Past Residents
VOID
VOID is a Brussels-based visual art collective founded in 2013 by Arnaud Eeckhout and Mauro Vitturini. VOID’s research is focused on the use of sound as a visual medium to question human perception and interaction.
VOID has exhibited work at ARTER – Space for Art, Istanbul; BOZAR Centre for Fine Arts, Brussels; and Museum of Contemporary Art of Rome, among others.
VOID, Bruit Blanc, 2015, mixed media, dimensions variable.
VOID, Au clair de la lune, 2017, casted tin, dimensions variable.
VOID, Phonautogram #n, 2018, sound engraving on smoke-blackened paper, dimensions variable.
VOID, One Drop, 2013, mixed media, 124 × 100 × 39 in. (314.96 × 254 × 99.06 cm).
VOID, Orgue Basaltique, 2018, mineral wool, dimensions variable.
Residents from France
Past Resident2019: National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts
Jesse Chun
Jesse Chun’s interdisciplinary work begins with examining legal and historic documents, linguistic pedagogies, and records of cultural memory. She uses text, digital media, sound, sculpture, and publishing as ways to unlearn and re-interpret language’s relationship to bureaucracy, power, and place. Her practice considers new poetics that are rooted in diasporic and postcolonial languaging, and possibilities of untranslatability.
Jesse Chun has exhibited work at Queens Museum; Brooklyn Academy of Music; and Bronx Museum of the Arts, all New York, among others.
Jesse Chun, translations (on evidence, untranslatable futures, and other drawings), 2019, etched latex, sublimation dye transfer on aluminum, watermarks, pins, paper and aluminum frame, graphite on wall, and illegible fingerprints.
Jesse Chun, Neither Nor, 2018, concrete, 16 × 16 in. (40.64 × 40.64 cm).
Jesse Chun, WORKBOOK, 2017, single-channel video with sound, 7:24 min.
Residents from South Korea
Past Resident2019: Kunststiftung des Landes Sachsen-Anhalt
Andrea Flemming
Andrea Flemming has a multidisciplinary practice that includes photography, sculpture, installation and temporary interventions. She has a particular interest in mirrored glass, which Flemming uses in exhibition spaces. She connects its reflective surfaces with the photographs and objects she creates.
Andrea Flemming has exhibited work at Kunstverein Trier Junge Kunst e.V.; Westpol A.I.R. Space, Leipzig; and Galerie Bunker–D, Kiel, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Andrea Flemming, Lens, 2016, lustred glass, silvered. Photo by Rene Schäffer.
Andrea Flemming, Installation of Consoles, 2017, blown glass, wood, and clay, dimensions variable. Photo by Andrea Flemming.
Andrea Flemming, Series Luminance, 2016, print on aluminum dibond and blown glass, silvered, dimensions variable. Photo by Rene Schäffer.
Andrea Flemming, Me, 2011, print on aluminum dibond, 63 × 39 in. (160.02 × 99.06 cm). Photo by Rene Schäffer.
