compositions based on one original source drawing. These paintings challenge the viewers’ perception in that the apparent uniformity of the schemata gradually begins to dissolve over time allowing slight shifts to occur. The feeling of order is further disrupted by the placement of flat areas next to airbrushed areas that feign an illusion of depth. Within a limited and regular format the paintings offer endless shifting variations that initially engage the viewers eye before ultimately revealing a certain resistance to it.
Paul Dignan (born Dundee, Scotland) is based in Ontario, Canada. He has lived and worked there since leaving Scotland in 2003. He is a graduate of the Slade School of Fine Art, London and is a past recipient of The Rome Scholarship in Painting at The British School at Rome. He has received numerous awards from the Scottish Arts Council, The Ontario Arts Council and The Canada Council for the Arts. His work has been included in shows at the Centre for Contemporary Art, Glasgow; The Museum of Contemporary Art, Skopje; FYR Macedonia and The Art Gallery of Ontario, Toronto. His work can be found in numerous collections, including The Art Gallery of Nova Scotia, The Unilever Collection, London and The Canada Council for the Arts.
Paul Dignan, Cota 1, 2011, Acrylic on canvas, 48 × 48 in. (121.92 × 121.92 cm). Courtesy of the artist and The Canada Council for the Arts.
Paul Dignan, Beamish 2, 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Beamish 2 (detail), 2012, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
Paul Dignan, Corridor 2, 2013, Acrylic on canvas, 60 × 60 in. (152.4 × 152.4 cm). Courtesy of the artist.
Paul Dignan, Corridor 3, 2013, Acrylic on canvas, 36 × 36 in. (91.44 × 91.44 cm). Courtesy of the artist.
