Past Residents
Past Resident2019: Artis
Orr Menirom
Orr Menirom’s work examines how digital moving images form personal memories and collective narratives. She explores how digital imagery reflects upon, and interjects with, the daily reality of social and political life. Her works are influenced by research-based practices, documentary filmmaking and video essays. Part of her process involves re-editing found footage. She also creates environments which are documented and edited into moving image work.
Orr Menirom has exhibited work at Pippy Houldsworth Gallery, London; International Film Festival Rotterdam; and Tel Aviv Museum of Art, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Orr Menirom, Homewrecker, 2015/18, single channel HD video, 14:30 min.
Orr Menirom, Clinton and Sanders Looking at the World and Naming Things for the First Time, 2018, two-channel video installation, 12:30 min.
Orr Menirom, Clinton and Sanders Looking at the World and Naming Things for the First Time, 2018, two-channel video installation, 12:30 min.
Orr Menirom, Limited Speech Holds Endless Misunderstandings, 2013, single channel single video, 10 min.
Orr Menirom, Exchange, 2014, single channel HD video, 12 min.
Residents from United States
Ailyn Lee
Studio #210
Angel Lartigue
Studio #217
Past Resident2019: National Endowment for the Arts, The Andy Warhol Foundation for the Visual Arts
Jesse Chun
Jesse Chun’s interdisciplinary work begins with examining legal and historic documents, linguistic pedagogies, and records of cultural memory. She uses text, digital media, sound, sculpture, and publishing as ways to unlearn and re-interpret language’s relationship to bureaucracy, power, and place. Her practice considers new poetics that are rooted in diasporic and postcolonial languaging, and possibilities of untranslatability.
Jesse Chun has exhibited work at Queens Museum; Brooklyn Academy of Music; and Bronx Museum of the Arts, all New York, among others.
Jesse Chun, translations (on evidence, untranslatable futures, and other drawings), 2019, etched latex, sublimation dye transfer on aluminum, watermarks, pins, paper and aluminum frame, graphite on wall, and illegible fingerprints.
Jesse Chun, Neither Nor, 2018, concrete, 16 × 16 in. (40.64 × 40.64 cm).
Jesse Chun, WORKBOOK, 2017, single-channel video with sound, 7:24 min.
Residents from Hong Kong
Simon Liu
Horace W. Goldsmith Foundation, Alice and Lawrence Weiner, New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature, New York City Council District 34, New York City Department of Cultural Affairs, in partnership with the City Council, Brooklyn Borough President Antonio Reynoso, Hartfield Foundation, Danna and Ed Ruscha, The Milton and Sally Avery Arts Foundation
Past Resident2019: Federal Ministry for Arts, Culture, Civil Service and Sport of Austria
Tina Lechner
Working with analog photography, Tina Lechner uses her camera as an instrument to explore identity, depict subjectivity, and open the gaze to an apocalyptic vision of (post-) modernity. In her photographs the human body is coated in self-produced sculptural objects that suggest some sort of science fiction-esque rebirth undermining the cultural construction of femininity.
Tina Lechner has exhibited work at C/O Berlin; Weltmuseum, Vienna; and Belvedere 21, Vienna, among others.
Events & Exhibitions
Spring Open Studios 2019
March 29–March 30, 2019
Tina Lechner, Coco, 2016, gelatin silver print, 235/8 × 1911/16 in. (59.94 × 50.04 cm).
Tina Lechner, Freja, 2016, gelatin silver print, 311/2 × 235/8 in. (80.01 × 59.94 cm).
Tina Lechner, B12, 2018, gelatin silver print, 311/2 × 235/8 in. (80.01 × 59.94 cm).
Tina Lechner, Cecilia, 2018, gelatin silver print, 311/2 × 235/8 in. (80.01 × 59.94 cm).
Tina Lechner, Paula C., 2018, gelatin silver print, 353/8 × 271/2 in. (89.92 × 69.85 cm).
